More Than a Secretary

1936 "It's Howlarious!"
6.4| 1h17m| NR| en| More Info
Released: 24 December 1936 Released
Producted By: Columbia Pictures
Country:
Budget: 0
Revenue: 0
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Info

When the co-owner of a secretarial school visits a magazine editor to find out why he runs through secretaries, she's mistaken for an applicant. Drawn to him, she accepts the position.

Genre

Comedy, Romance

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Director

Alfred E. Green

Production Companies

Columbia Pictures

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More Than a Secretary Audience Reviews

Ehirerapp Waste of time
Nonureva Really Surprised!
Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
mark.waltz Don't attack your machines. The "typewriter is an instrument, not a man." So says secretarial instructor Jean Arthur. She ends up working as a secretary herself when she arrives at fitness magazine editor George Brent's office, turning the magazine upside down and predictably falling for the son of a brute. He's not really likable here, and Arthur gives the lesson to him that women can be of enormous help if given half the chance. Given a bit of an early feminist stance, this is a bit of a misfire because it tries to put a new twist on an old plot but doesn't come off as truthful. With Ruth Donnelly and Lionel Stander as confidantes to Arthur and Brent, it manages to be the supporting characters who steal the scenes. Dorothea Kent plays a stereotypical dumb blonde from Arthur's school who succeeds at two things: turning married man's heads and causing trouble for the leading lady. She has an element of crafty bitchiness that isn't found in most of these types of characters.Arthur and Brent could have been a much better match had they had a better catch. Made around the same to be as the glossier MGM drama "Wife vs. Secretary", this one is no match when compared to Gable, Harlow and Loy. It is standard stuff with substandard writing.
Harl Delos Romantic comedies aren't supposed to tax the brain, and so they tend to have weak plots. This one is far weaker than most romantic comedies.That's not to say that the characters aren't pleasant. Dorothea Kent as Maizie is an especially fun character, but the rest of the cast is certainly competent as well. If only they'd had a decent script, the resources put into this film could have resulted in a really nice movie.This movie was released on Christmas Eve 1936, but it would have fared better had it been released in late summer. In that era, movie theaters were among the few facilities that were air conditioned. Spending the day in a blast-furnace of a workplace, and sleeping in a bed soaked with sweat was miserable, so movie houses didn't need much in the way of entertainment to sell tickets; the cold air was sufficient for that.
bkoganbing With Jean Arthur, Ruth Donnelly, and Lionel Stander in the cast, More Than A Secretary starts to look like a road company Mr. Deeds Goes To Town. Too bad it isn't quite up to the standard of that comedy classic.But this was more an example of the fluff that Jean Arthur was asked to carry in her career. Not every film could be a Mr. Deeds.Jean and Ruth Donnelly run a secretarial school from which they graduate women of all kinds including Dorothea Kent, a poor man's Marie Wilson. Dorothea's typing and shorthand leave much to be desired, but she does have other assets and his certainly decorative enough. Jean goes to work for health magazine editor George Brent who is maniacal on the subject of fitness, sexist in his views of women, and something of a puritan. But Jean proves pretty indispensable as his magazine circulation starts to boom.But then Reginald Denny who has a jealous wife dumps Dorothea back on George who with Jean has to put up with her incompetence. Something has to give.The whole thing was rather silly to me. Why they don't just fire this bimbo is beyond me. Maybe Denny's hormones are making the decision for him, but Brent's certainly aren't.Maybe I'm too harsh on the film though. I in fact worked for a woman who headed a state agency and she was so stupid she couldn't probably spell the word. I could have seen her like Kent, running Tina's Nail Salon on Cropsey Avenue in Brooklyn. But she also was in her job because somebody's hormones went into overdrive.George Brent was borrowed from Warner Brothers by Harry Cohn for this film. My only question is why did he use a favor from Jack Warner for this. Or was Brent being punished?
Neil Doyle GEORGE BRENT, editor of a fitness magazine dedicated to diet and exercise, takes JEAN ARTHUR as a secretary--a woman who quits her job as a typing instructor to find out if she can find romance with a handsome and very particular employer if she pretends to be his full-time secretary. Seems that he's been unimpressed with all of the less skillful applicants.RUTH DONNELLY, LIONEL STANDER and REGINALD DENNY have fun with subordinate roles in this wacky ode to screwball comedy. The fun comes in wondering just how Arthur is going to change his staid ways and overly dedicated devotion to exercise and body building. Of course what Brent needs is a fresh viewpoint on selling points for his dignified magazine and Arthur is just the gal to give it to him.It's the sort of run-of-the-mill, breezy comedy that studios churned out for Depression weary audiences--so don't look for realism here. But JEAN ARTHUR is at her perky best and GEORGE BRENT manages to unbend a little in a role with comic overtones. DOROTHEA KENT tries hard, but manages not to steal scenes in a ditsy dumb blonde role that would have been perfect for either Jean Harlow or Judy Holliday (at a later time).Trivia note: As surprising as it seems, this trifle of a comedy played at Radio City Music Hall on its original release.