Mistral's Daughter

1984
6.7| 6h30m| NA| en| More Info
Released: 24 September 1984 Released
Producted By: Steve Krantz Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Beautiful and naïve Maggy Lunel arrives in Paris completely broke. She becomes an artist's model and the toast of Paris, attracting the attention of Picasso-like painter Julien Mistral, an arrogant and selfish man who places his work above everything. Their paths diverge as Mistral's art catches the eye of a rich American woman who becomes his patroness and eventually his wife. During the war years in France, Mistral collaborates with the Nazis in order to continue with his work, a decision that will come back to haunt him years later. In the meantime, Maggy has a daughter named Teddy who grows up and falls in love with Mistral with whom she has a child named Fauve. As Mistral ages, he comes to terms with his selfish past and wartime betrayal through his art, leaving a beautiful legacy for his daughter, Fauve.

Genre

Drama, TV Movie

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Director

Kevin Connor, Douglas Hickox

Production Companies

Steve Krantz Productions

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Mistral's Daughter Audience Reviews

AnhartLinkin This story has more twists and turns than a second-rate soap opera.
Brainsbell The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.
Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
chaoscoyote As a kid I adored Stephanie Powers in Hart To Hart and would watch her in anything..even my childhood favourite; The Bionic Woman (sady, she was in the bigfoot episodes, the equivalent of 'jumping the shark' but I still liked her!) and recently I had a chance to see Mistral's Daughter again. It actually held up well to my now fairly sophisticated movie taste. I don't like to find flaws anyway, so I will leave that to those who enjoy that sort of thing. The cast was a wonderful assortment of talent. Stephanie was so beautiful and played the age range very well. I also found the actress who played Fauve, Philippine Leroy-Beaulieu to be uniquely beautiful as well. Timothy Dalton was appealingly young and handsome though rather slight as compared to my memory of him. Stacy Keach was suitably sexy and intense, a good actor, though hard to feel much attraction to such a selfish character and the hare-lip turned me off. I loved some of the paintings used in the film though! A lot of fun especially for any seasoned TV watcher as you will see a lot of familiar and young faces, Joanna Lumley is a treat, as always. As usual some of the best acting was done by the secondary roles, in this case feature film calibre roles played by; Pierre Malet as Avigdor, who was very good, sometimes heart-wrenchingly so, Stéphane Audran as the selfless Paula and the incredible Lee Remick as the cool master manipulator with a self-destructive passion for Mistral. Sure one can find faults, but why bother? Enjoy yourself!
paragurl777 Ministrals' daughter is a story that is very compelling story despite the bad casting.Lee Remick gives a strong performance as the unloved and despised wife of Ministral and Keech gives an outstanding performance as the complex and cruel artist Mistral. Mistral in the beginning, starts out as an impoverished artist. He seduces young Maggie Lunnel(Stephanie Powers who plays an 18 year old but looks 40] lol He callously discards Maggie for American Business woman Kate Brown(Remick) after she promises him fame and fortune as an artist.Maggie finds solace in an American Business man and has a daughter (teddy lunnel- who becomes Ministrals' mistress and has a child by him) Ministral falls deeply in love with teddy until she is tragically killed in a boating accident. Although, he has a child with kate he treats her callously ... it is clear that teddy's child is his favorite
huh_oh_i_c Usually, I don't think Hollywood productions are fit to be called film, so I call them 'movies' instead. But this piece of elephant manure, is not even fit to be called a movie, hence the quotes in the title.Where shall i start? 1. If this isn't the start of geriatric casting, it sure is the epitome of it. Stefanie Powers is supposed to play someone even LESS than half her age, she's supposed to play an 18 year old, and she is FORTY effing TWO!!!! 2. A horrible and stupid mindless portrayal of Paris and France, where we see cliché characters such as: the sympathetic grumpy shop owner, the bitchy queen of models, the fairy god mother ex-queen of models, etc. This film is surpassed only in this respect by the Da Vinci Code, (which reviewers correctly determined was a comedy). 3. It's highly and utterly ridiculous to have no nudity in a film about a time and a place where nudity was so common place, especially if the whole focus is about that4. The horrible accents!!! 5. The Nana Mouskouri elevator-music!!!I could go on, but i think this is enough. And I was able to make these observations after watching this crap for just half an hour, WHILE surfing the internet and talking to my friends about math equations ... I mean ...!!!!!I invite everyone to add to my list. :) :P :D
emuir-1 When a hurricane is bearing down, and you can no longer stand the hysteria on the local news channel, but have not the mood for anything requiring mental effort, get a copy of Mistral's daughter and wallow in mindless eye candy - the best of mini-series trash. It is a wonderful antidote to serious issues: a fun wallow in the kind of romantic fiction loved by 14-year-old girls.The story concerns a young French orphan, Maggie, who has run off to Paris to seek her fortune, and who manages to land on her feet from day one, as one wealthy patron after another falls madly in love with her. 18 year old Maggie is played by 40 something Stephanie Powers, under a thick layer of makeup and long luxurious wigs. She shows up in Montparnasse where people with no job skills hire themselves out as artists models. This is the Paris of the 1920's, and Maggie has landed right smack in the centre of where it is all happening.Maggie is immediately discovered by an arrogant, selfish artist, Julian Mistral, who would fall in love with her if he did not love himself more. The world according to Mistral is that other people are placed on earth in order to serve his needs. They move in together, and she supports him until he sells a painting that he had given her. She moves out and is immediately snapped up by a wealthy Irish American, Timothy Dalton, who comes from a prominent Irish Catholic family of the type who always have a Cardinal in tow. He falls madly in love with her and sets her up in grand style. Of course, his wife will not give him a divorce when Maggie becomes pregnant. He goes back to New York and she follows, arriving just as the stock market crashes and he drops dead on the squash court. Not one to waste a moment, Maggie hikes off to a diamond broker to sell her jewels. Despite the crash, the smitten jeweller gets her top dollar for the rocks, enough to set her up in business for herself later. The jeweller recommends her to a fashion house to find work as a model, which she does immediately and makes her entry into society.WWII comes to France; Mistral locks his gates and ignores the plight of everyone around as he wishes to work undisturbed. He collaborates with a German officer in order to get painting supplies and work in peace, and in return turns in a few good men to the Nazis.By the 50's Maggie is running her own modelling agency and her teenage daughter wants in. On assignment in France she meets up with Mistral and it is love at first sight. She moves in with him, his American wife gets the cold shoulder and she gives birth to a daughter, then dies in an accident.We leap ahead and Mistral is establishing a relationship with his daughter, at the expense of his own wife and child. His legitimate daughter has married a snobbish French playboy with an aversion to work. The illegitimate girl then meets up with a young man who is the son of a Jewish art dealer and long time friend whom Mistral had turned his back on during the war. Wife dies, Mistral dies, there is a squabble over the will, the French playboy finds a Princess with better prospects, and young love triumphs.The hilarious part of this mini series is trying to guess who characters are based on in real life. The Irish American catholic family with the Cardinal always on hand; the French playboy who dumps his wife for a Princess; the artist? All this is wrapped up in a gorgeous package, wonderful scenery, lots of costume changes, but unfortunately, an awful cheesy piano and strings "romantic theme" being hammered out and washing over the sound track lest there be any quiet moments. The phony French would not have been so bad if they had not had real French actors whose English sounded like vocal paint-by-numbers. Perhaps they were reading it off phonetic cue cards! whatever, it sounds like the British comedy 'Allo, 'Allo.