GrimPrecise
I'll tell you why so serious
Dynamixor
The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
FirstWitch
A movie that not only functions as a solid scarefest but a razor-sharp satire.
dakjets
This film is made in Alfred Hitchcock's spirit. Carol Hunnicut (Anne Archer) is the only witness to a brutal murder. She becomes frightened and dare not tell anyone what she has seen. Robert Caulfield played by Gene Hackmann wants to find her so that the killer can be sentenced. But he is not the only one who seeks her. Rented killers is also looking for her. This is the beginning of this exciting movie, which has both action scenes, are dramatic and exciting to watch. Anne Archer plays convincingly as a scared witness, who does not want to come forward, but is forced to take a stand. Gene Hackmann is always good, convincing and fearless in this movie. I do not quite understand the relative low score here, I think the movie is a good one and is as exciting now as was when it came out in 1990.
Spikeopath
Director and writer Peter Hyams took the bold decision to reimage one of the best film noir crime pictures of the 1950s, and all things considered it's not half bad. Without getting close to the greatness of Richard Fleischer's 1952 claustrophobic suspenser that is.Having Gene Hackman and Anne Archer heading up your two principal characters is a good foundation. As the district attorney employee and witness to a mob killing respectively, both actors come up trumps for their director as they are thrust into a game of cat and mouse aboard a speeding train. As the Canadian wilderness outside the train's windows soothes the eyes, the cramped interiors make for good suspense as Hackman plays the calm to Archer's panic.There's nothing new here in terms of thriller conventions, and the pitfalls and familiarity of the plot's ideas keep it from hitting better heights: people still do dumb things – important details are all too quickly swept aside – laws of gravity non existent and etc. But refreshingly Hyams resists the chance to insert a cloying romance, while his staging of suspense scenes are very well handled. But of course he's got Hackman being as cool as a cucumber... 6.5/10
Claudio Carvalho
In Los Angeles, the editor of a publishing house Carol Hunnicut (Anne Archer) goes to a blind date with the lawyer Michael Tarlow (J.T. Walsh), who has embezzled the powerful mobster Leo Watts (Harris Yulin). Carol accidentally witnesses the murder of Michel by Leo's hit-man. The scared Carol sneaks out of Michael's room and hides in an isolated cabin in Canada.Meanwhile the Deputy District Attorney Robert Caulfield (Gene Hackman) and Sgt. Dominick Benti (M. Emmett Walsh) discover that Carol is a witness of the murder and they report the information to Caulfield's chief Martin Larner (J.A. Preston) and they head by helicopter to Canada to convince Carol to testify against Leo. However they are followed and the pilot and Benti are murdered by the Mafia. Caulfield and Carol flees and they take a train to Vancouver. Caulfield hides Carol in his cabin and he discloses that there are three hit-man in the train trying to find Carol and kill her. But they do not know her and Caulfield does not know who might be the third killer from the Mafia and who has betrayed him in his office."Narrow Margin" is a great remake of the 1952 "The Narrow Margin" by Richard Fleischer. When I saw this remake in the early 90's for the first time, I did not know the original movie. The story is well written and this remake is breathtaking with the action scenes on the roof of the train. Further, the lead actor is the Gene Hackman, one of the best actors of the American cinema. My vote is seven.Title (Brazil): "De Frente para o Perigo" ("In Front of the Peril")
Neil Doyle
If your memory is good, you'll recall that this is a remake of the B&W sleeper classic starring Charles McGraw and Marie Windsor called "The Narrow Margin," with most of the action taking place aboard the confinement of a speeding train. Their tough chemistry throughout made it very watchable indeed.The remake has made a few minor changes in the story and expanded the scenery to include some lush images of Canadian forests and countryside to give credit to some photogenic Canadian wilderness from various angles. The expansions mean the film isn't quite as taut as the '52 thriller with occasional dull stretches of talk, but the performances are so good that it doesn't matter too much. It still contains a spellbinding climax aboard the top of the train that includes some dangerous stunt work and a nice twist, as well as spectacular moments involving a helicopter.Not bad at all, passes the time quickly and once the suspense aboard the train starts there's no turning away.Perhaps not as good as the original, but still worth watching. Gene Hackman and Anne Archer do fine work at the head of a competent cast.
