Matialth Good concept, poorly executed.

Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Jenni Devyn Worth seeing just to witness how winsome it is.

Scarecrow-88 In Furlough, Texas, the "goat capital of the world", in a "place where nothing ever happens", a Mexican werewolf is on the rampage and everyone, including dogs, goats, and humans, is on the menu. Narrated by Anna(Erika Fay), looking forward to graduating and getting out of her Podunk town, she informs us of the various characters who occupy Furlough, friends, locals of importance, and family and tells us of the werewolf and the mayhem that results from its appetite. Mexican WEREWOLF IN Texas shows the animosity and racial tension between Mexican-Americans and White-Caucasians in Furlough—Anna is dating a Mexican which is a no-no because her pops (who runs the local morgue and has hick relatives he is ashamed of) is against "mixed relations". The legend of the Chupicabra starts spreading throughout the community and before you know it civil unrest leads to the citizenry packing heat and assembling a search party intended on finding the beast slaughtering the goats. The humor actually, I felt, rescues this movie from utter catastrophe because when the werewolf is introduced, I cringed at its laughable look expecting yet another microbudget trashheap. I think if you are entertained by "redneck" Texans (communicating via hick-speak) in cowboy hats, mouthing off about "wetbacks" they consider the threat of the local community, this might have an appeal. Actually the Mexicans are presented in a more favorable light than the white Texan racists who seem uneducated and naïve. It might seem like this movie is a social commentary on race relations in Texas, but it is all presented in a jokey manner, tongue wagging, not serious in the least. The local law enforcement is inept as you'd expect ("It must be a kiiiiyote or something.") so the beast's onslaught can continue until someone else does something about it. Gabriel Gutierrez is Anna's boyfriend, Miguel, Michael Carreo is wise-ass Tommy, Martine Hughes (as Rosie hoping to receive a scholarship from the University of Texas)and Sara Erikson(as ditsy Jill, prone to sleep around, speaking in Valley girl, always chewing a wad of bubblegum)are Anna's gal-pals. With a cheap movie such as this, the director tries to move the camera around and edit it to hell and back when the goofy werewolf costume is present so that the monster won't be as rib-tickling as it can be when fully on screen.

slayrrr666 "Mexican Werewolf in Texas" isn't all that bad, but not that great either.**SPOILERS**Contemplating graduating from High School, Anna Furlough, (Erika Fay) Miguel Gonzalez, (Gabriel Gutierrez) Rosie, (Martine Hughes) and Jill Gillespie, (Sara Erikson) try to find something meaningful with their lives stuck in a small Texas town. When the town is suddenly undertaken by a series of strange animal deaths, the residents blame a legendary animal called a chupacabra, only for the town to believe that their Mexican heritage is causing them to confuse the creature when it's been a series of coyote attacks, and when the attacks turns to human residents, it makes them believe even more that the attacks are wild animals and not the chupacabra. Knowing better than to accept their racist views, they manage to put all the pieces of the mystery together and set out to capture the creature to end it's rampage through town once and for all.The Good News: There was some good stuff to this one when it matters. One of the best features with this one is that there's a really nice-looking creature in here that is an actual monster on the screen rather than simply atrocious-looking CGI. It would've been so easy to have used that for the creature, especially with all the attacks being edited to pieces so as to make them mostly impossible to figure out and would've hid the creature even more, yet the decision not to follow that is a great plus since it manages to feel like the creature is really there in the shot, and that almost never happens. It really lends the creature a lot of credence and acceptance, and that's not even getting into how cool it's design is. This is a really neat design in what few scenes we can get a clear shot at the creature, with a large reptilian head, huge fang-like teeth, large claws, hairy, rat-like body and ability to walk around on all fours, which gives it a unique appearance and makes for an intriguing creature that really works well in here. The attack scenes, when we get to see them, are actually a lot of fun and certainly add a lot to the film. Especially worthwhile are the scenes early on, when no one knows anything about the creature's existence and it's allowed to run wild on the citizens. The goat massacre is simply fun, with the chaos of them running around in a panic while the citizens are stuck inside unsure of what to do, and the scene itself is a real standout. Also really good is another big scene later on when it attacks a campground with a witness stuck inside a car before the creature turns it's attention to it, but the main thing here, which is where most of the film's good points are held, is inside the finale, which is just full of fun and good points. From the stand-off in the shack to the big chase out in the open to the creature's stalking and more, there's just a lot to like in the scene and it's a long, natural one that doesn't disappoint. It's also where we get the clearest look at the gore, which, while mostly limited to incredibly vicious scratch-marks along the back and stomach, leave it nice enough. Even other scenes, as the rednecks' search for the creature or the first attempt at killing it in the desert aren't bad either. These here are the film's good points.The Bad News: There was a couple of rather big flaws to this one. One of the biggest flaws present here is the fact that this one is just incredibly racist with how the town's characters are with each other. Despite the constant racial slurs that are brandied apart with reckless abandon, the general attitude of many of the residents, simply looking down the other race enough to dismiss anything they said as part of their cultural hysteria and believing their own views to be the right one, despite the evidence pointing so far away from them it's laughable to assume the view-point could be kept. Perhaps the biggest, and easily the most illogical one, is the subplot involving the father's dislike of the boyfriend, which isn't bad but leads into what is the scene that leads to the wrong, watching him don a chupacabra costume and sneak over to the hideout intending to scare the two of them, since it makes no sense, isn't pulled off at all well and seems incredibly short-sighted and bigoted to be in the film at all. The voice-over narration setting up the scene does it little favors, and in the end, serves to up the body count anyway, leaving it's inclusion all the more confusing. That leads into the second big flaw from this one, the inability to really tell what's going on during the kill sequences. Just about every single kill or attack scene is shot so that it's impossible to determine what has happened since it's so quick-cut it's hard to tell. By editing it in such a way, you lose everything in the sense of what's going on. It leaves no idea as to what's happening, and that's not something you want in the main reason to see the film. In fact, the first few attacks are so jolting and impossible-to-see it's impossible to see anything in them. These are bad enough to hold it down considerably.The Final Verdict: Had it eliminated one of it's problematic flaws, the film would've been a lot more interesting and entertaining than it is. Worthwhile look for those interested in the genre or can overlook the flaws, while those who can't or who aren't big fans of this style should heed caution.Rated R: Graphic Violence and Graphic Language

JoeytheBrit As this film is so bad, let's just narrow things down to two examples:Firstly, we see one poor guy, after being dragged to a deserted field by his vacuous but pretty girlfriend for a spot of rumpy, eviscerated by the beast. Five minutes later, we see the girl, seemingly unaffected by her ordeal, relaying the events of the attack to the town's sheriff and his 'comedy' sidekick in a diner, and are treated to the entire attack all over again in flashback. The entire attack. Five minutes later. Brilliant idea – really keeps the film flying along..Secondly, the father of one of the teen heroes decides to gather the pelts of various deer, etc, and fashion himself his own chupacabra suit so that he can kill the Mexican kid who is boffing his daughter and blame it on the monster. Not possessing the requisite pair of fangs, he decides a barbecue fork will do the job just as well and trips off into the desert night in his furry outfit, looking like the cuddly little brother of that cuddly werewolf in Carry On Screaming. If it hadn't have looked so pathetic it would have been funny.The best thing about this film is the title – and even that's a rip-off of John Landis's American Werewolf in London. Trust me, it's only worth watching if you're a connoisseur of trash and, given that even trash must have its hierarchy, this is some of the worst around.

Xex-Arachnid which to me was kind of a disappointment when I was in my local (crappy) videostore. I had honestly thought it was a unique werewolf design but what got me to purchase it was the title of the movie like American werewolf? So then after seeing the movie, I caught the humor of the title. This movie sux! But I gave it a 5 because it wasn't a bad suck. There was a certain attitude about the movie that was likable even the racist persona's of the white Texans against the Mexican Texans although vulgar, was what I would call accurate of a typical racist.I don't know, if they had a modern day version of USA Up all night, I can see this being on the play list.