Redwarmin This movie is the proof that the world is becoming a sick and dumb place

Greenes Please don't spend money on this.

GetPapa Far from Perfect, Far from Terrible

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Mr-Fusion "Page One" promises a look inside the New York Times, but it's also focused on the question that looms large over the whole industry: how can print journalism sustain itself? It's a worthy question, and goodness knows the movie devotes plenty of time to the issue. And if you're on the side of legacy journalism, then revel in the film's best character, David Carr (print's staunchest defender). This guy's all teeth. It's a fun scene watching him shoot down an aggregator during a debate.But the movie's at its best when it's about the newsroom, and this is compelling stuff: decisions being made during the Wikileaks info dump, Iraq withdrawal, and the laying off o a great deal of the paper's workforce. You do get to be a fly on the wall, and during these scenes, it's good stuff.7/10

CurtHerzstark When Johann Gutenberg invented the printing process around 1439, he probably couldn't foresee the future, where people would consider his invention redundant and obsolete.The digital revolution , internet, etc have started to compete with printed media such as the legendary newspaper The New York Times, a newspaper that is depicted in this documentary.We get follow some of their reporters, the job at the editing office, and also the new approach to the internet and surfpads.But will The New York Times be able to compete with websites like Wikileaks etc? And how will they survive in climate with ever descending ad incomes? Will the internet completely destroy investigating journalism? Because nowadays anyone can be investigating journalist by simply putting their discoveries on a personal blog or any other type of internetbased platform.These and many other questions are discussed in this highly interesting documentary about media from one of the most prominent newspapers in the world.The documentary also touches upon the heavy criticisms that newspaper received during the Judith Miller, Jayson Blair scandals and ever growing question, can we trust media at all? The only flaws I can think of is that sometimes director Andrew Rossi seem to lack focus, not knowing what he wants to tell, he should made the viewers get closer to some of the people working at the New York Times.I would love to know more about David Carrs background, a colourful journalist, and some of his co workers background.But this film should been seen by anyone wanting to know more about media, journalism in this riveting documentary. So viewers who liked Outfoxed: Rupert Murdoch's War on Journalism (2004), The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers (2009), Starsuckers (2009) should see this one.

jysting In his review of the documentary Page One: Inside the New York Times (Paper thin insights, Weekend Australian Review Sept 24-25) Lynden Barber ascribes "pomposity" to the Time's "olde-timey font and (page) layout." I disagree- in its bid to be more appealing and easier to read, the layout and font chosen are tastefully attention-drawing and pleasing to look at. Indeed I consider the highly characteristic New York Times nameplate a historical objet d'art. Such strongly-felt reactions to the visual elements of typography used by the New York Times suggests that the typeface form of letters selected for headlines and article text as well as page layout are designed to evoke visceral responses in profoundly subliminal ways. The impact of fonts and page layouts is not just an esoteric aside. The style used for letters, characters and text are designed to create a readable, coherent and visually satisfying whole that works without the reader being aware.Where spoken language relies on tone of voice or gesture to convey emotion, the visual form of the written word possesses mysterious connotative properties. Ultimately, a world without charismatically constructed letters, numerals and symbols leads to unengaging newspapers, whether online or in print. Joseph Y Ting

Lee Eisenberg The phone-hacking scandal that just forced News of the World to close its doors has brought the media to light yet again. Andrew Rossi's "Page One: Inside the New York Times" looks at what is probably the most famous newspaper in the United States, and how it has had to change as media evolves. The main focus is columnist David Carr, but all the major figures from the paper get to appear on screen (although I would have liked to have also seen Paul Krugman and Frank Rich). One of the main topics that the documentary brings up is the large number of newspapers that have closed their doors as more and more people turn to the Internet for news. But as the documentary makes clear, newspapers do still provide certain kinds of coverage that online sources can't provide.Without a doubt, the NYT has had its problems (like Judith Miller's pushing the WMD claims about Iraq, and Jayson Blair's outright falsification of stories), but it remains an important source of information. In years past the Internet was not widespread, so it was through newspapers that Watergate and the Pentagon Papers got exposed. All of which shows the importance of having an informed population. All in all, this documentary is a really good look at the inner workings of the news business. I recommend it. Among the other interviewees are executive editor Bill Keller, and Baghdad bureau chief Tim Arango.