ShangLuda Admirable film.

Comwayon A Disappointing Continuation

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Woodyanders Duke Mitchell's uniquely crazed virtual one man cinematic show celebrates Italian life, culture, honor, and tradition pertaining to that legendary organized crime institution the Mafia with a joyously crude micro-budget vigor and vulgarity that's truly something to behold. Sure, this tale of ruthless mobster Mimi Miceli's rise to power through the most brutish means possible might be incredibly inept, but star/writer/director/producer Mitchell tackles the whole thing with a genuine heartfelt sincerity that's perversely admirable in its sheer giddy audacity. Moreover, the unapologetically upfront elements of virulent racism and misogyny give this movie's depiction of the inner workings of the Mafia a certain coarse authenticity more sanitized mainstream takes on the same subject tend to lack.Mitchell truly puts his proverbial all into the juicy lead role of a dangerous loose cannon and delivers several priceless philosophical monologues with lip-smacking gusto (the one about the Italian woman in particular is a real doozy!). The excessive bloody violence comes through with the gory goods: An opening office building massacre sequence set to an infectiously jaunty Italian tune, a vicious pimp named Super Spook (!) gets crucified on Easter Sunday, and a guy winds up being impaled through the eye on a meat hook. Vic Caesar contributes an engaging performance as Miceli's loyal partner Jolly Rizzo, Lorenzo Dodo shines as the wise Don Mimi, buxom brunette 1960's pin-up model Cara Peters burns up the screen as scrumptious moll Liz, Fred Otash cuts a fearsome figure as the savage Bones, and George "Buck" Flower pours on the smarm as oily worm Vince Baccari. Essential viewing for hardcore aficionados of 70's grindhouse schlock.

mpurvismattp Just saw this movie and I gotta say it was a pretty fun hour and a half of goomba gore and senseless mafia shananagins. And although it's a little incoherent at times, overall it's not a bad B movie. It's a Grindhouse feature and it's straight out of the "exploitation" genre so its got all the guilty pleasures that you would expect (eg: naked women, Afros, bloody violence and lots of political incorrectness). If you're looking for an Oscar winning mafia film like the "Godfather", "Casino" or "Goodfellas" then "Fah git about it" but if you enjoy movies that inspired writers and directors like Quentin Tarantino and Robert Rodriguez to make their own films then you'll dig this one. After all who doesn't enjoy a senselessly violent B movie with questionable acting and naked broads once in a while...I know I do.

Michael_Elliott Massacre Mafia Style (1978) ** (out of 4)Duke Mitchell's middle finger to THE GODFATHER has him playing a mafia guy who goes to America to get in on all the action but soon realizes that things have changed since his father was running the business. However, he realizes way too late and before he does so there's a bloody gang war. MASSACRE MAFIA STYLE has become a cult classic over the years and it's very easy to see why. This film has so many awful moments but that is what makes the film so special and so darn funny at times. The movie opens up with a couple mafia guys walking through a packed office and just blasting people away. What makes this rather long sequence so funny is that people just stand there pretty much posing and waiting to be shot. There's a part where four or five men are just lined up and the mafia guys go through them one at a time. Umm...ever think of running? This entire sequence is without question one of the funniest moments you're ever going to witness in a film that isn't a comedy. There are other hilarious moments scattered throughout the film but for the most part nothing comes close to being as funny. With that said, the entire message that Mitchell is trying to give off is rather ridiculous and especially towards the end when he goes on a "sad" rant to his father about how the times have changed. Hey, we at least get to hear Mitchell sound off about dirty hippies and their pot. The performances are all pretty bad and that includes Mitchell but you've still got to love his work because he's trying so hard. Here recently a lot of movies are purposely made bad so that they can try and gain some cult attention. I think the key to great cult movies like this, PLAN 9 FROM OUTER SPACE and even THE ROOM is that the filmmakers really did try to do something "serious" but it just didn't work. There's obviously love on the screen but none of it works. From the laughable dialogue to the questionable screenplay to the wild violence, nothing here works except for those who love bad movies.

EyeAskance A Sicilian mob hit-man winds up in Hollywood, shooting pimps, hookers, rivals, and lackeys in one of the most deliriously gonzo grindhouse epics of the 1970s. Much time is spent on dinner conversation, wherein gut-busting hilarious dialog is delivered with little motivation(one memorably clamarous censure involving an old lady's hands is a howler of awkwardly earnest sentiment). Add to that a heaping helping of very nasty gun violence, and you've got yourself one totally screwball, and, despite itself, extremely entertaining schlock film(with a few genuinely poignant moments).Spectacularly awful in the all best ways, and presented with out-and-out seriousness, this sacrosanct spectacle is well worth a hunt...capice? 7/10