GamerTab That was an excellent one.

Moustroll Good movie but grossly overrated

MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Comeuppance Reviews Harry "Nails" Niles (Hopper) is an LAPD homicide cop - and perhaps the ultimate Cop On the Edge! While his clueless co-workers call him a "dinosaur", Nails' old-school ways get results, and you don't want to get on his bad side. But that's just what happens when a gang of Cuban drug dealers kills Nails' beloved Black Partner, Willis (Billings). Nails goes after them with a vengeance, turning L.A. upside down in the process. Not just to avenge Willis, but to settle some of his unfinished business as well. Willis, before his untimely death, was "working on something big" - and it just may be a criminal conspiracy that goes all the way to the top! Now back with his old partner, Herrera (Milian), Nails, in his own inimitable fashion, tries to find out how Congressman Stambusky (De Young) and his cohort Noah Owens (David) are involved. And all this while he tries to reconnect with old flame Mary (Archer). Will the bad guys get NAILED once and for all? Nails is a killer Cop On The Edge movie, and getting Dennis Hopper to play him was an inspired choice. This movie truly is Hopper at his absolute best - his energy, charisma and likability carry the film. He's angry and drinking from the get-go, just as it should be. Just why this L.A. cop has a Southern accent is never explained (or ever mentioned) but it's all part of the fun. But it's not all violence and darkness, there's some nice humor as well and Hopper give the Nails character charm, in his own unique way. It's almost weird James Ellroy wasn't involved with this project, it's almost like Dark Blue (2002) or Street Kings (2008) in its approach, before those movies came on the scene.You really have to enjoy cop drama/thrillers (and preferably have seen a lot of them) to properly appreciate Nails. It has just about every cliché you can name - and as we always say, that's not a bad thing and we need these clichés for our entertainment purposes. The Black partner who's close to retirement, the drug deal gone wrong, the abandoned warehouse, the WYC (White Yelling Chief), the WYC who demands our rogue cop hand in his badge and gun, the echoey guitar riffs on the soundtrack during chases/tense scenes, and of course the Cop On The Edge itself, and so much more. Those of you out there that enjoy these things, like we do, will have a feast here. The movie gets further bonus points for being about dyspeptic middle-aged people, not stupid, flashy kids, there's a lot of un-PC dialogue, there's no stupid little kid to ruin things, and, the original foodie, Herrera is always seen eating. Usually a burrito. If you don't like it, take it up with Harry Niles.We should take a moment here to recognize the unheralded genius of director John Flynn. It's an absolute tragedy that he's not a household name, yet plagiarists like Tarantino are. Besides directing the early Seagal in Out For Justice (1991), he also did Lock Up (1989) with Sly, the underrated James Woods vehicle Best Seller (1987), and the Jan Michael Vincent movie Defiance (1980). But the Coup De Grace is that he directed one of the best movies ever, Rolling Thunder (1977). If he directed nothing else but that in his career, he would be a legend in our eyes. But his career making tough, interesting fare speaks for itself. Back to the cast, Milian is likable as Herrera, Archer does well in a somewhat thankless role, Keith David fits the bill perfectly as Owens, and Cliff De Young, interestingly enough, plays a guy named Stambusky, which, though different, today has connotations of a certain child molester that are hard to ignore.Featuring an end credits song by Eddie Money, Nails might be THE classic example of the Cop On The Edge movie. We say see it soon.

micheldesjardins-rd2002 I want you to view it and not listen those who are turning down such a thriller. I have seen thousands of movies and this is in the top 10%. He is in shape and when he runs, you really feel he hates the mobs. He also comes out is residence naked running after another mob! There is action all the time. You have to be spoiled at an unseen level to feel cheap-mind in turning down such good classic movie of good and bad with a spicy outraged cop! Every movie of that caliber merits some attention and a more balanced judgment. Have a good time fellows! xx xx xx xx xx xxMichel from Montréal

rsoonsa Dennis Hopper is properly designated as a film personality rather than as an actor because he essentially plays himself, regardless of role requirements, and as with most performers of that type, Hopper is seldom able to rise above the quality of his material; therefore, when a production is as poorly written as in this instance, it can be no surprise that his showing is preordained to be awkward, at best. As action opens, a contract hit is being arranged to dispose of veteran Los Angeles Police Department homicide detective Harry "Nails" Niles and his partner Jack, and while it is never explained why, it is possibly not worth knowing and, soon after, the two whiskey swilling (while on duty) lawmen are uncannily duped into an ambush which they stupidly abet by not requesting assistance, Jack thereby being gunned down. This naturally disturbs Niles who, still in clothing saturated with Jack's blood, meets with his estranged wife (Anne Archer) for a session of role playing sex, after which he grimly proceeds to locate his ex-partner's killer, additionally discovering in the process a large-scale heroin smuggling operation, and whereas his investigative methods are brutal, there is no longer a question of their appropriateness, due to his suspension from duty. Shot atmospherically by cinematographer Mac Ahlberg in Los Angeles and Santa Monica, and smoothly edited by Michael Knue, the film's screenplay reveals a complete lack of knowledge regarding policing procedures along with wholesale failings in logic, and while many of the supporting cast are clearly enjoying their turns, acting honours go to Cuban Tomas Milian as a detective nearing retirement cajoled into aiding Niles, an ably created part but not nearly enough to save this poorly directed and scripted affair.

dtucker86 In Rebel Without A Cause, Easy Rider, Apocalypse Now, Blue Velvet and River's Edge, Dennis Hopper took us to the edge, this time he pushes us over! This man is an amazing actor who brings his trademark intensity to this film. He makes Dirty Harry look like a wimp! This film is a high wire through hell from start to finish and Hopper's performance is what does it. Anne Archer gives a great performance as his long suffering wife and the two have amazing chemistry. One thing that you have to say about Dennis Hopper, he is never boring and always delivers!