Micitype Pretty Good

Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Kamila Bell This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Dana An old-fashioned movie made with new-fashioned finesse.

nycritic There's a stark, haunting beauty within the land called Kekexili -- Tibetan for "Beautiful mountains, beautiful women" -- that threatens to smother the human drama being played out between the patrolmen risking their lives to preserve the antelope and the poachers who use their skins to create obscenely expensive scarves. No matter what the scene, be it a closeup of an action taking place in a river or a medium shot of vehicles traversing a barren, empty land, Kekexili is undoubtedly the main character in this gorgeous but bleak film, a hostile land that in one of the movie's most striking moments, swallows a lone patrolman whole when he makes the mistake of stepping over quicksand.As an action movie, only the first scene is really where the brutality ensues as antelope are systematically killed (right in front of the camera, which makes it a tad intense for anyone not used to these images) and the patrolman trying to protect them gets a bullet in his head. It gets quickly established from the get-go that these poachers are soulless individuals whose greed has led them to destroy the wildlife, which makes the plight of Ri Tai, a man whose life has been committed to the cause of the antelope, and Ga Yu, a reporter who gets involved in the case, more relevant even when everyone else gets blurred in the background and it seems that there will be no solution to this matter.KEKEXILI is a tricky movie to classify even when it's clearly grounded in thriller and action roots due to the overpowering nature of the place where it's set and its refusal to romanticize its two lead characters. If anything, it can be seen as a silent film, one that tells its story in mute yet powerful images, and in doing so, gets its message across.

[email protected] This film returns to the topics and aesthetics of New Chinese cinemas of the Fifth Generation filmmakers. There are especially strong connections to Chen Kaige's first film "Yellow Earth" (1984). The harsh, unforgiving natural elements in Kekexili (and in Tibet more generally) are both beautiful and harrowing, similar to the landscape in "Yellow Earth". The outsider reporter/photographer Ga Yu from Beijing echoes "Yellow Earth" character Brother Gu, of the Eighth Route Army, who is a visitor to the impoverished peasant family in that earlier film. Unlike the early Fifth Generation works by Zhang Yimou such as "Ju Dou" and "Raise the Red Lantern", "Kekexili" is set in very contemporary times and as such, the criticism of government policies and neglect is much stronger. In scenes of violence, the film's use of long shots and long takes is more powerful than the more common use of editing to extreme close ups.

Atavisten This strong and raw movie about the true case volunteer mountain patrol running after poachers getting rich by exploiting the Tibetan antelope, and bringing it close to extinction in the process, is the strongest and most moving movie I can remember in a thriller/action genre. Its hard to know what to call it as it has a more real feel than any thriller I know.Nothing comes in between the hunt for these poachers with no frills, the script is clear-cut and never sentimental. Everything happens quickly and brutal, something that also can be said about the fortunes of the mountain patrol.Based on a 1993-96 incident, Kekexeli manages to show these heroes as what they are, never becoming fixated on person (no "private Ryan") like it should be. Amazingly the story made it to the big screen.

Harry T. Yung Meaning "Beautiful mountains; beautiful maidens" in Tibetan, Kekexili is the relentless, harsh mountainous plateau in China's interior west just at the border of Tibet. Together with the splendorous scenery comes ferocious snowstorms and treacherous quicksand. It's these forces of nature that eventually brought peril to a troop of voluntary mountain patroller in the pursuit of poachers of the near-extinct Tibetan antelopes during the mid 90s.The story of the voluntary mountain patrol is told through a Beijing report who accompanied them through a 10-day quest to track down a band of poachers who kidnapped and murdered one of their men. Led by indefatigable leader Ritai, these volunteers from all walks of life shared a common passion, there fervent love of the lordly Tibetan antelopes and hence their furious hatred of the ruthless poachers. The intensity of this passion is brought home to the audience when they witness a scene of a mountain plain littered by hundreds of carcasses of skinned antelopes in the middle of being picked clean by carrion crows, and later reinforced by a similar scene, with the skin of these antelopes spread out to dry, some with crimson bullet holes.Filmed as a semi-documentary, Kekexili does not portray the patrollers as one-dimensional heroes as some Hollywood flicks might have done. We see them, during their red-hot pursuit, rough-handling a minor offender caught with antelope hair instead of cotton padding his coat and a couple of worm catchers who happened to have witnessed the poacher passing by. But these are minor, as we gradually come to understand that desperate for financial resources, as they were only semi-official and not paid by the provincial government, the mountain patrol resorted to selling some of the pelts they confiscated from the poachers. But the lasting impression left with us of the mountain patrol would be their humanity, their simple zest for life, their comradeship, their self-sacrificing spirit and their absolute dedication to doing what they believe in.Kekexili is a deeply moving account of a true story crying out to be told, and has won awards in Tokyo and Taiwan. It deserves to be seen by the rest of the world.* * * After the first screening of Kekexili in the Hong Kong International Film Festival (22 March to 6 April 2005), young, handsome director Lu Chuan answered questions from the audience in Putonghua and respectably fluent English.He explained that he was moved to making this film after reading the report of the Beijing photojournalist Ga Yu. The film took two years in preparation before filming, and was shot at the exact locations of the actual events. He said that in filming the story of the mountain patrol, he was not trying to provide an answer to what fuelled their devotion, but just to reflect what actually happened. On the minor questions, he explained that the five hundred odd carcasses in the film were not from killing antelopes (yes, that was the question!), but were actually from mountain goats that was the natives' normal food. And yes, he himself did try eating raw meat, as the reporter did in the movie, when offered a leg just cut from a rabbit freshly shot..Breaking of the story by the Beijing reporter brought sensational worldwide reaction. In response, the government took strong measures and formed an official force to stamp out poaching of the antelopes. The voluntary mountain patrol, having thus achieved its goal, was disbanded. The population of the Tibetan antelope has since increased.