Alicia I love this movie so much

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Hulkeasexo it is the rare 'crazy' movie that actually has something to say.

Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.

lindy_bop It was slow getting started ... if it ever did ... and the story (if there was one) made no sense to me. I liked some of the songs, I liked Willie Nelson and his sons. Neil ... well, it was an ego-trip, wasn't it? But we did watch the whole movie and when it was done, I asked my son, what was that about? He said you'd have to be stoned to find out, I guess. Rock on, Neil.

lesleyswc I so wanted to love this. Willy Nelson. Neil Young? How could it not be fabulous.The intro is more interesting than the actual story. Even if it were just an album. You would have to edit out the annoying screeches. Great idea but...as always it's in the details.

st-shot Self described "auteur" Darryl Hannah stumbles around some mighty pretty territory while her cinematographer Adam Vollick fumbles to get acquainted and haphazardly experiment with his camera in this disjointed slacked jawed oater that features legendary rocker Neil Young and his band playing cowboys. With only snippets of jarring visual interest and the ambiguity of the early moments dissolving into heavy handed pretense it takes a full half hour for Paradox to pull out of its scattered torpor as Neil and the boys come to the rescue with a stirring rendition of his Peace Trail. The respite remains brief however as Young takes one of his most beautiful acoustical works Pocohantes and turns it into a dirge with a portable pipe organ. The rest of his score simply provides intrusive bombast to enigmatic skies, glorious aspens and grazing animals (deservedly noted in the credits since they give the best performances) while cowgirl in the sand Hannah incoherently presents her surreal vision with an 8 1/2 version of two cowpokes tethered to the ground flying kite like above the tent where Neil and the boys perform. Paradox is similar in many ways to Young's wandering Journey Through the Past made in the 1970s. After the massive success of the documentary Woodstock Hollywood was eager to tap into the hippie phenomena and sought out Young who enlisted fellow pop troubadours that he would use and lose according to his needs over the years Crosby, Stills and Nash to make the same rambling self satisfied stream of conscious mess that Paradox is. This time around he's footing the bill and got a new band but the thrust remains the same, his presentation the nostalgic turn today that Lawrence Welk was offering his graying audience back in the 70s. Only the uniforms have been changed to protect the cool.

jacobzeise Really enjoyed this movie I'd like to see more! Only wish Neil would invite me to tag along and play a few tunes. If you take it for what it is you'll love it. Very laid back and good!