Mohawk

1956 "Their untamed love spoke louder than war drums!"
5.2| 1h19m| PG| en| More Info
Released: 01 April 1956 Released
Producted By: Edward L. Alperson Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

An artist working in a remote army post is juggling the storekeeper's daughter, his fiancée newly arrived from the east, and the Indian Chief's daughter. But when a vengeful settler manages to get the army and the braves at each other's throats his troubles really begin.

Genre

Action, Western

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Director

Kurt Neumann

Production Companies

Edward L. Alperson Productions

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Mohawk Audience Reviews

Solemplex To me, this movie is perfection.
Cortechba Overrated
Fairaher The film makes a home in your brain and the only cure is to see it again.
Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Tad Pole . . . an American Race War with his "Helter Skelter" plot (something many psychopaths have attempted and failed to do before and after the Tate killings), MOHAWK documents part of the True History of America's Actual, Real Life Race War. Playing the role of an Iago or Manson-like character stirring up the Racism always bubbling near the surface on both sides is would-be New York developer "Butler." The Historical Record shows that this Cultural Conflagration was not quenched until the rampant production of Multi-Racial children could be accomplished. "Jonathan 'Keoga' Adams" and "Oneida" comprise the heroic couple who take a crack at peace during MOHAWK. Thanks to them and their colleagues in such mixed blessings, "26 and me" recently has reported that 98% of the people living Today on Native Preserves have at least some European roots. Though a few thoughtless Revisionists may feign outrage when lab results prove a Swede or Finn to be up their Family Tree, MOHAWK illustrates exactly why this was the only route to peace.
JohnHowardReid It's sad to see a couple of fine players like Rita Gam and Ted de Corsia caught up in this tawdry excuse for a recap of stock footage from John Ford's infinitely superior "Drums Along the Mohawk" (1939). They struggle doggedly with ridiculous dialogue and clichéd characterizations — to disappointingly little avail. Vera Vague is more at ease with this sort of tosh, as is that staple heavy of the "B" western, Neville Brand. But the normally reliable John Hoyt has the grace to look discomfited. Scott Brady of course couldn't care less, whilst Lori Nelson is stuck with that grating, squawky voice. It says much in fact for the general quality of the acting when I record that the most convincing portrayal comes from Allison Hayes!Production credits are so incompetent that little attempt is made to match or integrate Ford's stock shots with the "new" material. The Neumann/Struss footage is so uniformly lousy that one wonders whatever induced Fox to be a party to such a miscarriage. Why not simply re-issue the Ford film and be done with all this tatty, talentless and impoverished pretense?OTHER VIEWS: At least ten or fifteen minutes of superlative action from "Drums Along the Mohawk" is ineptly married to a risible hodge- podge of cigar-store-Indian hokum about a pioneer painter and a svelte Indian maid. A plot clearly drawn from Broken Arrow has been gutted to supply the framework for Boys Own Paper characters mouthing dialogue from True Romances. Most of the players try mighty hard to give the stupidities of the script some sort of dignity. But the very cheapness of the production with its ill-matching interpolations, its tatty sets and costumes, its featurelessly flat, dull-colored photography, its toes-on-the-mark compositions, overwhelms all well-meant efforts in the end. — JHR writing as Charles Freeman.You could make a wonderfully dreadful little Movie Pak out of Mohawk. Twenty or thirty minutes of the choicest clichés and hammiest acting in those gloriously pokey sets. Not forgetting the songs, those inappropriately rousing choruses over the front and extended end titles. — JHR writing as George Addison.
rose-294 Charming, if silly western, clean and wholesome to the core (despite outrageously stupid scenes with stereotypically stupid Indians) and photographed with lush 1950's Technicolour which makes the scenery look lovely. The story has an artist Scott Brady trying to stop the war between whites and Indians, while romancing his fiancée Lori Nelson, his model Alison Hayes (who looks gorgeous in the aforementioned Technicolour) and an Indian princess Rita Gam. Directed by sci-fi expert Kurt Neumann from the script by Maurice Geraghty and Milton Krims, this is romantic, entertaining and as much fantasy as any fairytale.
grybop Ridiculous western about the love of Casanova painter for an Indian girl. It was shot almost entirely in a studio, though the story is set outdoors, so it seems pretty fake, too. It also features a battle between, you guessed it, the BAD Indians and the GOOD whites. Oh, those bad Indians....3