TinsHeadline Touches You

Evengyny Thanks for the memories!

Cathardincu Surprisingly incoherent and boring

Sexyloutak Absolutely the worst movie.

Benedito Dias Rodrigues This kind of western are too much accepted in Brazil,mainly because around the late sixties had a invasion from this italian productions in ours theatres over the cheapest price allowed for fit in brazilian pockets,another important thing to ad is about a violence available in those pictures a bit more than american productions,in this one a usual movie about endless Django against contless Sartana,nothing new just the same on bad image of course!!Resume:First watch: 2017 / How many: 1 / Source: DVD / Rating: 4

Wizard-8 The idea of a spaghetti western uniting the genre icons of Django and Sartana could have been really great, but this movie screws it up in every way you can think of. While there is a character named "Django" in the movie, the other lead character is not named "Sartana". Needless to say, this Django does not carry a machine gun, and the other character does not have a box of tricks with him. I was prepared to still enjoy the western despite this deception, but boy, did I find it a long and hard slog. It's really boring, with scenes going by at a slow and endless pace. Even the sporadic action (gunfights, fisticuffs) doesn't manage to liven things up. In fairness, the movie is directed with a little atmosphere and a little grit, but this doesn't manage to make this worth watching, even if you are a spaghetti western fan.

MartinHafer The word 'Django' is really irrelevant in many westerns, as most have nothing to do with the original Franco Nero film "Django". It's NOT the same character and producers tossed the word into titles hoping to lure unsuspecting folks to the theaters looking for a Django film. Now, it's even more confusing with the recent release of the Quentin Tarantino film "Django Unchained"--yet another film that really is not about Django! As for "Django Meets Sartana", it's yet another non-Django film! Confusing, huh?! The film begins with a new sheriff arriving in a town that hasn't seen the law in years. Not surprisingly, the place is overrun by bandits and Jack Ronson (aka 'Sartana'; Fabio Testi) has his hands full. When a bounty hunter named Django (Jack Betts) arrives soon after, Ronson has a new ally to help him get rid of the thugs.So is this Django film worth seeing? Well, probably not unless you absolutely adore Italian westerns which are poorly written. The fight between Sartana and Django makes no sense at all--nor does their dialog in this scene. Plus, with the big shootout with the final group of baddies, one of the men has a clear shot at the Sheriff--but runs up some stairs in order to give the guy a chance to shoot him! The film also seems to have little in the way of unique plot--just one killing after another after another. Sure, there are some decent moments, but the film itself has little to differentiate it from several hundred other Italian westerns. Well, that isn't 100% true--it IS the only western I've ever seen where the Sheriff and the leader of the baddies arm wrestle to show who's the toughest hombre!!By the way, although Jack Betts may not be a name you recognize, this handsome actor later became quite famous in soap operas. The reason you might not recognize him as the same guy is that in "Django Meets Sartana", he had brown hair--not his signature silver hair. Also, note the one battle where it's six against Django. Django's gun CLEARLY shoots more than six shots without reloading (he shoots one guy, the boss, twice)!! Not only is he cool, but he apparently has the ability to defy physics!!Why I did not adore the original "Django", it's sure a lot better than this tripe. Not one of Italy's finer moments in the film world.

Billy Wiggins Director Miles Deem (AKA Demofilo Fidani) delivers a tedious, overlong western opus with very little going for it. 82 minutes long, feels like 182. Handsome Fabio Testi is Ronson, the new sheriff of Black City. Ronson learns that the notorious gangster Willer and his cohort Sanchez are the de facto law in Black City; the townsfolk live in fear of their (modestly- staged) rampages. Meanwhile, the mysterious stranger Django (Hunt Powers) also arrives in town to settle an old score against Willer.The set-piece of the movie is a fairly brilliant (compared to the rest of the pic) showdown at dawn between Django and Willer's men, which occurs maybe 2/3 of the way into the show. The two sides wordlessly face off in the town square as composer Lallo Gori's music swells to a passioned, foreboding crescendo. Credulity is strained, however, as Django fells all six men he faces before they get as much as a single shot off! For a moment, we see Fidani at what must be the height of his abilities -- a real, exciting Spaghetti Western standoff. Fidani obviously liked the scene, as he re-stages it again at the climax, with Ronson facing Sanchez in the almost-exact same fashion. Second time around, not so great.Otherwise, the flick pads out its running time with several lengthy, pointless hand-to-hand rumbles, which are neither exciting nor essential to the story. Also filling the time is an extended, narrated "flashback" of how Willer and Sanchez met during a bank heist. This sequence plays out over about 10 minutes, and is so protracted that you will forget you are in a flashback. (I sure did.) And as for Sartana? The very last line of dialog in the picture has Ronson admitting to Django that he is "known as Sartana in some parts". What was the point of that?Dino Strano as Willer is effortlessly menacing in a cool way, mostly playing things grim but occasionally breaking into a cackling, taunting laugh. Powers is a miserable Django, with little charisma and tons of pancake makeup on his creased, craggly face. The likable Testi is frankly not given much to do rather than look exasperated. He has proved himself an able protagonist in several other genre films, but here he is basically a tall guy that looks good in a cowboy outfit.The production betrays its modest budget by boasting a tiny cast playing the story out in cramped, cheap-looking sets. The town square is forever dark and muddy, which may have been a choice by the filmmakers or may just mean they couldn't afford to wait for the sun to come out, to begin filming. The overall cheapness makes the score by Coriolano (Lallo) Gori seems that much richer and full-throated in comparison. Gori, as usual, delivers a fine, robust series of cues.This is one of about a half-dozen flicks that Fidani cranked out with pretty much the same cast and behind-the-camera personnel. Of that bunch, none are great, and ONE DAMNED DAY may well be the least of them. 5/10 stars.