Crwthod
A lot more amusing than I thought it would be.
RipDelight
This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.
Glimmerubro
It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.
He_who_lurks
First of all, this short isn't racist. I would agree with the reviewer who said it was all about color contrasts. Second of all, I have no idea why Melies titled this "Off to Bloomingdale Asylum". I mean, come on, all it is is some black guys transforming into white guys and back again. OH WAIT, IT'S THE AUDIENCE WHO ENDS UP AT THE ASYLUM AFTER WATCHING IT BECAUSE THEY THINK THEY'RE HALLUCINATING! YUCK YUCK YUCK!Okay, so that joke wasn't really very funny. Anyway, Melies doesn't appear to star anywhere in this one, odd because he mostly appears somewhere in these trick films. Is he one of the blackface minstrels? I dunno. As far as the story goes, it's just silly but has an interesting slapstick ending. The effects are good throughout.
Hitchcoc
One could always consider the use of blackface as racist (it was), but I think Melies was looking for a black and white contrast, so as the clowns and the minstrels switch back and forth, it will be visually interesting. I don't suppose with things being what they were, Melies would ever consider using black actors. Of course, I don't know what the possibilities were in France. This is a bit less than some of his other films.
Michael_Elliott
L'omnibus des toqués ou Blancs et Noirs (1901) ** 1/2 (out of 4) aka Off to Bloomingdale Asylum This French film from Georges Melies has to be one of the earliest examples of a minstrel show. Four white men get out of a carriage and when they kick each other they then turn to black men. This little "trick" happens for about a minute and then the film is over. The subject matter is certainly going to offend many people today but there's certainly no question that the overall tone wasn't meant to be harmful as this certainly isn't in the same league as something like THE WATERMELON CONTEST. The special effect of seeing the men transform from black to white and then back again really doesn't look all that great and especially when you compare it to the other types of tricks that Melies was doing at this point in his career. The edits are all obviously done but then again you might not have noticed as much had the story been a bit better.
MartinHafer
I love the films of Georges Méliès. He created so many great techniques and his movies were the best things being created at the time. So, while they seem a bit quaint today, back in 1901, it was pretty hot stuff--though this film isn't quite as fresh as some of his earlier films. And, while it will no doubt ruffle a few feathers today, you'll possibly be shocked at all the actors in black-face.A bizarre looking carriage arrives on a city street. Out pop four harlequins who dance about...and then the weird stuff begins. Using stop-motion, they appear to turn from very white to black men (of the minstrel variety) just by hitting or kicking each other. This goes back and forth for a bit until the remaining guy does what anyone would in this situation...he explodes. Goofy stuff...but entertaining.
