Alicia I love this movie so much

VividSimon Simply Perfect

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

MilB12 I keep seeing this film compared to Ferris Bueller's Day Off, and I don't see why. The plots have nothing in common, and the characters are not at all similar. Ferris Bueller's Day Off is about a very cool and clever kid who fools his parents into thinking he is sick, and goes on an adventure in the city. Morgan Stewart's Coming Home is more of a family story. A not so cool kid (Cryer) who was shipped off to boarding school at a young age is brought home to help with his fathers campaign to be elected to the senate and tries to win the affection of his very cold mother and dim-witted father. So why are these two films compared to one another? I see some of the comparison comes from the idea that this film was sold to the public as a Bueller-esque film, but it wasn't. I remember the commercials for this film from way back in the day, and they in no way tried to capitalize on the success of Ferris Bueller. This film is it's own film, as good or bad as it may be. It isn't a Ferris Bueller rip off. Morgan Stewart's Coming Home has it's moments, but it is more suited to a younger audience.

mack3175 I know Jon Cryer was getting a little annoyed in the 80's, when he was being called Matthew Broderick's clone. Jon Cryer has his own cool charm, thats very different Matthew Broderick. And who ever called this movie a Ferris Bueller rip off, really did'nt see this movie, and tried to figure out that this movie is very different from Ferris Bueller. Okay someone copied John Hughes film making style, and did pretty well. This movie was very funny, and it was fun to watch. So give it a break.

johnmorghen First of all, I love this movie. I know the film didn't do well in theaters, and that it had all sorts of trouble behind the scenes, and critics bash it every chance they get. But, I simply don't care... I love it, from start to finish. Jon Cryer is great. And, if you agree with me on this, then you will enjoy this film. If not... then, most likely, you won't enjoy this film. It's that simple.I grew up watching this film countless times, as I identified not only with Cryer, but also with his character, Morgan. Growing up, I was "Morbid Morgan", and still am. Along with Cryer's other films, "NO SMALL AFFAIR", "PRETTY IN PINK" and the extremely underrated "HIDING OUT", this one ranks as one my favorites.Also, I am getting pretty tired of the accusations that this film was made to cash in on "FERRIS BUELLER'S DAY OFF", as the two are nothing alike, and this particular film, although it was released in 1987, was shot in 1985, a full year before the latter film's release. So there.

Mister-6 Okay, see: Jon Cryer looks a lot like Matthew Broderick. Matthew Broderick made "Ferris Bueller's Day Off" a year earlier. So, Cryer made a movie with a similar title. Clever, huh?If you said yes, you must have missed this one."Morgan Stewart's Coming Home" is about as slap-dash as it gets, throwing in odd bits of "humor" in place of a plot. Whenever there's a slow spot, just show Cryer waxing the floor with one of those industrial floor waxers or admitting to free-basing Clearasil, toss in a chase every so often or pop in the old stand-by: two guys sharing a shower.You can't say much for a movie where Lynn Redgrave looks like she's planning thorough revenge on her agent all the way through. Lynn, give me his number and I'll do it for nothin'.Oh, and even Gleason shows up to make us think that we're watching a John Hughes movie. Very subliminal, guys. BUT, this isn't a Hughes. It's a Smithee. Know the rules and go from there.One star. Cryer's good for a laugh (A laugh - singular).And remember: home is where the heart is (yuk, yuk, yuk).