Evengyny Thanks for the memories!

Konterr Brilliant and touching

Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Sam Panico Susan Nomed (Playboy Bunny Bobbie Bresee, Ghoulies) was only ten-years-old when her mother died. During the funeral, she ran from her family to the mausoleum, where the fog rolls in and a demon calls out to her.Now, twenty years later, she's the heiress to her family's fortune. She's also married to Oliver Farrell (Marjoe Gortner, Starcrash), who is never home, but everything seems fine. However, Susan is starting to go stir crazy, flirting with the gardener, who exudes pure filth. That's when we learn about the second part of Susan's inheritance: an ancient curse.Soon, Susan is turning into a green-eyed demon and having sex with plenty of men, then murdering them in all manner of interesting ways. Want an example? How about her breasts eat a man's chest and leave him a bloody mess in the bathtub?LaWanda Page of TV's Sanford and Son shows up as Elsie the maid and you'll be shocked to see how racist her role is. Actually, you won't. We just watched the remake of Thirteen Ghosts (with the early 2000s title that seemed trite even back then, Thir13en Ghosts) and the black maid in that film acts just as stereotypically in that film.Also, if you're wondering how good the script is, Susan's last name is demon backward.This movie reminds me of late-period Fulci, as its look is very Italian. It's filled with gore, nudity and a nonsensical plot, but there are times in your life when that's what you're looking for.

Bezenby Thomas! You is a bad cat! There ain't enough hours in the day! Ah was working for dem white folks when my lady Missus Nomed comes o home all freaking out 'bout some family curse turn all those women into monsters. I says, Sho, you don't want to be fussing bout no family curse now, hone, you just' be doing yo thang with the g-strange, blood. Ah says, I'm only an outrageous ethnic stereotype with ma pantyhose an de Uncle Tom mannerisms, but ah knows me ah fairly good horror pick when ah sets ma eyes on it. An' ah still make me own biscuits....Ah says "When you gonna stop turning all green-eyed and killing folks like the grounds keeper an the delivery boy and your Aunt. Ain't no way that gonna stop di curse of the Nomed family. What about dat disco DJ guy who look'n like a BeeGEE? Why'd you go burning him in his car? Was down by dat ol' swabby ribber?Then Ah says "And why d'you cast lill ol me as the most anti civil rights crappy ethnic stereotype ever? Ah expected ol Bernarnd Manning to stroll through de front door and give me a loving slap. Just as well di film din't steep so slow as to kill ma *ss off. But di scene where ah run off was just as bad. Like a film from de twenties, bwana. Ah did like the bit where Mrs Nomed's breasts turned into lill bitty demons and chewed up Marjore Gunter. Dat good soul horror.

Woodyanders Lovely and sweet young Susan Farrell (a respectable performance by deliciously voluptuous blonde bombshell Bobbie Bresee) suffers from an especially nasty family curse: she gets possessed by the spirit of an evil and lethal, yet enticing distaff demonic spirit that takes over the first born daughters of every line in her family. Pretty soon Susan just ain't acting like herself anymore; she starts seducing and murdering various guys. It's up to concerned psychiatrist Dr. Simon Andrews (nicely played by Norman Burton) to save Susan's soul before it's too late. Director Michael Dugan does a sound job of creating and maintaining a flesh-crawling ooga-booga atmosphere, pours on a handy helping of juicy gore (the definite splatter highlight occurs when Susan levitates a guy and sends the man falling to his death from a three story balcony onto a glass table), tosses in several moments of hilariously campy humor, and has the luscious Ms. Bresee bare her insanely hot body at pleasingly regular intervals. The game cast do their best with the rather silly material: the ever-cool Marjoe Gortner as Susan's loving, but busy husband Oliver, Laura Hippe as Susan's worried Aunt Cora Nomed, and Sheri Mann as helpful demonic possession expert Dr. Roni Logan. LaWanda Page (Aunt Esther on "Sanford and Son") provides gut-busting lowbrow comic relief as superstitious black maid Elsie. Maurice Sherbanee likewise amuses as creepy, lecherous Mexican gardener Ben. Robert Barich's polished cinematography makes occasional inspired use of a fluid gliding Steadicam. Jaime Mendoza-Nava's spooky'n'moody score does the shuddery trick. John Carl Buechler comes through with a marvelously grotesque make-up design for the hideously ugly female demon; the foul beast's drooling, fanged, snarling breasts are particularly funky and memorable. Granted, this flick certainly isn't a subtle and sophisticated work of cinematic art, but it does overall pass muster as a highly entertaining piece of cheerfully cheesy trash.

slayrrr666 "Mausoleum" is a fairly entertaining and enjoyable supernatural horror.**SPOILERS**Following a traumatic childhood, Susan Farrell, (Bobbie Bresee) is having a perfectly normal life, according to her aunt Cora Nomed, (Laura Hippe) psychologist, Dr. Simon Andrews, (Norman Burton) and should be left alone. Despite her growing concerns that she's falling into a trap that the family is cursed to become involved in, her husband Oliver, (Marjoe Gortner) isn't too worried. When they start to notice that those around them are becoming involved in strange accidents, he finds something wrong with her cavalier attitude towards the mysterious events. Eventually realizing that it's something to do with her and their unique family history, he discovers that the mausoleum where her mother is buried led to her being possessed by a strange demon as a child, and is now out to destroy all those who anger her. Getting a handle on the situation, they try to put an end to her rampage before more people disappear.The Good News: This here isn't all that bad, and has some really great points about it. The film's at it's best when it goes for the cheesy 80s creature feature tactics. It's obvious that there's a rubber creature here for the possession, and while it's obvious, it still looks really great. With the glowing eyes, distorted features and much more in here that comes from the demonic facial features leave a great impression in viewers. There's also a lot of cheese to come from the film's deaths, which here are packed with several really cheesy sequences here which come from that sense of cheese. The makeup effects are good, with a scene involving the girl's breasts turning into snarling faces really standing out. During the early parts where the demonic happenings are confined to the different showings of that power. The attack on the house-guest, which comes complete with flowing fog, glowing lights and much more give it a really nice, cheesy feel. Aside from the cheese, it's also pretty creepy, as the beginning is one of the creepiest Gothic sequences around, and is backed up with a reprisal at the end which works wonders. The film also has a couple of really fun sequences, such as the aforementioned attack on the house-guest, as well as a couple of other attacks throughout the film which work incredibly well. The first one in the cemetery's mausoleum is pretty great, as is the set-up to the gardener one and the film's highlight, the showdown in the mall which is just superb. That one is fun, high action and much more in here which makes it seem really enjoyable. That also helps out the film's gore quotient, which here is pretty high. There's a lot more than expected for this kind of film, and there's some good stuff in this. There's a face scratched up with claws, an impaling through the chest with an umbrella, a garden trowel repeatedly stabbed in the head, being forced to scratch eyes out and having their chest bitten open and ribs separated, among other facets of gore. There's also the film's high amount of nudity, which is well-covered by those who are well-prepared to deliver it, and in some cases is fully utilized to it's best potential. These here are all apart of what makes the film work.The Bad News: There really isn't a whole lot to this one, and what little flaws there is aren't that bad. The biggest issue is the highly-unbelievable story that says that nearly all the family members are unable to understand the curse, and that it's persisted for so long without anything being done about it is a little hard to believe. That it's the subject of a diary entry that anyone in the family can access makes it all the more ridiculous, and with it being a fairly important part in the utterly ridiculous plot, that one stands up as the film's biggest issue. The cheese level could be something that won't sit well with some, and it's not entirely free of pretty lame scenes that aren't even in the slightest realistic, but picking apart the plot is what's going to be the biggest issue with this one.The Final Verdict: With a lot going for it and only a few problems, this is a pretty entertaining entry that is really enjoyable. Give it a chance if you enjoy these kinds of entries or find it interesting, while those who aren't really into these kinds of films should heed caution, as the flaws can be accentuated greatly in that case.Rated R: Graphic Violence, Graphic Language, Full Nudity and a mild sex scene