Rijndri Load of rubbish!!

Dotsthavesp I wanted to but couldn't!

GazerRise Fantastic!

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

JohnHowardReid The four "Nancy Drew" movies are now available from Warner Bros. in an excellent DVD set, I don't advise viewing them in order, as the first of the series, Nancy Drew – Detective is undoubtedly the weakest. Not only are production values slight, but the plot is totally unbelievable. Even halfway competent crooks would make sure they snatched lady bountiful from sight before — not after — she made a public announcement drawing attention both to herself and her bounty. The pity of it is that the actors concerned, James Stephenson (who looks rather odd without his customary mustache) and Charles Trowbridge might have got away with it had they played their roles for laughs. But, no! Even worse, perhaps, is the slow pace with which Clemens unwinds the story. His monotonous, never varied camera style of inter-cutting loosely framed medium shots with dull close- ups doesn't help liven up his sluggishly routine direction one iota. Admittedly, the screenplay's long dialogue exchanges don't help. Fortunately, there is a bit of action at the climax but even this disappoints when it is simply cut short just as it reaches the confrontation stage.Not exactly an auspicious start. Fortunately, the second movie, Nancy Drew – Reporter, represents a considerable and even an astonishing improvement. There are at least five reasons for this remarkable turn-around: (1) The budget was much higher, permitting the use of a large number of sets, peopled with fair crowds of extras; (2) Kenneth Gamet was allowed to write his own script around the Keene characters, not try to adapt one of the silly plots from the books; (3) Arthur Edeson (whom just about everyone would agree is Hollywood's greatest black-and-white cameraman) was assigned to do the photography; (4) the hiring of Edeson seems to have inspired everyone else, including director Clemens and the players. Even the kids are good, while Litel gives one of the most engaging performances of his entire career. Outstanding in the support cast are Olin Howland and Jack Perry. Howland is always a barrel of fun. Perry, however, spent his time in bit parts. Here, as Soxie, he has a decent role for once; (5) Best of all, Reporter all comes to a rousingly funny, enjoyably thrilling and satisfyingly slap-up conclusion.Trouble Shooter builds on the success of the second entry, and in some respects is even more entertaining. This time we have another straight-forward murder mystery. I thought the identity of the killer was revealed a little too early in the piece, but otherwise we are treated to plenty of exciting incidents, including a seat-twitching climax. Clemens utilizes his extensive budget wisely, turning on the pace and making effective use of numerous fascinating locations. The photography is crisp; and the players, especially Miss Wynters, are both engaging and appealing.Unfortunately, this admirable momentum is not carried over into the fourth and final "Nancy Drew". For some reason, it was decided to adapt one of the silly novels (as was done for the first entry), not write an original. The novel has many shortcomings, not the least of which is that the whole plot is given away in the title itself! True, on its own juvenile level, Gamet's screenplay is reasonably well-written. It can also be argued that Clemens has directed with okay competence and that the players are still in fair form. One thing for sure, however: Despite its promising plot premise, "Nancy Drew and the Hidden Staircase" falls far short of its predecessors. There are no acerbic newsmen like Thomas Jackson, or villainous plug-uglies like Jack Perry, or even young stars of tomorrow like Joan Leslie, Mary Lee, Charles Smith and company in this one.

AaronCapenBanner William Clemens once again returns to direct this third case of Nancy Drew(played by Bonita Granville) with her father Carson Drew(played by John Litel) and her boyfriend Ted Nickerson(played by Frankie Thomas). This time, a family friend living in the country is wrongfully accused of murdering a neighbor, so Carson and Nancy go there to help, though this time Carson finds a love interest, much to the chagrin of Nancy. It seems another neighbor and his pilot henchman had reason to dispose of the victim, so they gather evidence to prove it. Despite an effective runaway plane sequence with Nancy and Ted, mystery is once again flimsy and thin, though Bonita still shines as Nancy.

sdiner82 Of the four classic Nancy Drew films Warner Bros. released from 1938-1939, NANCY DREW...TROUBLE SHOOTER is perhaps the most imaginative, humorous, creepy and expensively produced of them all. Moving the locale from the Drews' home in River City to the nearby farm resort Sylvan Lake, where Nancy's lawyer father Carson is summoned to prove a relative not guilty of a murder, the breath of rural country air enlivens everyone involved. The widowed Mr. Drew's attraction to a lovely neighbor (Charlotte Wynters) sets Nancy's jealousy in full force, making her relationship with her reluctant (though none-the-less-enchanted) boyfriend Ted, played to droll perfection by the engaging Frankie Thomas, all the more delightful--and in some sequences downright romantic. Aside from the beautifully photographed location backgrounds, the deliciously intricate plot (a transplanted tropical flower, the torching of the local nursery, and farmhand Willie Best's dithering about seeing two "ghosts" on the night of the murder) provides the necessary clues for Nancy and Ted to piece together the identity of the murderer--and enriches their relationship at the same time. Of the four Nancy Drew films, this third entry shines with its subtle, underlying portrayals of the love and dependence that draw the principal characters together--along with good-natured humor (for once, Willie Best is not denigrated by the time's racial stereotypes--he's treated as an affectionate equal by the other characters--and seems to be having a ball poking fun at the "chicken-stealing darkies" he was called to portray in that era of moviemaking). Bonita Granville is as blonde, buoyant, perky and loving a teenager as has ever been presented in movies of any era. And the underrated Frankie Thomas is her equal as the sweetest, bravest, most caring fellow a teenaged girl could ever wish for. The witty, intelligent depiction of their relationship--and unacknowledged love for each other--makes NANCY DREW...TROUBLE SHOOTER perhaps one of the most captivating portrayals of friendship and family life ever put on screen, with equal praise for John Litel (as Nancy's all-too-understanding father)and the warm and enchanting Ms. Wynters. And all in the guise of a suspense-filled murder mystery (incidentally, the use of a homicidal crop-dusting plane precedes Hitchcock's "North by Northwest" by a good 20 years!). In short, NANCY DREW...TROUBLE SHOOTER is as unpretentious, disarming and downright lovable an entertainment to come out of Hollywood during its Golden Age. Turner Classic Movies has apparently gotten the message, and the quartet of Nancy Drew movies (after too long a time languishing in obscurity) are now being shown on a fairly regular basis. Don't miss any of them, but put NANCY DREW...TROUBLE SHOOTER at the top of your list. Dated (as other IMDB comments claim)? Perhaps, and more's the pity. A rare and timeless treat? Absolutely!

Norman Cook Bonita Granville is an almost perfect Nancy Drew--cute and spunky. This is generally a good story, fast paced and quite humorous in spots. The only negative is the racist depiction of Apollo Johnson. By the way, the title card reads "Nancy Drew... Troubleshooter"