Jeanskynebu the audience applauded

WasAnnon Slow pace in the most part of the movie.

Actuakers One of my all time favorites.

Justina The film never slows down or bores, plunging from one harrowing sequence to the next.

Bjorn D Unfortunately, this remake should have remained undone. Despite reputable actors, the film does not touch and the tension never arises. The directing and the screenplay is weak, e.g. suddenly we are informed that the Pequod has been to sea for 30 months(!), while it appears as they just left harbor. The madness of Ahab comes out as likable and understandable and the rationality and the sense of Starbuck appears theatrical. The three harpooners play inconspicuous parts in the film instead of adding to the tension. Ishmael - poorly played with a constant snug smile by Charlie Cox - looks simply ridiculous throughout the film. In summary a disappointing remake.

kickaxerrr "Moby Dick" is my favorite novel. I have read it many times. William Hurt and Ethan Hawke are two of my favorite actors. So I had high hopes for this movie version. My hopes were diminished slightly in the opening scene where Ishmael, the main character, saves Pip, the future cabin boy, from a beating on the way to Nantucket and brings him along. That scene never happened in the book. Pip doesn't show up until they are all on the ship, but I know that some liberties need to be taken in a translation from novel to movie, so I dismissed it. Then my hopes were completely dashed over the next 3 hours. In those 3 hours there were about 15 minutes worth of film that were actually taken from the book. It is as though the screenwriter read the back cover of the novel, where it says that it is the story of an obsessed captain chasing a white whale and wrote a completely new story based on nothing but that. One of the more obvious things is that, in the book, Ahab, the captain, doesn't even appear until days into the sea voyage when he finally emerges from his cabin. In the movie the first half hour or more involves him at home with his wife and son, neither of which are even in the book at all. Even the climactic ending has been changed a great deal. It would take up too much space to write about all the other things that are completely different from the novel. Basically this is not a film version of "Moby Dick" at all, it is an invention of the screenwriter, based on a similar idea.Forgetting all that, the movie itself, as a movie, is just not that good. The direction is OK and the performances are all relatively good, except for Hurt, who is, as another reviewer said "hammy" and "cheesy". He should have played a sandwich instead of Ahab. The special effects are sub par, considering what can be done nowadays. The whales shown often don't even make a splash when they dive under. They just disappear. The plot is thin with none of the characters really developed in any way, except perhaps for Starbuck the first mate, who is the only one in the movie who seems to even realize what is going on. Two earlier versions, the 1956 version with Gregory Peck and the 1998 version with Patrick Stewart, despite their own flaws were much better movies and more faithful adaptations of the novel than this one. So watch those, or even better read the book.

jmcdnnll99 It seems that each filmed version of Moby-Dick is compelled to be worse than the one before and that each embodier of the partially disembodied Ahab must make his predecessor seem better, not just in the distance of time but also in distanced performance. Who will underperform William Hurt I hope never to see. Each scriptwriter also must feel a need to demonstrate the superiority of Melville's original, both in his concept and execution. The most recent version appears somewhat like a Second City take on Moby-Dick Meets The Outsiders: all the tortured Jugendangst! Ethan Hawke does do a good C. Thomas Howell sendup, but Hawke should rather be doing a good performance of a first mate, one who is one step below the ship's master. Even the Pequod gets nonverisimilitude. A square-rigged whaler gets turned into a bark. If people cared enough to write, finance, film, and present what is generally regarded as a if not the preeminent work of American fiction, why was care and cash not more carefully scripted and directed? Even the cgi attempt at the whale of whales had the look of an audition submission for an early ScyFy project.

gradyharp As the novel opens, 'Call me Ishmael' are the first words of the sole survivor of a lost whaling ship as he relates the tale of his captain's self-destructive obsession to hunt the white whale, Moby Dick. They are words that have become often quoted by many authors and poets and for any number of reasons, yet they open the mysteries and beauties of one of the greatest American novels every written. There have been many cinematic productions of MOBY DICK, Herman Melville's 1851 supreme novel - 1956 with Gregory Peck as Ahab and 1998 with Patrick Stewart in the Ahab role - and each has its strong and weak points. There are many detractors of this current version who rightfully state that too few of Ahab's great speeches and lines have been omitted and that this version is too influenced by contemporary reasoning. But the tale is a great one and the splendid extended reveries and 'speeches' of Captain Ahab rest beautifully on the written page, a factor that allows mulling over the words and the meaning and the drama that may just fall a bit heavy when incorporated into a screenplay. Better the flavor of the story be conveyed by what cinema allows - imagery - that books can't mimic. This current version does just that - it finds the core of the obsession of a man driven by a struggle with his past, with nature, and with the personal vendetta against the great white whale, Moby Dick, who claimed Ahab's leg in the past. Nigel Williams is responsible for the screenplay, Mike Barker directs. Ishmael (Charlie Cox) sees his dream of a whaling voyage come true when he and his Hapoonist friend Queequeeg (Raoul Trujillo) join the crew of the Pequod, a sailing vessel leaving port in Nantucket. What Ishmael and the mates don't initially appreciate is that the Pequod's monomaniacal Captain Ahab (William Hurt) is taking them all on a mad and personal mission to slay the great whale Moby Dick, an obsession that will open their eyes to the wonder and spectacle of man, of beast, and the inescapable nature of both. The flavor of the crew is well captured by a solid cast, including Ethan Hawke as a rather weak Starbuck, Eddie Marsan as Stubb, Billy Boyd as Elijah, Billy Merasty as Tashtego, Onyekachi Ejim as Dagoo, Matthew as Flask, James Gilbert as Steelkit, Gary Levert as Perth, and Daniyah Ysrayl as the cabin boy Pip. The special effects offer vivid and credible underwater activity of Moby Dick and the clashes with nature both within the crew and on the ocean are very well represented. The final underwater scene with Ahab strapped dead to the still alive and swimming Moby Dick is unforgettably realistic and a fine balance with the ever-innocent Ishmael grasping the empty coffin as the sole survivor of the voyage. William Hurt gives us a different Ahab in Nigel Williams' script adaptation - less mad but more obsessed, less cruel and more vulnerable than we are used to seeing - but he is strong and takes us with him as he meets his end in his struggle with Nature. It is a moving adventure and despite the omissions that seem to bother most viewers, the movie does cast a spell over the entire 3 hours. Grady Harp