Night of the Werewolf

1985 "It used to be only a myth"
5.8| 1h32m| R| en| More Info
Released: 01 January 1985 Released
Producted By: Dálmata Films S.A.
Country: Spain
Budget: 0
Revenue: 0
Official Website:
Info

An evil witch brings back to life the infamous Elizabeth Bathory, who was executed several hundred years previously for murdering young women and bathing in their blood.

Genre

Horror

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Director

Paul Naschy

Production Companies

Dálmata Films S.A.

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Night of the Werewolf Audience Reviews

Claysaba Excellent, Without a doubt!!
Megamind To all those who have watched it: I hope you enjoyed it as much as I do.
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
Jenni Devyn Worth seeing just to witness how winsome it is.
BloodTheTelepathicDog Like many Euro-horrors, this film can be bought under a variety of different names. I picked this little gem up via Amazon.com for a couple bucks, under the title The Craving, and was not letdown.The film opens with Paul Naschy getting staked in the heart with a silver cross while his cohort, Elizabeth Bathory (Julia Saly) is sent to death for witchcraft and murder. Fast-forward several centuries and we get three college girls trying to locate Bathroy's tomb while some grave robbers find Naschy's tomb and remove the silver cross in his heart. Of course, once the cross is removed, Naschy is able to terrorize the countryside as a werewolf again.Paul takes up residence in a castle and offers lodging to the college girls while they search for the tomb. The ringleader of the girls, the ravishing Silvia Aguilar, has desires of her own: bringing Elizabeth Bathory back to life. Paul, who is a decent guy when not a werewolf, tries to thwart Silvia's plans while he falls for her friend Azucena Hernandez. But when Silvia resurrects Miss Bathory, all the fun begins.STORY: $$$$ (We've see his premise before: lovely college girls searching for ruins and falling into evil and the manly clutches of Paul Naschy, but this doesn't detract from the entertainment value. Paul Naschy, who also directed this feature, spices up the genre with more baddies. We get werewolves, vampires and undead Goliaths here).VIOLENCE: $$$ (While in full werewolf get-up, Paul gets to devour some poor folks. The vampire babes make a few attacks but they aren't as gory as the scenes with Naschy in face makeup).ACTING: $$$$ (Paul Naschy is first rate here. He also shows a good hand for direction, creating some creepy images. His ladies are quite good as well. Julia Saly is terrific as Elizabeth Bathory and Azucena Hernandez is wonderful as the good girl that Naschy must keep safe from all the supernatural bumps in the night. Silvia Aguilar is the best of the lot as the twisted twist determined to bring evil back from the grave. Her menacing looks are cold and sensual at the same time, making her a perfect actress for this role of desirable vixen).NUDITY: $$ (Paul kills a topless broad who was about to get naughty with her man in an abandoned castle. Also, Silvia Aguilar shows her amazing breasts when she washes them in a basin before heading off to bed).
Michael_Elliott Night of the Werewolf (1981) ** 1/2 (out of 4) Countess Elizabeth Bathory (Julia Saly) and her servant Waldemar Daninsky (Paul Naschy) are put to death because of their connections to Satan. Flash-forward several hundred years and a grave robber pulls out the silver cross from Daninsky's heart, which brings him back to life as a werewolf. Soon the Countess also returns to life and before long they are battling.NIGHT OF THE WEREWOLF was the eighth (or seventh, depending on how you look at it) time that Naschy played his most famous role and it's also the first time he directed himself in the part. This here was released in America as THE CRAVING and it's a remake of Naschy's WEREWOLF SHADOW, which played in America as THE WEREWOLF VS THE VAMPIRE WOMAN. For the most part there are a lot of good things here but at the same time there's no question that this falls well short of the original film as well as several others in the series.What I enjoyed the most about this film is obviously the werewolf. I thought the transformation scenes were good enough considering the budget they were working on and there's no question that the look of the werewolf is excellent. There are some really great an striking shots of the werewolf including one of the final ones with a ton of gore spewing out of its mouth. As you probably know, Naschy was an expert at playing Daninsky by this time and he turns in another fine performance. Saly is also very good in her role and there are plenty of beautiful women throughout.With all of that said, there are certainly some flaws in the film including some of the direction. I never really thought that Naschy built up a very strong atmosphere. I'd also argue that the love story thrown in is rather stupid and at times laughable and especially how Naschy and the woman don't know each other one minute and in the next scene they're madly in love! None of the dialogue scenes are all that captivating either but what keeps you glued to the film is the werewolf and thankfully that there is strong enough to recommend the movie.
seadave I thought this movie was really cool with all the shots filmed right in Europe and the weird music that sounded like distorted symphonies with singing done by choir singers on LSD in some medieval cathedral. There are scenes of mist & eerie hallways & passageways and I always liked these kinds of movies and it wasn't until later that I realized all the good horror movies were made in Europe & had low budgets so that's proof big studios in America still can't churn out a horror movie that I think is worth watching.Too bad most of these movies aren't available in DVDs. It' s even worse to think that now Hollywood is making all the horror movies instead of Europe. All these European Vampire movies seem to emphasize the exhibition of medieval European clothing & settings appropriate to a tale based on medieval folklore but unlike Hollywood movies, they don't look idiotic or freakish.These types of movies are always denigrated as being "camp" or whatever the vogue word is to dismiss the creativity involved in these movies, but these films made an impact on me and that's something Hollywood horror movies never could. This is a great movie. It needs to be redone and only in Europe by European artists and using European film studios & styles.This film is a 1980 follow-up another film with Paul Naschy from the early 1970s which is based on the Elizabeth Bathory folklore also. I actually thought this film was made in the early to mid 1970s when I first saw it on a VHS tape almost 20 years ago.
Noel (Teknofobe70) Ah, the first Daninsky movie of the eighties ... here I refer to Midnight Video's version entitled "Night of the Werewolf", which is pretty good quality but has annoying non-removable subtitles.When a movie opens with a bunch of satanists being sentenced to gruesome deaths including buried alive, tortured, hanged, beheaded, and so forth ... you know you must be in for good, clean B-movie horror. The chief witch in question of course swears a terrible revenge (haven't we already been here in Molina's "Curse of the Devil"?), and among the condemned is the werewolf Waldemar Daninsky himself, sporting a rather stylish beard. He gets off comparatively lightly, being made to wear an iron mask and having a silver dagger driven through his heart. Centuries later, an evil witch finds a medallion in order to resurrect the ancient chief witch, and as fate would have it a couple of grave-robbers remove the dagger of Daninsky's heart at exactly the same moment. Time for a "Werewolf vs the Vampire Woman" rematch ...Jacinto Molina opted to direct this one himself, as well as the two other Daninsky movies made in the eighties. This means he has more control over the project than ever before, and contrary to what some say, I think he's actually a very good director. Probably the best ever to direct a Daninsky movie, anyway, and obviously he can capture his own artistic vision like nobody else could. This is probably why it feels more conventional and competent than most movies in the series. The sets are great, the special effects are good for it's time and the whole movie has a fantastic atmosphere to it. There is more gratuitous nudity and gore than in most Daninsky movies, and I'm surprised it hasn't been a bigger hit with fans of the genre. There are certainly enough werewolves, witches, vampires, zombies and horrible sacrifices to keep them entertained! Maybe I'm going overboard with the praise, but if you've seen the earlier Daninsky movies, you'll know that in most ways this is pretty damn good comparatively. The dubbing is actually pretty good (although dubbing is always a crime, of course), and they've tried to make the dialogue as hip as possible. Man, I just love the eighties mentality. The soundtrack is also very cool. Okay, okay, so the storyline is pretty much the same predictable stuff all over again. And once again it has no real consistency with the previous movies. But that's why we love it! Obviously it's not an easy movie to watch, it's arguably slow and there's some particularly dark stuff going on even for a Daninsky movie. Daninsky himself is something of an anti-hero, saving maidens in distress but also allowing his wolf side to run around slaughtering innocents. The vampires are very creepy and unearthly, as Molina has always been good at knowing how to portray them."El Retorno del Hombre-Lobo", "The Craving", "Night of the Werewolf" ... call it what you like, this is my favourite Daninsky movie yet. It's "The Werewolf vs the Vampire Woman" as it should have been, and I hope you enjoy it as much as I did.