Hottoceame
The Age of Commercialism
BelSports
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Allison Davies
The film never slows down or bores, plunging from one harrowing sequence to the next.
thinker1691
Considered the finest author of the Victorian Era, Charles Dickens wrote, among other novels, the story of " Oliver Twist. " Beginning in 1922, many film adaptations have depicted the horrific settings of the young waif and the dark misery of England's Workhouses. This version which stars' the multi-talented George C. Scott as Fagin, is the most memorable. If you have read the original novel published in 1837, you are fortunate. Further, this particular movie is indicative of the harsh, indeed, brutal life of poverty-stricken English children, described by the author. The cast of the movie is superb and includes, Richard Charles as Oliver, Tim Curry as murderous Bill Sikes, Michael Hordern as Mr. Brownlow and Oliver Cotton as the compassionate Nancy. All in all, this is the best film adaptation of Dickens' superior novel and a true Classic in every sense of the word. Easily recommended to all. ****
TheLittleSongbird
I will tell you, the 1948 David Lean film is magnificent, and the definitive version of Charles Dickens' classic novel. Now I liked this; it did have a decent script, director Clive Donner does more than acceptably portray the harshness of the Victorian era, and fluid camera-work considering it is noticeably lower budget an adaptation of the novel out of all the adaptations I have seen. The performances were very good; George C.Scott was oily, vile, manipulative and shrewd like Fagin should be. I will admit, although I am a massive Tim Curry fan, I was initially perplexed why he was cast as Sikes. Curry isn't exactly big and burly and I don't associate him as a violent murderer, but in terms of acting, he was extremely chilling and very effective in his role. Especially when he sees images of Nancy after he kills her, and speaking of the death scene, that was very brutal. In fact, this film is one of the more violent adaptations of the novel I've seen. I liked the dog too. Cherie Lunghi is as lovely as ever, and indeed vulnerable as Nancy, and Michael Horden is a splendid Mr Brownlow. In fact the only two weak performances came from Richard Charles as Oliver-he just couldn't carry the film on its own- and Timothy West sadly is miscast as Mr Bumble not being grotesque enough. The plot was hugely condensed of the content from the book, and consequently lacked the masterly storytelling that made the David Lean film such a classic. All in all, a flawed but respectable adaptation of a complicated book. 7/10 Bethany Cox
phillise
This is a good version of Oliver Twist I remember from my childhood. I saw it on TV in the US. However, I want to the poster who says that the scene where Oliver asks for more is missing entirely. It most definitely WAS filmed!It was very moving when shown on TV, as it has Oliver ask for another starving urchin--not exactly the way it was in the book, but let me sound a bit blasphemous for suggesting the scene one-uped Dickens. The scenes leading up to the coffin-maker are there as well. This poster seems to be referring to the VHS that was released briefly in the ninties in the US. For some unknown reason, this version omits these very scenes just like the poster says. It cuts out the very heart out of the movie! Also, the blurb on the back sounds more like Great Expectations than OT, as if whoever wrote didn't even know the story! However, this poster claims to be from London, and this page is referring to a British release of the film, which is not even available in the US. Were these scenes somehow lost?
thomandybish
This seldom-seen television movie from the early eighties does the best of any adaptation(up to that time)of capturing the dispair and wretchedness of life for the poor in 19th century London. George C. Scott's Fagin is oily and vile, and Tim Curry's Sikes is chillingly psychotic. The sets and photography convey a sense of grim poverty and desolation all but absent from most versions. Dickens wrote a Victorian horror story of abuse, starvation, and isolation, and this film does his grim novel justice.
