Plantiana Yawn. Poorly Filmed Snooze Fest.

BootDigest Such a frustrating disappointment

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

mmallon4 Does communism have a moral equivalency to Nazism? Conservatives have long complained of a double stand for Nazi and communist crimes. Nazism is based on heinous sounding ideas; communism is based on nice sounding ideas. However that makes communism and left wing radicalism more appealing to people of good intentions and perhaps that makes communism more dangerous and an evil in disguise. I'm undecided on this question myself but regardless of which ideology is worse there is one thing I'm certain about: communism sucks and the fact that it has nowhere near the reputation of Nazism is disturbing. This is an ideology which was responsible for the deaths of 100 million in the 20th century yet I am able to buy t-shirts featuring its dictators in pop culture stores.The 1939 Ernst Lubitish directed and Billy Wilder penned comedy Ninotchka is reflective of this lack of morally equivalency between Nazism and communism despite the film clearly being anti communist (apparently the film was responsible for communists losing an Italian election in 1947). The scenes in Ninotchka which take place in Russia are grim. The complete censorship of information, the regimented support of the regime, the asphyxiating and claustrophobic living conditions, rationed food, fear of spying neighbours and the overall lack of personal freedoms. Yet despite critique such as this which the film levels against communism, Ninotchka does not present communism as the utterly monstrous belief system that Hollywood suggested Nazism was. When I first watched Ninothcka as a politically lay viewer that's the impression I got - "communism isn't great but Nazism is worse". That's not to say Ninotchka would be so much better a film if it went the full throttle and showed us the gulags and mass starvation but would a film like Ninotchka transposed to Nazi Germany ever get made with the same comic and tonal approach, one which doesn't go the full throttle by mentioning concentration camps and persecution of Jews and other minorities. Would it even be morally appropriate to do so? - Food for thought.One of the ways in which Ninotchka jabs at the Soviets is through the Russian characters skewered thinking. In the opening scene the three comrades on a mission in Paris attempt to justify choosing an expensive hotel over a cheap one because apparently it's what Lenin would have wanted and refusing to simply admit they really just want the royal suite ("but who said we had to have an idea"). In another scene Ninotchka explains why Soviet Russia is "peddling our precious possessions to the world at this time". She goes onto say, "Our next year's crop is in danger, and you know it. Unless we can get foreign currency to buy tractors, there'll not be enough bread for our people and you comrades." - As if tractors could overcome a drought and famine. Likewise there is Leon's (Melvyn Douglas) statement in regards to Russia, "I've been interested in your five-year plan for the last 15 years".I do find much of the Ninotchka's first 18 minutes prior to the introduction of Garbo to be a bit flat even with some humorous scenes in which the three comrades are being seduced by capitalistic decadence and start fawning over Leon. The setting up of the background behind the jewels as a plot device and the scenes between Melvyn Douglas and Ina Claire are not terribly interesting. Once Garbo appears however, the film is on fire.Greta Garbo is not one of my favourite actresses but I totally understand the appeal. Nina Ivanovna "Ninotchka" Yakushova Envoy Extraordinaire is one badass. She claims to have been a sergeant in Third Cavalry Brigade and she is certainly one with the ability to convince the uninitiated to communist ideals. Lines such as "I have heard of the arrogant male in capitalistic society" and "That's no business, that's social injustice" don't sound too different from talking points by modern lefties. Ninotchka is driven by facts and statistics in comparison to Leon who is more driven by emotion (although I guess the fact of communism's failure is one for her to ignore). The Soviet State as represented by the figure of Ninotchka is genuinely concerned with the great mass of its people but it is so interested in their statistical wellbeing that is has forgotten their emotional needs and has become cold, oppressive and inhuman. Garbo's cold emotionless voice and her stone face are fully utilised in a faultless deadpan, comic performance. However when she finally laughs for the first time and unleashes her endearing side, it feels so genuine and uplifting. At the heart of romance in Ninotchka is that of love triumphing over opposing ideologies. Ninotchka's communist ideology does rub off on Leon as he becomes somewhat of a campaign socialist and humorously turns to violence in order to track down Ninotchka later in the film. As good as Melvyn Douglas is in the role of Leon, I can't help but wish William Powell could have performed the role as no one does suave cynicism like Powell. Regardless Douglas does deliver one of my all time favourite set of movie lines in which he tells Ninotchka to just smile "At the whole ridiculous spectacle of life, at people being so serious"; I like to remind myself of this whenever I feel frustrated at the state of the world we live in.One of the most interesting scenes in the film involves Leon's butler Gaston (Richard Carle) telling his master about his concern regarding Ninotchka's (or simply the Bolshevik Lady) influence over him; Gaston as much as refuses to dust Leon's copy of Karl Marx's Capital as it is a socialistic volume. Gaston also mentions how Leon has not paid him two months in the movie suggesting that capitalism isn't perfect; however Gaston finds the prospect of sharing belongings with Leon and being on an equal footing as him to be terrifying. By the end of the film neither Ninotchka nor Leon directly renounce communism but I doubt they will be returning to Russia any time soon.

jacobs-greenwood One of my favorite films, an Ernst Lubitsch directed comedy featuring Greta Garbo, Melvyn Douglas, and some great supporting characters (particularly the three men from Russia: Sig Ruman, Felix Bressart, and Alexander Granach) like Bela Lugosi as the Commissar. Garbo, the picture, the story (the only Academy recognition Melchior Lengyel would receive) and its Charles Brackett-Walter Reich-Billy Wilder screenplay (their first Academy recognition) were all Oscar nominated, with each losing to Gone With the Wind (1939).Garbo plays the title character, a cold Russian woman sent to Paris to retrieve three wayward countrymen who've been enjoying the city's spoils in lieu of completing their assignment. Douglas is their friend who helps to melt her ice before all four Russians are recalled home by Lugosi. It is in the melting and Garbo's transformation from dry communist to one who notices the beauty of a frivolous French hat that makes this essential comedy so funny. Of course, once back in Russia, Douglas tries to find a way to communicate and/or see his lovely Ninotchka.Added to the National Film Registry in 1990. #52 on AFI's 100 Funniest Movies list. #40 on AFI's 100 Greatest Love Stories list.

elvircorhodzic I would not call NINOTCHKA controversial film. Political comedy in the late thirties by line developments were controversial. The differences between the two worlds are not likely to appear in the right way. I think that's good, because it is a comedy and Garbo. Lubitsch had chosen a great topic in which Garbo fits. Garbo between two worlds. The director deliberately exaggerating the degree of cynicism and comparisons. In a serious relationship director put a little thing called love. Not honestly, but it is funny. I still say that Garbo did not know laugh. Therein lies all the mysticism and magic that binds to her name. Image and scenery are very good. Acting and dialogues are great.Greta Garbo as Nina Ivanovna "Ninotchka" Yakushova It is a particular comedian. Her style is fantastic. Shifts between cold and uninterested envoy and playful girl in love is fascinating. Melvyn Douglas (Count Léon d'Algout), as an insidious capitalistic meddler is nonchalant and excellent paired with a leading lady.This movie is one big joke, which can all laugh. However, I think when the perceived political framework is little disposed to laughter.

TheLittleSongbird If you love Greta Garbo and Ernst Lubitsch, there is no real reason why you shouldn't like Ninotchka. Both have done a little better, Garbo with Camille and Queen Christina and Lubitsch with Heaven Can Wait, The Shop Around the Corner and especially Trouble in Paradise, but Ninotchka is nowhere near either's lesser works, if anything it's up there with one of the best for both.As ever with Lubitsch, it looks fantastic, with gorgeous cinematography, lavish costumes and especially the sumptuous settings that doesn't swamp the actors at all. Lubitsch's direction is not as ground-breaking as it was in The Love Parade(an excellent film by the way and very historically important), but it is never less than masterly with the Lubitsch touch always present. Then again Lubitsch was a consistent director, who's even his lesser work like Monte Carlo has its virtues. It's well and sympathetically scored, the story while somewhat familiar is endlessly charming, heart-warming and good-humoured and the characters are surprisingly likable(even Melvyn's Douglas's). Greta Garbo is magnificent, showing a gift for comedy, and Melvyn Douglas in one of his best performances succeeds in making a not always sympathetic character likable and his comic timing is always solid to excellent. Ida Claire is wonderfully icy and Sig Ruman, Felix Bressart and Alexander Granach are very funny. The star though is the superb, always sparkling and often hilarious script, with one of the credits being none other than one of the best directors ever Billy Wilder. The café scene is just wonderful.To conclude, Ninotchka is another gem from Garbo and Lubitsch. 10/10 Bethany Cox