Baseshment
I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
Jakoba
True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
Billy Ollie
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
classicsoncall
Wow, it's taken me a long time to get around to the original "Mothra" and I was surprised to see that it was actually filmed in color, unlike the 1956 film "Godzilla, King of the Monsters". Even though I'm late to the party, I always considered Mothra to be part of the iconic monster trio of Godzilla, Mothra and Rodan, so I've finally completed the trilogy.When I saw "Godzilla and Mothra: The Battle for Earth" a few months ago, I wondered whether Mothra was male or female, so it was pretty cool that this picture answered the question. Mothra's a 'she', having the power of telepathic communication with a pair of twin fairy island girls who have been kidnapped by an unscrupulous Japanese businessman in order to cash in on the discovery. The caterpillar form of Mothra wreaked it's own brand of destruction on the city of Tokyo, while the colorful moth version headed over to the Rolisican island city of New Kirk in search of the twins.Not too much scientific mumbo-jumbo is offered regarding the existence of Mothra, but I did get a kick out of the introduction of the atomic heat gun used to attack the cocoon on the Japanese tower. There was also that business about the specially constructed box designed to stop the telepathic communication between the fairy girls and Mothra. The fact that the girls always spoke in unison was another nifty touch. Older viewers might also experience a bit of nostalgia seeing that old Mobilgas logo sign dangling in the wind during the Mothra rampage.Well, I realize all these Japanese monster movies were intended for a largely juvenile audience but they're kind of cool to catch every now and then even for seasoned movie fans like myself. I'll take one in every now and then, so until next time, I guess it's Sayonara.
jacobjohntaylor1
This not best M.O.T.R.A movie. Some of the sequels are like the second one Godzilla vs M.O.T.R.A, or the third one G.H.I.D.O.R.A.H the three headed monster, or the forth one Godzilla and M.O.T.H.R.A vs the sea monster. But it's still good movie.Some people go to an island that as bin polluted nuclear radiation. They find I giant moth. And some bad guys that come with them take something the belongs to it. I can't remember what it was an egg I think. Anyway these bad guy take something that belongs to M.O.T.H.R.A and he follows them back to Tokyo were he goes on a rampage. It is not as good as the 5th movie Destroy all monsters. And it is not as good as the 6th movie Godzilla vs G.I.G.A.N. But it still a good movie. See it. Great story line. Great movie. All the M.O.T.H.R.A movies are great see all of them.
Al_The_Strange
Among Toho's repertoire of gargantuan and highly-destructive kaiju, who would have ever thought that a giant moth would become one of their most endearing characters? In the years that would come, Mothra would make an appearance in seventeen films, including a bunch of Godzilla films. In the beginning, though, the lepidopteran made its debut in this old-fashioned monster flick.1961's Mothra runs pretty evenly, allowing the story to breathe adequately before dishing out some modest mass destruction. The film's first acts, with scientists exploring Infant Island, remind me greatly of Skull Island from King Kong; the manner in which they use the fairies as a sideshow is not too far off from Kong either, only instead of unleashing a giant monkey's wrath, the fairies sing and summon a giant larva. It's weird stuff, but the film plays everything out with a straight face. This film ultimately sets the pattern for future incarnations of Mothra (you seriously can't have Mothra without the singing fairies, the larva, or without specific phases of attacks). As the original feature, however, the only formula this film adheres to is that of the classic monster picture, with a bit of adventure thrown in, and it's neat that way.The story's pretty much outlined above; it is a well-structured plot with a cast of alright (and sometimes goofy) characters. With all the fairies and monsters on display, I always felt that Mothra was a grade more unbelievable than most other monster movies, but thanks to the film's earnest tone, it works as a fine and dandy fantasy (and it's pretty neat to see such fantasy being opposed by modern and ultramodern weaponry). The story touches upon a few themes concerning capitalism and greed, but is never overbearing.This film uses solid, quality photography and editing. Acting is good from the original cast (but might be marred heavily by the English dubbing if you chose to watch it). Writing gets the job done pretty well. This production shows its age, but still uses fine-looking sets, props, and costumes. Special effects are a bit rough, but for its time, they are smashing. Music is not bad either.No matter how silly or fantastic it gets, I have a soft spot for Mothra, especially in seeing her future clashes with Godzilla and other monsters. The first and most original Mothra film presents the basics of Mothra-lore, which in turn echoes parts of the original King Kong, and would stand proudly next to classic monster flicks like Godzilla. Fans of the genre should give this original film a rent.4/5 (Entertainment: Good | Story: Pretty Good | Film: Good)
bkoganbing
Having an honored place in Japanese monster film lore is Mothra a giant caterpillar/butterfly who's a Deity on the island of Beiru. A shipwreck strands several survivors on an island where atomic testing has taken place, but the natives are free of any radiation. Some native brew that the castaways are given keeps the atomic effects away from them too.Holding a special place in the affections of these natives are a pair of twin girls, barely a foot tall. An unscrupulous survivor kidnaps them, figuring they'll turn a good buck for him to exhibit as freaks.But not when you've got a giant caterpillar/butterfly on your case. He's the one these girls are continually chanting for and by telepathy Mothra's beating a path to them and it takes him to Japan where Tokyo once again undergoes monster urban renewal.I like Mothra because the monster really is the hero of the piece. And while the special effects of Mothra destroying Tokyo with the flapping of his giant wings, those paper mache, baling wire models that are a trademark of these film, still it's good fun. And of course Mothra came back several times, often in conjunction with other Japanese monster creations.Almost fifty years later Mothra's still a lot of fun.
