Wordiezett So much average

VividSimon Simply Perfect

Numerootno A story that's too fascinating to pass by...

Luecarou What begins as a feel-good-human-interest story turns into a mystery, then a tragedy, and ultimately an outrage.

Yorick As the reviewers who used to get paid for writing this stuff would have said: "The real star of this picture is the ship!" Truly. The freighter has a life and personality all its own and all its gritty secret parts and workings are breathtakingly rendered in Conrad Hall's (Outer Limits) moody black-and-white, fabulous sound, and an amazing Jerry Goldsmith score.The 2 human stars are spot on--and we even get a cameo by the great Martin Kosleck!Two beefs: 1) the shameful misogynist treatment of the luminous Janet Margolin. 2) What has been an absorbing thriller, 7/8 of the way through suddenly turns philosophical/moral/political as Yul the Good German gets it on with his Bad German first mate and meanwhile the American POWS are even more swinish than the Nazis.But the ending is cool.And Like I said, the ship rocks this house.

blanche-2 Morituri (1965) stars Marlon Brando, Yul Brynner, Trevor Howard, Janet Margolin, and Wally Cox. Morituri is Latin for "We who are about to die salute you."Brando plays Robert Crain, a German pacifist living in India during the Second World War. The Allies use blackmail to convince him to use his engineering expertise to disable a German ship carrying rubber from Japan. If he disables the "scuttling" mechanism of the ship, the Allies can recover the rubber, which was in short supply during World War II.Of course, no one knows why he is on the ship - he says he is a German official. The captain (Brynner) is a good German but he hates the Nazis. His first officer, however, is a party member. Some of the crew are political prisoners working due to labor shortages.Crain ultimately tells the prisoners his plan to give the ship to the Allies. Then some American prisoners and German naval officers are rescued from a Japanese submarine. Excellent film, with plenty of action as well as suspense. Both Brynner and Brando are excellent in their roles, Brando especially, sporting a perfect German accent and giving an underplayed performance. It's an old wives tale that Brando mumbled - he mumbled when the part called for it, and he had a good ear for accents. Sad to see Janet Margolin, who died of ovarian cancer at age 50.Recommended to those who like WW II films.

sddavis63 The highlight of this movie set on a German cargo ship during the Second World War are the superb performances offered by Marlon Brando and Yul Brynner. Brando plays a German expatriate (disguised as a Swiss national) who's living in British ruled India in 1942. He ends up being drafted (very much against his will) by the British to go undercover as SS agent Keil to divert the cargo ship (which is carrying a very valuable - to both sides - cargo of rubber) into American hands. Brynner plays Mueller - the ship's captain - a man with a drinking problem trying to regain his reputation after having a ship torpedoed out from under him while he was drunk, but a man who's also no fanatical Nazi.Both are very believable in their roles. There's also a strong performance from Martin Benrath as First Officer Kruse - who is a fanatical Nazi, who doesn't trust his captain, and who's as happy to have an SS officer on board as the captain is unhappy about it.The movie is always interesting. It's not an action movie in the modern sense of the word, but it's increasingly tense as suspicion grows about Keil, and as the ship awaits a report from Berlin about him. As good as Brando and Brynner and even Benrath are, though - and as tense as the movie becomes about whether Keil's real identity will be uncovered - the most powerful part of the movie might have come in a scene featuring Janet Margolin. She played a Jewish medical worker who was taken prisoner along with a number of American sailors when their ship is sunk by a U- boat. Speaking with Keil as he tries to convince her that he's on her side, his SS identity notwithstanding, she recounts - in surprisingly and uncomfortably (even for today, and so shockingly so in 1965) graphic detail - her abuse at the hands of the Gestapo. Without going into detail, the words "hour after hour after hour" are haunting. It was a truly sobering scene. You can't watch it and not find yourself in sympathy with a character who otherwise really isn't that central to the overall story.This is, overall, a very good movie with a very strong cast. (8/10)

secondtake Morituri (1965)I had no expectation here. The name was odd. And the description was odd--a WWII film from the point of view of the enemy. Sort of. And so I didn't really think I'd be fully captive.And I was. This is a special film war film. For one thing it has Marlon Brando being his arrogant best, and Yul Brynner, too. It presents an odd dramatic situation, a tension between strong willed characters who don't quite know what the other is up to. Here I mean Brando playing a German plant on this ship going from Japan to Europe, and Brynner, the captain, a disgruntled German with some experience both with the wheel and the bottle. The ship is a modern (1942) Japanese ship, and among the crew are a bunch of political prisoners, who of course can't be totally trusted. The cargo is rubber, the most sought after material in the early war (later it would be uranium, I suppose).Cinematographer Connie Hall is quite aggressive and brilliant with his photography, keeping the angles and movement nearly constant. The light is dramatic, the sharpness clean. And he got nominated for an Oscar for his work. The interior of the ship is large and filled with strange turns, great heights, lots of interior and exterior spaces that take you by surprise. Beautiful stuff.The plot moves more quickly than you'd expect, too, with little surprises and turns, like finding a burning American ship at night and rescuing survivors. One of these is a young woman who was born in Berlin and they question her--why is a German on an enemy ship? And she says she is not German. And they ask what is she? You expect here that she might say she was American, but even better she says, "I am anti-German."The script is tight and believable. The scenario, which is not formed from fact as far as I could discover (it's based on a novel), seems reasonable. And it ends up being more subtle than you'd expect. Yes, there are aspects that are obvious dramatic additions--the one woman who appears, for example, happens to be Jewish--but these end up being ways of showing people's characters. Ultimately that's what this movie is about.