Pat and Mike

1952 "Together again - and it's no fib, their funniest hit since "Adam's Rib""
6.9| 1h35m| NA| en| More Info
Released: 13 June 1952 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Pat Pemberton is a brilliant athlete, except when her domineering fiancé is around. The ladies golf championship is in her reach until she gets flustered by his presence at the final holes. He wants them to get married and forget the whole thing, but she cannot give up on herself that easily. She enlists the help of Mike Conovan, a slightly shady sports promoter. Together they face mobsters, a jealous boxer, and a growing mutual attraction.

Genre

Comedy, Romance

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Director

George Cukor

Production Companies

Metro-Goldwyn-Mayer

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Pat and Mike Audience Reviews

UnowPriceless hyped garbage
Pluskylang Great Film overall
Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
blanche-2 "Pat and Mike" from 1952 is a delightful Tracy-Hepburn film, one of nine they made together. I guess of all of them, Sea of Grass was the worst. But I digress.Pat (Hepburn) is an athletics teacher engaged to a somewhat domineering guy. She is told by the manager of a golf club (Jim Backus) that she has the goods to make the womens national golf team, and she should go for it. She does, and there, she's discovered by a marginal manager, Mike (Tracy), who gives her his card, even though the presence of her fiancée (William Ching) made her choke on her game and always does. Mike's managing consists of fixing events, but after he feels Pat out and realizes she's honest, and he sees how talented she is, he decides to take her on as a client. He at present has a boxer client (Aldo Ray) and a horse, Little Nell.Pat goes to see him after she quits her job. When Mike asks her if she can do anything besides golf, it turns out that golf isn't even her best sport. That's tennis. But she can also do sharpshooting and a bunch of other things. They go the tennis route. And without realizing it, their feelings go beyond manager and talent.Very good film, with real-life golf stars Babe Didrickson Zaharias and Gussy Moran on hand as golfers, and Charles Bronson and Chuck Conners in small roles.Pat and Mike works because of the tremendous chemistry between Tracy and Hepburn.
vincentlynch-moonoi First off, I love the clothes Spencer Tracy wore in this flick. I guess that says something negative about my own tastes...although I wouldn't wear those clothes...but he sure looked nifty! And I hated the music during the opening and closing credits of the film. Among the worse I've ever heard in a motion picture! But then the movie settles down nicely as we learn that Pat (Katharine Hepburn) is a very talented sports person, whose biggest problem seems to be her fiancé, who unconsciously intimidates her. We discover she's super at golf, tennis, shooting, self defense, and a myriad of other sports. And, lots of this was really done by Hepburn for the cameras! Hepburn is perfect here.Then she meets Mike, a just slightly seedy sports manager, who at first wants to use her to throw a golf match, but later manages her legitimately. Tracy is perfect here, and that's high praise because here he is playing a very different type of character where his typical understated acting isn't right for the part.There are a bevy of supporting actors here who are fun to watch: Chuck Connors (his first movie role), a young Charles Bronson, and a very welcome Jim Backus in the early part of the film.Of the five romantic comedies that Hepburn and Tracy appeared in, this is in the top half -- not as good as "Adams' Rib", but better than the others. It deserves a place on your DVD shelf!
mark.waltz This was Spencer Tracy and Katharine Hepburn's last MGM movie made together, and equally as good as their two finest ("Woman of the Year" and "Adam's Rib"). The film focuses on Hepburn, a world-class athlete who has a problem in golf and tennis matches any time her fiancée (William Ching) is around. Spencer Tracy plays a New York sports agent who notices her talent and takes her on as a client. He finds she is just as determined as he is, and they make an incredible pair as she gets ready for a world class tennis event. But when Ching shows up, all of a sudden, the net is too high, her racket too small, and one ball coming at her looks like a dozen. That's when Tracy steps in to try and keep her fiancée away from her, as well as deal with the mobsters who put up the money for her in the first place.There is no doubt that Tracy and Hepburn together had as much chemistry as any super couple on the movie screen in the golden days of Hollywood. Add on the writing team of Ruth Gordon and Garson Kanin (looking for another hit for them after "Adam's Rib"), and you have the tools towards one of the smartest comedies of the 1950's. Aldo Ray is hysterical as a dumb boxing client of Tracy's, and is surrounded by a perfect supporting cast. Phyllis Povah, the baby machine of 1939's "The Women", plays the chatty lady who annoys Hepburn during a golf game, while Charles Buchinski seems a bit familiar as one of the mobsters whom Hepburn beats up (by picking him up by the pant legs). Oh, wait a minute....It's future action superstar Charles Bronson, long before stardom, but extremely amusing in a rare comedy role. Fortunately, while this was their last MGM film together, they had two more to go-"Desk Set" over at Fox (a delightfully funny spoof about the future of corporate research) and Columbia's controversial "Guess Who's Coming to Dinner".
bobsgrock The seventh pairing of Spencer Tracy and Katharine Hepburn focuses on the sports world with Hepburn playing Pat Pemberton, an all-around athlete hoping to go professional. To do that, she needs the help of a sports manager, a tough and savvy Irishman, Mike Conovan. Here, Hepburn plays the more delicate character as she is apparently unable to perform at her best when her fiancée (William Ching) is around. This of course leads to the typical pairing of the two leads as well as Pat realizing who she really needs to be with.This was a very mediocre film, barely following a serious plot and stretching it just enough to be able to see some nice footage of Hepburn playing Babe Didrickson at golf as well as playing some indoor tennis. I never knew Hepburn was so athletic, especially at her age of filming this, but she did practically all of these scenes herself and proves that she was a capable athlete as well as actress. And although this wasn't as good a film as Adam's Rib, I liked Tracy a lot more in this role than that one. Here, he was much more likable as well as clever and sarcastic. There is a great scene when he describes to Hepburn how he runs his business and why he is so strict on how he runs the relationship between manager and athlete.The supporting cast is mediocre as well with Ching as the helpless fiancée, Aldo Ray as a dim-witted boxer and Jim Backus as a golf store attendant. The only real reason to watch this at all is to admire the chemistry Tracy and Hepburn shared as well as admire the athletic ability Hepburn had all her life. It isn't their best work, but Tracy is very good and somewhat elevates the material better than it could be if another actor was in that role. This is also a testament to the fine actor Tracy was as his health started to decline after this. If only he could have remained healthy a little longer he could have extended his legacy as one of the best actors America has ever seen.