lasttimeisaw
Adapted from Miles Franklin's eponymous novel published in 1901, which was written while the author was still a teenager, MY BRILLIANT CAREER, Aussie director Gillian Armstrong's feature debut made when she was 29, not only puts a young Judy Davis on the map as a formidable thespian, but also is immanent in effusing the story's heartening feminist viewpoint, and with hindsight, it is an inviting, robust production orchestrated with sublime delicacy and forward- looking brio. Our heroine Sybylla (Davis), a young girl living with her family in the outback in the late 19th century, is the eldest of the brood, she is an unruly force of nature who aspires to a life steeped in literature, music and art, which sounds detrimentally airy-fairy for her strapped parents, they float the idea of a domestic job to her, as a way to shuck off another mouth to feed, and it enrages her. So when her well-heeled matrilineal grandmother's invitation arrives, it brings immense elation to her, maybe, finally she can be delivered from the sticks and all the menial labor.Ensconced in a modestly plush rural estate, Sybylla has to stomach the affront that her plain looks are being openly addressed, often in front of her presence, a below-par trait doesn't fall in with the family's old money grandeur, and she is the ugly duckling, but swimming against the tide, she has no desperation/illusion to become a swan, she won't bat an eyelid to an oleaginous suitor for whom she has no affection, and unthinkingly returns bold backchat to her stern grandma Mrs. Bossier (Britton) when marriage is propounded because she is nubile, she doesn't want to get married, as later she confides to Harry Beecham (Neill), a childhood friend of gilded youth to whom she grows closer and vice versa, she must discover herself first, before even considering of becoming a part of someone else's life. This isn't exactly an earth-shattering idea of a woman's liberation, but here, owing to Ms. Davis' electrifying performance, Sybylla's rite-of-passage shapes into a page-turner, implacable in its torrid mobility (a pillow fight with Harry in the lush garden is a shorthand of their youthful exuberance) and undertows (her pertness can be read as a coping mechanism countervailing her entrenched low self-esteem because of her unassuming appearance).No one can negate there is love between Sybylla and Harry, but as she contests, why love must lead to marriage? There are alternatives, and she firmly stands her ground, especially after the stint as a governess to teach a bunch of illiterate children of a farmer family, she finds her vocation in words and literature, wherein she starts her brilliant career as a writer. One of the most incredible merits of this Antipodean pastoral is that it doesn't come off as cloying or priggish out of its constant-trodden story-line of a young woman's unorthodox choice with regards to love, life and self-discovery. Around a pyrotechnic Judy Davis, whose glints of emotion are so sharp-edged and entrancing, the peripheral players are also cracking: a young Sam Neill is the projected prince charming but is also seethed with a farrago of contradictions and mix- feelings in mooning over a jolie-laide; Wendy Hughes is pretty radiant as the benign aunt Helen, whose caring nature doesn't prevent her from giving one of the wisest nuptial advice: the best marriage is a friendship marriage. Aileen Britton and Patricia Kennedy (as Harry's aunt Gussie), both hold sway with poise and majesty as two august dowagers, whereas the latter graces her comportment with conspiratorial discernment, the former carries more weight in her role as the high priest of tradition.As a whole, MY BRILLIANT CAREER belongs to the high rung of period filmmaking and more extraordinarily, it is done with economy and Ms. Armstrong's scrupulous attention to all the niceties, many kudos to this criminally undervalued female filmmaker.
nazia000777
Drought and a series of poor business decisions reduce her family to subsistence level, her father begins to drink excessively, and Sybylla struggles to deal with the monotony of her life. To her relief, she is sent to live on her grandmother's property, where life is more comfortable. There she meets wealthy young Harry Beecham, who loves her and proposes marriage; convinced of her ugliness and aware of her tomboyish ways, Sybylla is unable to believe that he could really love her. By this time, her father's drinking has got the family into debt, and she is sent to work as governess/housekeeper for the family of an almost illiterate neighbour to whom her father owes money. She finds life there unbearable and eventually suffers a physical breakdown which leads to her return to the family home. so i am very much inspired from this muvie so that i got my career through thishttp://www.pakistanjobs.pk/
runamokprods
A lovely, beautifully acted first feature that launched both Judy Davis, who is amazing in this, and director Gillian Armstrong. Its lost a little something revisiting it after all these years. While it's feminist ideals are inspiring and handled with complexity, there's a certain lack of emotion to it. We don't really get the deep bitter-sweetness of choosing loneliness over loss of self. Also, that the film forces that choice seems a bit disingenuous. Nothing about Sam Neil's character that suggests he would repress our heroine – indeed he clearly loves her for the free spirit she is. To really have her need to make an either/or decision 'work' we'd need to go further into the relationship and her psychology. Last, a number of the supporting roles tend towards clichés about both the upper and lower class. And that oversimplifying takes something away from the complex character Davis builds. But all that said, there are beautiful images and magical moments. It just didn't quite hold up to my memories of first seeing it 30 years ago. But if you've never seen it, you still certainly should.
taknesbay
I just bought the Australian DVD release of My Brilliant Career. All I can say it was worth every penny. I don't need to go into the specifics of the plot. There are plenty of comments listed on IMDb already. But the peformances, by then new and upcoming actors Judy Davis and Sam Neill, are beautifully timeless!! It's everything I'd hoped for and more. It just gets better with repeated viewings.Made on a shoestring budget by new director Gillian Armstrong, the commentary provided by her on the recently released Australian DVD in widescreen is a real treat to listen to! You'll chuckle at the stories she tells on how cast and crew achieved what you see on screen when little or no money was left in the budget. And you'll realize how lucky and fortunate Armstrong and producer Margaret Fink were at landing Judy Davis to play Sybylla.My Brilliant Career is currently out-of-print in the USA. Don't know why, but currently a DVD is out in Australia and the UK only. If only the Criterion Collection would select this film for a DVD release in the USA.....
