Mickey's Gala Premiere

1933
6.9| 0h7m| NR| en| More Info
Released: 01 July 1933 Released
Producted By: Walt Disney Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Mickey's film is having a premiere, and all the stars turn out at the Chinese Theatre. Among those shown: Laurel and Hardy, the Marx Brothers, Jimmy Durante, Clark Gable, Sid Grauman, Mae West. The picture, Galloping Romance (Pegleg Pete kidnaps Minnie, and Mickey gives chase on a variety of animals), starts, and everyone in the audience sways along to the music, then rolls in the aisles with laughter. After, everyone comes on stage to congratulate Mickey; Garbo smothers him with kisses.

Genre

Animation

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Director

Burt Gillett

Production Companies

Walt Disney Productions

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Mickey's Gala Premiere Audience Reviews

Lawbolisted Powerful
Limerculer A waste of 90 minutes of my life
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Ava-Grace Willis Story: It's very simple but honestly that is fine.
John T. Ryan IN AN ACTION that could be described as "one hand washing the other", Walt Disney saw the opportunity to both flatter the denizens of the Movie Colony; while at the same, time make use and exploit their familiarity with the public in producing a Mickey cartoon. The very nature of the short left very little need for any extensive plot or, as we reviewers say, a scenario.AS ONE WOULD most likely expect, MICKEY'S GALA PREMIER is set in Los Angeles, Hollywood, California. Also, being a White-Tie affair of a Movie premier, the logical venue would be Grauman's Chinese Theatre. It was.IT OPENS WITH rows of admiring fans crowding around and pushing to get a glimpse of the many stars in attendance. One after another, chauffeur driven limousines pull up and leave; first depositing their celebrity cargo on the red carpet. The Theatre is well represented in its own caricature, as batteries of searchlights sweep the skies.THE FIFTY OR so movie stars & other Hollywood big-wigs present us with a most distinguished of an audience for the premiering movie in question. The characters present the animation team with a plethora of natural gags that flow almost naturally over the duration of the cartoon's eight or so minutes.EVVRERY BIT, BE it sight-gag or verbal, seems to have been tailored to the star being lampooned. Many of the characters are limited to just appearing; which is more than enough for their "contribution" to the cartoon.UNLIKE JUST ABOUT any other animated short, MICKEY'S GALA PREMIER has, of necessity, a "Cartoon within a Cartoon"; a storyline device that is often used in live action feature films that deal with the Film Capitol and its people. This seems to be a very standard Mickey & Minnie vs. Dirty Pete and employs a succession of standard sort of gags, with the mouse winning out in the end.WE DON'T BELIEVE that this is an excerpt from another cartoon as that would be contrary to Disney's methods of doing things. The "cartoon" also seems to be too tightly constructed to a mere 2 or 3 minutes; without appearing to have been abridged.THIS TITLE IS worth a screening or two, if only for the purpose of viewing and identifying the Hollywood stars being spoofed.THERE IS SORT of a twist in the conclusion that makes all of the happenings and assemblage of talent to be rendered more believable; as if an animated cartoon short is required to be realistic!
TheLittleSongbird Mickey's Gala Premiere is a superb cartoon that I loved as a child and still love to this day. There is so much to love about it, with everything I love about the Disney cartoons present here. The animation is crisp, clean and beautifully shaded. I do agree somewhat about the character designs of some of the caricatures being on the slightly cruel, but never offensive, side, but that didn't deter me from enjoying, loving even, Mickey's Gala Premiere. Besides Mickey and the gang were animated perfectly I felt. I also loved the cartoon for its energetic music(as ever enhancing the action wonderfully without it feeling repetitive) and the glitzy, exciting Hollywood atmosphere. As well as having Mickey(the star of the cartoon), Minnie, Pluto(their stepping out the limousine signifies classic Hollywood), Horace and Clarabelle, there is the wonderful gag where Mickey keeps changing vehicles with a galloping xylophone, a turtle, an octopus and a kangaroo.Mickey's Gala Premiere is notable also for three things. The caricatures, some I recognised immediately like Greta Garbo, Mae West, Laurel and Hardy, Joe E.Brown, The Marx Brothers, Maurice Chevalier, The Barrymores, Charlie Chaplin, Clark Gable, Marlene Dietrich, Buster Keaton and Douglas Fairbanks, and others like Will Hays(looking very like Prince Charles), Sid Graumann, Wheeler and Whooley, George Arliss and Janet Gaynor that I wasn't so familiar with. Also, the interesting use of the cartoon-within-a-cartoon with Galloping Romance, which is like Galloping Gaucho, The Birthday Party and The Cactus Kid all in one and with amusing if slightly predictable results. Finally, the "it's all a dream" ending; some may find this strategy a cop-out, and at first it did disappoint me, but after watching it many more times since then I realise that this approach was deliberate, not just because the cartoon like with the cartoon-within-a-cartoon idea was acknowledging its medium but also taking away any since of arrogance the cartoon could've had. The voice work from all is spot on.In conclusion, a classic cartoon. 10/10 Bethany Cox
Michael_Elliott Mickey's Gala Premier (1933) *** (out of 4)Simple Disney short has all of Hollywood shutting down so that the major stars can show up at Grauman's Chinese Theater to see Mickey Mouse's latest movie. Mickey arrives with Minnie and Pluto but the real stars include Wallace Beery, Marie Dressler, Laurel and Hardy, Edward G. Robinson, Clark Gable, Ginger Rogers, Joan Crawford, Joe E. Brown, Chaplin, Keaton, Mae West, Boris Karloff, Bela Lugosi, Fredric March and countless others. This isn't the greatest written cartoon ever made but the real reason to watch is for the A-list talent from Hollywood. Laurel and Hardy probably get the most screen time but the Marx Bros. get a few good jokes in as well. The stuff dealing with Greta Garbo coming onto Mickey was pretty funny but the other highlight is the twist that follows. The short features Lugosi as Dracula and Karloff as the Frankenstein monster but they really don't play too close to detail. The same is true for March who appears with them as Mr. Hyde but he looks more like a werewolf than anything else.
Ron Oliver A Walt Disney MICKEY MOUSE Cartoon.The famed Grauman's Chinese Theater is the Hollywood location for MICKEY'S GALA PREMIERE, with a multitude of luminaries showing up for the occasion.This is a marvelous little black & white feast for movie mavens who get to try to spot & name as many of the caricatured celebrities as possible. With this film Walt Disney was signaling that both he & his little buddy had reached the big time with the rest of Hollywood, literally, at their feet. The film within a film, GALLOPING ROMANCE, is treated like an authentic, stand-alone Mouse cartoon; featuring Mickey, Minnie & Peg-leg Pete, it is necessarily short, but fully up to Disney's standards. Walt supplies Mickey's squeaky voice.Many of the stars whose likeness appears in MICKEY'S GALA PREMIERE are now quite obscure, therefore making their identification a difficult procedure. Here then, as much as possible, is a listing of the celebrities, noting when they make their first appearance in the cartoon (many show up more than once):Out in front of the Theater: The Keystone Kops - Ben Turpin, Ford Sterling, Mack Swain, Harry Langdon & Chester Conklin.Emerging from limousines: Wallace Beery & Marie Dressler (she was box office queen at the time); Lionel, John & Ethel Barrymore (all costumed for their roles in RASPUTIN AND THE EMPRESS, 1932); Stan Laurel & Oliver Hardy; Groucho, Chico, Zeppo & Harpo Marx.At the microphone: Maurice Chevalier; Eddie Cantor (costumed for his role in THE KID FROM SPAIN, 1932); Jimmy Durante; Ginger Rogers, Joan Crawford (costumed for her role in RAIN, 1932) & Bette Davis; Harold Lloyd, Clark Gable, Edward G. Robinson & Adolphe Menjou.Entering the Theater: George Arliss, Sid Grauman, Joe E. Brown, Sir Charlie Chaplin (costumed as The Little Tramp), Buster Keaton & Mae West (costumed for her role in SHE DONE HIM WRONG, 1933).Emerging from limousine: Mickey & Minnie Mouse, Pluto, Horace Horsecollar & Clarabelle Cow.Seated in the Theater: Chester Morris, Gloria Swanson & William Powell; Will Hays (dressed in regal robes and crown to spoof his position as Censorship Czar); Greta Garbo; Will Rogers; Ed Wynn; Bert Wheeler & Robert Woolsey; Bela Lugosi (costumed as Count Dracula), Fredric March (costumed as Mr. Hyde) & Boris Karloff (costumed as Frankenstein's Monster).Rolling in the aisle: Douglas Fairbanks.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.