Mr. Vampire

1985
7.3| 1h36m| NA| en| More Info
Released: 07 November 1985 Released
Producted By: TOHO-TOWA
Country: Hong Kong
Budget: 0
Revenue: 0
Official Website:
Info

The planned reburial of a village elder goes awry as the corpse resurrects into a hopping, bloodthirsty vampire, threatening mankind. Therefore, a Taoist Priest and his two disciples attempt to stop the terror.

Genre

Horror, Action, Comedy

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Director

Ricky Lau

Production Companies

TOHO-TOWA

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Mr. Vampire Audience Reviews

Lucybespro It is a performances centric movie
Platicsco Good story, Not enough for a whole film
Matialth Good concept, poorly executed.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Lawson This is probably the original horror comedy that spawned like ten sequels and a thousand rip-offs about a Taoist priest, his apprentices, and their misadventures controlling and/or thwarting Chinese zombie- vampires. Such movies were a big part of my childhood so I will always have a soft spot for them. This one stars the inimitable Lam Ching Ying, who was THE Taoist priest, as well as Ricky Hui of the three Hui comedian brothers, and Moon Lee, the kung fu-trained cherubic actress. It was up for an amazing amount of Hong Kong Film Awards, considering its genre. Not that it wasn't deserving. No one can alternate between kicking vampire ass and deadpanning lines like Lam can. And I like that the movie doesn't get stupid like its sequels will. It may be often silly, but it doesn't stoop to go for the cheap laughs like the hundreds of 'C' movies the Hong Kong movie factory churned out back then.
Shawn McKenna The most important film in the kyonsi (jiangshi) sub-genre (hopping vampires who can suck blood through their long fingernails) of Hong Kong movies is Mr. Vampire produced by Sammo Hung's Bo Ho Films Company which would help bring out another important Hong Kong horror/comedy in "Spooky Encounters". This comedic/horror is a mixture of Cantonese comedy, Taoist priests, sticky rice, chicken blood and a dash of kung fu that has become a perennial viewing of mine during the Halloween season. Its success did not go unnoticed and spawned many sequels and imitators many directed by the same director as this movie Ricky Lau Koon-Wai and starring mono eye-browed Taoist priest (fat-si) Lam Ching Ying. It also had local critical success and would be nominated for several Hong Kong awards including Best Picture (which Police Story would win), Best Director, two best supporting actors (Lam Ching Ying and Ricky Hui). It would win for Best Original Film Score.It is said that when someone dies in anger a breath is caught in the throat. Nothing can exasperate this more than burying the body in an area with bad Feng Shui. Mr. Yam (Huang Ha: Spooky Encounters) has been having inauspicious luck since the burial of his father and has hired Master Ko (Lam Ching Ying: Prodigal Son) to help move the body to sacred ground. Every great master must have bumbling protégés and Ko has two in Man Chor (Ricky Hui: Plain Jane to the Rescue) and Chow Chun (Chin Siu-Ho: The Tai-Chi Mater). Hui (brother to Sam and Michael Hui who are also famous HK comedians) plays his role quite well and is adroit with his comedic timing (watch him in the background in many scenes; always busy) while Chin is more of a face in this movie (though he has an extensive martial arts background). Guess who gets the romantic role in this movie? Part of the problem of having blundering help mixed with caring for the undead is the possibility (probability) of letting a ravenous choleric blood-sucking corpse loose on the populous. Because of an improperly sealed casket, Grandpa Yam (Yuen Wah: Eastern Condors) escaped from his coffin and killed his son unbeknown-st to inept police officer Wai (Billy Lau Nam-Kwong) who believes Master Ko is responsible and arrests him. However, younger Yam's corpse is slowly turning into a wandering cadaver (like father, like son) whose body is set in viewing distance of the jailed Ko. Later, Man Chor gets injured by the springy corpse's vampire-like nails while protecting Yam's daughter Ting Ting (Moon Lee Choi-Fung) and similar to the effects of European vampires bite wounds he will slowly turn into one unless prevented somehow. Meanwhile, Chow Chun is having problems of his own with a beautiful ghost named Jade (Pauline Wong) who has tricked him into falling in love with her. Some of this story does remind me of Kenji Mizoguchi's Ugetsu (the house of the spirit and the way Ko helps repel Jade by the characters drawn on Chow Chun), but there are many Chinese stories that have used these elements before Ugetsu.If I was to nitpick about the deficiencies of this movie I would state the abrupt ending as the biggest one -- a bane of many Hong Kong films. Also, the chicken violence, which is real, might offend some (Harry Angel would like it) as well as the removal of a gallbladder from a snake – which is also real (though after watching Shaw Brothers release Killer Snakes I have become numb to small amounts of slithering serpent violence). I know some might not like the broad humor associated with Cantonese comedy, but I have come to appreciate much of it.However, there is much to appreciate from the dancing and comedic aspects of Ricky Hui to the effective use of Kung Fu and stunts. The secondary plot of the ghost love story also worked well for me. The introduction of the female ghost brought into the story was one of the most beautiful shots in the film marred only by an annoying sound effect. And like a good comedy should it finished off with a laugh. During this scene and the end credits there is a wonderful song used named Gwai San Neung "Ghost Bride" performed by the Kit Yi Chorus. The main strength of this film is that it sticks well to its premise of a comedy and does unnecessarily mix dramatic elements.There should not be a discussion about this film without mentioning the austere pillar performance of Lam Ching Ying. This performance is analogous to Vincent Price in which a career defining House of Wax (1953) set forth a years of horror for Vincent Price. Both actors had years of experience in various genres before their "breakout" horror roles, both had excellent roles before (Prodigal Son for Lam and Baron of Arizona for Price) and would later have lucrative but strongly typecast roles offered to them afterwords. Lam's rendition of this Taoist priest is so perfect in its entirety (his athletic skills certainly help) that he has become a cult icon in certain circles. Like all good Taoists, he knows the value of sticky rice and its many ubiquitous powers of healing.Along with Spooky Encounters this is a must watch movie from the Hong Kong comedy/horror oeuvre and perfect for introducing kyonsi to your friends -- as long as they do not like chickens (or snakes) and you have friends of course.
kosmasp You have to bare that in mind before you watch this movie. Because it's not your average Hong Kong action movie! This one goes for fun and being silly. Suffice it to say that, this movie doesn't take itself seriously then! And you shouldn't either ... because if you do, you won't enjoy it a bit! A few friends I watched this movie with, weren't in the right frame of mind, and couldn't enjoy the silly moments of the movie. I think they didn't even enjoy the great choreographed action scenes. It's a shame, so again don't expect anything serious here, whether it's plot wise or acting wise! A fun ride indeed this is! Enjoy the ride! Or should I say the "hop"? ;o)
AwesomeWolf Version: Cantonese, with English subtitles (by SBS) I borrowed this, and several other movies, from a friend a couple of months ago. Most of these movies I'd already seen, except for this. I can't think of why I hadn't seen it: It had been taped from SBS, it was an action / horror / comedy from Hong Kong, and it was awesome.The movie follows Master Gau (Ching-Ying Lam), a vampire hunter who discovers at a reburial that the corpse has turned into a vampire. Along with his two assistants, Chou (Siu-hou Chin) and Man Choi (Ricky Hui), Master Gau has to stop this vampire and any other demons, but Chou is being distracted by a succubus and Man Choi is turning into a vampire.OK, I'll admit that the plot was rather confusing. The above is how I understood it, but who needs a plot when you have vampires, and kung-fu, and evil lady-demons who detach their own head for no apparent reason? I know I don't. Awesome. The martial-arts scenes are the best parts of the movie, but the horror / comedy sequences are still entertaining. Anyone interested in kung-fu movies should check this out for Siu-hou Chin's performance alone. The guy is incredible, and puts on some great fights.9/10 - Anyone who is fan of Hong Kong action movies should check it out.

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