FeistyUpper If you don't like this, we can't be friends.

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Mark Turner Michael Jackson was one of those mega-stars you either loved or hated. Loved because of the music he gave to more than one generation, hated because of the allegations of inappropriate behavior behind the scenes. What this film does is attempt to paint a portrait of him as a loving family man concerned more about his children than anything else.The film is told through the eyes of Bill Whitfield (Chad Coleman) and based on the book he wrote. Whitfield was hired as personal protection for Jackson and his family when they returned to the U.S. Jackson and his children returned to the country after having move to Bahrain. With his Neverland estate a place of bad memories the family moves into a temporary home in Las Vegas. Searching for someone to trust the job of relaying the family to the home becomes a permanent protection job for Whitfield.The movie progresses with the quirks of Jackson touched on but never too in depth with most being left out altogether. Instead we're presented with a stream of employees who eventually all fail him, some because of self-interest and others because of his own issues. The main one of those is his unwillingness to return to work even though his financial situation is in decline due to his enormous legal woes and spending habits.As seen through the eyes of Whitfield and his second in command Javon Beard (Sam Adegoke) Jackson is nothing more than a man who wants the best for his children, struggling with the fame he created that now intrudes upon them all. At the same time Jackson comes off as childlike in his own right. While the movie never talks about it, one has to assume that not having the opportunity to truly have a childhood of his own, Jackson struggled with that while trying to be a parent at the same time.The film follows two years in the life of Jackson, from his return to this country through his death. Told in flashbacks while prosecutors interview Whitfield and Javon, it allows them to comment on things as much as provide stories of those two years. What it doesn't do is give any depth to the story of what happened. Most all is puff pieces depicting Jackson in the most flattering way possible.Coleman and Adegoke do the best they can with their performances here making both men very credible. The same can't be said for Navi as Jackson. A professional Jackson impersonator his acting skills are subpar level. It's apparent he's had surgery to appear like Jackson and that seems to have made his facial muscles unable to allow him to speak properly at times or to display any emotions other than full on sad or smile. The end result is to make him as eerie to watch as Jackson became after numerous plastic surgery mishaps.Coming from Lifetime Channel I wasn't expecting much from this movie and the end result matched my expectations. Little is learned of Jackson by the end of the film and rather than take a balanced look at the man the reverence with which he is treated here is palpable.Michael Jackson was not a simple person to understand and no biographical film will ever find a way of peeling back the onion like layers of his life and his mind. When you take a man who was robbed of a normal childhood, whose father was abusive, whose brothers (according to at least one scene in this film) treated him poorly, who was surrounded by sycophants and users and who dreamed of little more than a normal life while encouraged by those around him to live abnormally you begin to realize no simple film will do him justice. This one does less than that attempting to glorify him instead. Worse yet it does so in the most bland way possible.

jacquelinedk I Loved this film, all the actors were great in it, but Navi was Absolutely Amazing as Michael. It is a wonderful film, that I will never forget. It is a mesmerizing and beautiful film showing how Michael was with his children. I think the bodyguards story of their friendship with Michael and caring about him, and showing Michael's love for his children is poignant and it should have been made into a film for the cinema.

GG Conte As we get closer to the tenth anniversary of Michael Jackson's death, expect more projects like this to come out of the woodwork. With that said, I wasn't expecting much when the special was being promoted. There's been so many biographies and documentaries coming from all directions in the eight years he's been gone. Sadly, each story seems to contradict the others in some sort of way, so it was really tough to see what this special was going to do.The story is apparently based on a book, which I have yet to read. It does make me very interested in reading it. The story is told from two of his security guards, who became two of his very few trusted friends.We follow them and Jackson through the last stages of his life.The special shows him as a loving father, an overly nice individual, but still a stress-filled wreck because of his fame and legal past. An individual who's having trouble finding any sort of trust in anybody, and has been betrayed by those around him because of his legal history. It also explores his financial situation, someone who is rich but with no control over his finances because of his debt.The guards are actually on-screen more than Jackson's character, which is actually pretty effective. My main complaint on this special is that it is incredibly sanitized. They try way too hard to not offend anybody with it and seemed to purposely present it in a way that wouldn't lead to controversy, particularly with Jackson's estate, whom did not approve the special.That's not to say it's bad, it's actually pretty good. The performances are wonderful, with Navi shining in his portrayal of Michael Jackson. It's also well filmed, and it hits almost all the right notes emotionally. It does fall flat in places with its pace, but for the most part, it's well told. I have heard the book is far more detailed, but that's almost always the case when it comes to book adaptations.So overall, it's definitely okay to sit through. My only advise is not to go into it too overly hyped by expecting something as good as the 1992 miniseries, An American Dream and you'll be fine.

asrexproductions Before I talk about this film, let me give it some context by talking about who Michael Jackson was, from a historical perspective.Michael Jackson's "Thriller" album sold 46 MILLION albums. That's 46 times platinum. Not one. Not ten. 46. There is no album that has come close yet, unless you count his "Bad," which was once the #2 selling album of all time. I once read an article where they interviewed several record executives, on the condition of anonymity, to comment on the top artists in music that year (sometime in the 2010s). It became clear to me that the goal of the record industry is to recreate Michael Jackson. Madonna and Janet are female Michael Jackson. Usher and Chris Brown (before Brown screwed it up) are seen as "Michael Jackson types." So is Justin Timberlake. The Weekend. The whole music business in the latter part of the 20th century, was about trying to recreate Michael Jackson, as many times as it could.And how did he end up? Penniless and essentially alone, struggling to raise his children, according to this riveting film.MICHAEL JACKSON: SEARCHING FOR NEVERLAND (Dianne Houston, 2017) struck me as a heartbreaking chronicle of a person living strictly off of his fame, but unlike Kim Kardashian or Donald Trump, not being rewarded for it, just using it to survive. Told through the eyes of his personal bodyguards and assistants in the waning years of his life (Chad L. Coleman and Sam Adegoke), Michael Jackson (Navi) struggles to find a home where he can safely live with his children (Aidan Hanlon Smith, Taegen Burns, Michael Mourra) without having to dodge his agents, his fans, maniacal detractors, stalkers, and even his own family, all either trying to live off or destroy him. Throughout all of this, his bodyguards faithfully stay by his side out of pity, even when the money dries up and their own families doubt their sanity for staying so long in a job that simply doesn't pay. I feel the film makes it very clear that Jackson truly was a prisoner of his own success, long after he had stopped being successful. More oddity than King of Pop, the Michael Jackson of MICHAEL JACKSON: SEARCHING FOR NEVERLAND is a broken and tragic figure, buoyed by the love of his children and the last two people who seemed to care. For as the film notes in its final moments, for all the people that spoke highly of him at and after his funeral, no one was there when Jackson died, nor were there for him while he was going through it, struggling to raise his children as any single father might. To the film's credit, I felt it did a good job of showing Michael as flawed, even culpable for his own condition, but hardly deserving of what he got. I feel that it isn't the Michael Jackson story for the casual fan, rather it's a cautionary tale for those seeking to be the Michael Jackson of the future. Despite a performance by Navi that did leave something to be desired (he clearly had a British accent, doing what I felt was at best an adequate job of representing Michael), I personally feel that it effectively humanizes an individual considered a legend in his own time, and serves as a powerful commentary on the cult of celebrity. For me, MICHAEL JACKSON: SEARCHING FOR NEVERLAND is moving, mesmerizing, and difficult to forget.