CrawlerChunky In truth, there is barely enough story here to make a film.

TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

blanche-2 Peter Lorre is "Mysterious Mr. Moto," a Japanese detective who seems to know everything that's going on. A very likable character, Moto, not surprisingly, stopped solving crimes after Pearl Harbor.In this, the fifth entry into the series, Moto escapes Devil's Island with another man, Paul Brissac (Leon Ames), as Moto is on the trail of an assassination group, of which Brissac is a member. Moto wants the top man. Since Brissac trusts him, Moto becomes his houseboy and gets a look at the rest of the group. But not the leader. The group is threatening the life of a man, Anton Darvak (Henry Wilcoxon), who has a steel formula the group wants. Moto works to protect him.The film has a very lively denouement, and Moto dons several disguises during the film. Peter Lorre is wonderful. Moto has it all over Chan, as it takes Chan time to figure things out. Moto seems to know it all pretty early on, and he's quite an active participant in whatever it takes to solve the crime.It's impossible to believe, however, that a man one step up from the village idiot, Anton Darvak, has any type of a formula unless it's for adding 2 and 2. He's not worth protecting, that's for sure.This is a short movie, and the main thing it's got going for it is Lorre. The plot isn't great. And as short as it is, some of it moves slowly. But what action there is, is very good.

JohnHowardReid This entry would more aptly be titled Mr Moto of London's Limehouse. Aside from the opening escape and the thrilling climax, most of the movie is set in an exuberantly realized Limehouse, peopled with a truly multitudinous collection of colorful Dickensian characters, who swiftly break into one of the most extraordinary mêlées ever captured in any movie, "A" or "B". The credit for the jaw-dropping handling of these vigorous action sequences belongs squarely to director Norman Foster, who has made the most of a somewhat faulty plot by moving it along with such action-full abandon, there is little time to reflect on the holes.Given half a chance, we might also notice that five of the twelve principal characters are both rather weakly written and portrayed: Mary Maguire, Henry Wilcoxon, Erik Rhodes, Leon Ames and Fred Vogeding do little to inspire audience applause. It's Peter Lorre, the ever-reliable John Rogers, the lovely Karen Sorrell, delightfully sinister Cecil Weston, enthusiastic Forrester Harvey, old-school-tie Lester Matthews, and would you believe a remarkably subdued Harold Huber, who do all the running.All Lorre's Moto excursions are well worth viewing. This one rates high on my list, though my personal favorite is Mr Moto's Last Warning.

Steve Ressel The Moto films were 'cheaps', made quickly and inexpensively, and also rather short to pack in with other films for a cinema experience packed with a variety of films in a string. Where most other films of the time have either risen to heights through brilliance or, as most have done, fallen from interest completely due to mediocre or lackluster efforts, the Moto films have found quite an enthusiastic audience that still thrills to the honest, entertaining portrayal of an exotic crime fighter.Mysterious Mr. Moto is the first film in the series where the crew seems to have 'gotten it together'. The acting, acing, story, and film work were all quite a notch above the previous three. Though the stories are always rather linear they keep an audience by balancing thrills, violence, mystery, character and mild romance.The criticism of racism is odd. Lorre plays the character slightly off Japanese, his accent being obviously Germanic, but his mannerisms are keen. Moto is an American schooled Japanese, which was very typical in those days, and it gives him an obvious bridge in understanding western culture. It is a pity they didn't find more Asians to fill key roles in these films, but generally the American actors used were quite good despite looking too Caucasian. I can forgive authenticity for acting ability, especially in the days when there were few stories written for Asians.Moto always comes off as a powerhouse. He's an admirable figure for anyone undersized in a brutal world. Kids must have loved Moto in the day as he proved someone tiny could trash giant brutes with guns and ham hock fists. He's a great roll model for more than just Asians or Japanese, he's a hero for everyone. These films are fun, matinée film that portrayed the shrinking world with a metropolitan and international flavor. I think they are admirable. Lorre proved himself adept beyond any doubt with these movies. They are a credit to the entire crew.

bensonmum2 It's interesting to me that it's the "B" films of the 30s and 40s that seem to be so popular today. I sincerely doubt that anyone involved in the making of these movies could have imagined or cared that there would be an audience for their work almost 70 years later. Mysterious Mr. Moto is an enjoyable "B" that features everything you could ask for in one of these movies – a nice mystery, good action, sets that far exceed the film's limited budgets, exotic and quirky characters, and a sense of fun about the whole thing.Peter Lorre is back as the mysterious Japanese detective, Mr. Moto. In this installment in the series, Mr. Moto has himself imprisoned on Devil's Island so that he might gain the trust of one of the other prisoners who happens to be involved with a gang of international murderers for hire. They escape and head to America. Acting as the other man's servant, Mr. Moto is in a perfect position to put a stop to the group's activities.Mysterious Mr. Moto will never be confused with a deep, meaningful example of film-making. But it's not supposed to. It's a fun romp. And even if identity of the leader of the gang of murderers is obvious early on, it hardly matters. It's just fun watching Moto get to the answer. Lorre is as good as billed and he has a cast of familiar faces backing him up. Fans will recognize Harold Huber, Leon Ames, and Erik Rhodes from their numerous roles in other 30s "B" films. Each does a nice job of adding a bit of fun to the film.