GrimPrecise
I'll tell you why so serious
MamaGravity
good back-story, and good acting
MusicChat
It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.
Tayyab Torres
Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Mark Kelly
In one scene two characters are watching a play and one of them says"A bad melodrama." The is obviously a sly comments on the film itself. but it is a good bad melodrama. Don't read plot summaries as they will give the twists in the plot away. A sexy piece of fluff. Be prepared to suspend disbelief as required.
LeonLouisRicci
If You are a Fan of Sexy Stars Angelina Jolie & Antonio Banderas this Might be a Movie that is Worth Checking Out. If You are a Fan of Jolie's Lips than it is a Must See. Because there are Numerous Closeups of those Famous Kissers. There is Also a Generous Amount of Nudity and if You Catch the Unrated Version, More.The Film is Lavishly Produced and Looks Sumptuous in that Steamy, Tropical, Lurid Way that these Types of Antiquated Stories Set in an Antiquated Cuba must Deliver. Otherwise You pay Too Much Attention to the Dialog and the Expected Twists and Turns that are Forthcoming.Noir Writer Cornell Woolrich is the Source Material here and it is All Double Crosses and Unreasonable Love (or is it lust, someone asks) and the First Ending before the Real Ending will Answer that Again and Again and Again and Again.Not the Worst of this Type of Thing it has Enough Chutzpah to Carry the Heavy Handedness for the Duration. Just Don't Expect Anything too Snappy. It isn't Exactly as Crappy as the Critics Insist and its Mega Failure at the Box Office Speaks for Itself. But here it is, Take it or Leave it. Both Stars went on to Better Things and this Semi-Embarrassment did Little to Halt Them with Their Limited Appeal. If Anyone Noticed or Cared, the Flashbacks are a Horrible Misstep and Thomas Jane is Miscast.
atlasmb
"Original Sin" starts with an improbable premise: that a wealthy man would venture to marry a woman he had never met and a beautiful woman would agree to marry a man she had never met. When we first meet Luis Vargas (Antonio Banderas) and Julia Russell (Angelina Jolie), there is the inescapable feeling that neither would have trouble finding a mate. We are half correct.This story has a number of twists in it, twists that I won't divulge so that the viewer's journey is more enjoyable. Luis owns a coffee plantation in Cuba. He falls in love with Julia. Their lives seem idyllic until the young woman disappears. The romance now becomes a mystery. In his efforts to discover what happened to Julia, Luis crosses paths with those of the lower social strata, shall we say, and his love propels him to make choices that he never would have dreamed of in his pre-Julia days.Along the way, the story of "Original Sin" takes a turn near "Vertigo" then continues on its winding way into unforeseen areas. The plot involves mistaken identities, a few red herrings, and some major grifting. In the end, all the piece of this puzzle come together, leaving us with a tale about love, faith and, maybe, redemption.The entire journey is lovingly filmed in some beautiful Mexican settings. The two lovers are beautiful in their own rights and the camera dwells on their images as part of the lush environs. But Banderas and Jolie are more than pretty faces; their acting is convincing. For the most part, the other actors also feel like they inhabit the places and times of "Original Sin".Anything more I might say about this film could reveal some plot lines, so I will just say I give it a score of 7 out of 10.
Mike Legentil
Very few people seem to know (perhaps apart from Roger Ebert) that this is a remake of a 1969 François Truffaut film called «Mississippi Mermaid» ! Both films are based on a Cornell Woolrich novel -- yes, the very same author whose short story was masterfully enriched and used as the basis of Alfred Hitchcock's «Rear Window». Also a reminder for those who'd want to brush up their knowledge of the French language. As you may (or may not) have noticed, the «C» in François should have a little «tail» under it : in French, it is a «cédille», a punctuation sigh that makes that letter sound like a «S» -- not a «K». And so, as I may say -- in a paraphrase : «Suis-je en train de jeter des perles à des p... ?». This saying seems very appropriate since the little «tail» under the «C» somewhat looks like... a pig's tail, doesn't it ?