AniInterview
Sorry, this movie sucks
UnowPriceless
hyped garbage
Steineded
How sad is this?
Janis
One of the most extraordinary films you will see this year. Take that as you want.
xavrush89
You know the line "You had me at Hello"? Well, this movie had me at "The Geffen Company Presents..." There's just something so endearing about this quirky comedy. Sorry for the clichés, but I think just about everyone could find something about themselves in this story, even if they've never experienced depression. Some of my favorite movies mix comedy and drama, and this is a prime example (slightly more on the comedic side, but it's debatable). I also thought this was my first exposure to Kathy Bates, but I didn't realize until much later that I had already seen her in "Come Back to the Five and Dime, Jimmy Dean Jimmy Dean" and in a bit part in "Two of a Kind". She's a chameleon; I still didn't recognize her 11 months later in "Misery." Cusack has an even better chance to shine. And as for Lange, for someone playing a character so weary, she's luminous. There's also an appearance by a woman who was semi-famous as a quirky waitress in Miracle Whip commercials ("How'd they know turquoise was mah color?") in this. She hilariously plays a musician here. But the real find was Charlie Korsmo (also in "Dick Tracy" later the same year), eleven years old at the time of filming but looking younger. Like Shirley Temple, I know he's an adult now, but I don't want to see him grown up. His performance is the heart and soul of "Men Don't Leave." I don't own a copy of it, because I'm afraid I might watch it every day. You either love it or you don't get it.
Blooeyz2001
I like this film. Jessica Lange is very good as a wife/mom of two sons. She abruptly finds herself a widow after her husband dies in a work related accident. This is a woman who is used to having a partner to help deal with family life & issues & suddenly everything is on her shoulders. She's deep in debt & overwhelmed. (The adorable) Chris O'Donnell is great as the older boy, playing a typical bratty teenager arguing with Lange over choices & decisions she must now make. He's very convincing in a scene with Arliss Howard, later in the film, that shows just how much his mom means to him. Charlie Korsmo is the younger, more agreeable boy. Yet he's filled with many issues, underneath the surface, dealing with his dad's death & their relocation to Baltimore. He takes to a new buddy's home life because he misses the conventional family he was used to, much to Lange's dismay as she tries desperately to keep her family together. Joan Cusack plays a quirky, domineering neighbor & "older woman" interested in O'Donnell. A leaner than usual Kathy Bates (almost unrecognizable because she's all farpitzed with makeup, trendy clothes & hairstyle) plays Lange's bitchy, bitter boss when she must now enter the workplace. Arliss Howard is also on hand as a love interest for Lange. Not that much emphasis is placed on their relationship because the main focus of the film is on Lange & her son's. Now for that title. IMO it can be taken two ways, as a plea or a statement. "Men Don't Leave" because you're family needs you, or "Men Don't Leave" a family's mind's & hearts after they've gone.
jscanlon
It usually takes me two viewings of a film to decide whether I think it is a great film. The second that "Men Don't Leave" ended I knew it was a great film. It tells the story of a middle aged woman (Jessica Lange) who moves her two sons to Baltimore following the death of her husband. There she meets a quirky musician (Arliss Howard) and her older son starts dating an equally quirky x-ray technician (Joan Cusack). This film is by turns joyful and heartbreakingly sad and features sure-handed direction by Paul Brickman and a beautiful score by Thomas Newman who also scored "American Beauty". The performances are wonderful, most notably Jessica Lange's and Joan Cusack's. If you're looking for a wonderful family drama with comedic moments then "Men Don't Leave" is for you. One of the best films of the 1990's.
Ratstink
I love this movie. Lange, Cusack, and O'Donnell each give one of their best performances. Must see for fans of any of them, especially Cusack. Even though it is pretty weepy it is also very funny and sweet. I like the way they deal with the depression of Lange's character. There are some wonderful images and great lines. I am still waiting for O'Donnell to live up to the promise he showed in this film. I know some will think I'm nuts but I think Lange was never sexier. See this movie. Warning: not as many laughs in the TV-edited version.