Jeanskynebu the audience applauded

GazerRise Fantastic!

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

sol (Some Spoilers) When the rough & ready US Marine Raiders landed at Guadalcanal to prevent the Japs from sending reinforcements there to their beleaguered troops a unit of the Raiders was cut off and annihilated by the defending Japanese forces.Being able to accept getting killed and wounded in battle against enemy troops Raider Capt. Dan Craig, Robert Ryan, just went berserk when his fellow Raider Lt. Tony Junior Hewitt, Russell Wade, was found deep in the jungle still alive, but barley, with his hands chopped off and crucified on a palm tree after he was captured by the Japs! In an almost zombie-like state Dan strolled into the jungle, with Jap bullets and mortar rounds flaying at him in all directions, and gunned down four Japanese soldiers who couldn't as much as lay a glove or bullet on him. Decleared unfit for combat because of mental and battle fatigue problems Dan is sent the Australia to recuperate from his, mostly psychological not physical, combat wounds.Itching to get back into combat and get another crack at the Japs poor Captain Dan was soon sidelined from his lust for war, and revenge, by meeting and falling in love with cute US Army Air Force auxiliary servicewoman Lt. Ellen Foster, Ruth Hussey. It was Ellen who for a brief moment made Dan forget about the war and the reason he's fighting it! This has Dan's best friend Maj.Steve Lockhart, Pat O'Brien, worried that Dan will lose his love for war and possibly, in being the best man in his battalion, the effectiveness his combat unit.Getting, behind the scenes, Dan transfered back to his beloved Marine Raiders Maj. Lockhart is now at odds with Dan's fiancée Ellen in wanting him, as a fighting marine, all for himself and leaving her, in her relationship with Dan, out in the cold. Like in most WWII era made war-films patriotism and one's love of country overcomes such mundane things like the girl back home, or in Australia, or just avoiding being killed or wounded that drives not only Dan but his friend Steve and fiancée Ellen to finally see the light or what its, fighting Japanese Imperialism, all about. In them taking part in the crusade in the destruction of the fascist and expansionist Japanese, or Gen. Tojo, Empire!Dan does get his chance to finish the job, in avenging Lt. Hewitt sadistic death at the hands of the Japanese, that he started back in Guadalcanal but at the same time ends up getting the girl, Ellen, who's relationship that his good friend Maj, now let.Col, Lockhart tried to break up. This all happens in what looked like the invasion of the Gilberts Islands where Dan Steve & Co. really put the hurt on the Japs with small arms grenades as well as artillery and naval bombardments, that Dan radioed in, that finally put an end to Imperialist Japan's dream of a world empire.

tarmcgator MARINE RAIDERS is a rather ordinary example of the type of war film that Hollywood turned out in the period 1943-44, as movie makers had more opportunities to see actual combat film footage and to avail themselves of the experiences of combat veterans. RKO apparently developed the opportunity to film scenes of U.S. Marines training at newly established bases in southern California and built a story around the "glamour" of the new Marine Raider and Marine Parachute battalions that fought on Guadalcanal. There are only two major combat sequences -- a facsimile of the Battle of Bloody Ridge on Guadalcanal in September, 1942, that opens the movie, and the concluding sequence based on the Bougainville landing in November, 1943. The combat scenes (except for a brief air attack sequence) were filmed in the studio, skillfully mixing staged shots with miniatures and actual combat footage. If they remind you of film noir, remember that RKO pioneered in the style because the shadowy lighting could hide, somewhat, the cheapness of the sets and special effects.The script is conventional and not well-focused. We're supposed to believe that Lockhart (Pat O'Brien) and Craig (Robert Ryan) are old friends, but there's no indication of that early in the film, at least until Craig starts to lose his command composure after one of his officers is tortured and mutilated by the Japanese. Later in the film, the higher-ranking Lockhart officially intervenes to prevent Craig from marrying an Australian woman (Ruth Hussey) he's only just met. That act, of course, creates the tension between Lockhart and Craig that the film tries to sustain until the concluding combat sequence. Craig's "hatred" for the Japanese, which is supposed to make him a liability for a command, is never really explored. Given the general high level of anti-Japanese feeling engendered in most Hollywood movies of this era (as opposed to strong anti-Nazi -- rather than anti-German -- feeling displayed in the same years), Ryan's "hatred" doesn't seem especially unusual. It's more a MacGuffin than an engaging character development.Likewise, the relationship between Craig and Ellen is a little difficult to believe. Certainly there were many whirlwind courtships and short engagements among World War II servicemen, but here are two fairly mature adults who decide to marry within 24 hours of first meeting. I didn't buy it, nor did I buy the rapid reunion later in the film.There are some out-of-the-ordinary moments in MARINE RAIDERS. In the middle of the film is an air-raid sequence that features some very complex shots -- Craig and Ellen sheltering in a shallow trench, as an antiaircraft gun blazes away behind them, and fighter planes take off over the gun, zooming toward the camera as bombs burst around them. These must have been difficult to pull off, and they are striking compared to the rather pedestrian combat sequences in the rest of the film.It's also interesting to see at least a little attention paid to wartime women as more than just attractive movie props. At one point, Craig counsels another Marine -- reluctant to marry while the war is still going on -- to remember that "the girls are in this war too" and that he should consider his fiancée's needs. There is a brief comic sequence involving Women Marines. And Ellen's closing speech, which could have been echoed by millions of Allied women of that time, is genuinely moving.In sum: Essential if you're a war movie buff, but even for such fans like me, its a mediocre film of the genre.P.S.: Ironically, for all the ink and celluloid they generated early in the war, the newly formed U.S. Marine Raider and Parachute battalions were not popular with Marine brass, who wanted to build large, division-sized formations to crush the big Pacific targets instead of pricking them with hit-and-run raids. The "Paramarines" never made a combat jump during the war (despite what one sees in this movie) and were disbanded in December 1943. The four Marine Raider battalions were disbanded in January 1944, about six months before this film was released. Their officers and men would continue to fight in other Marine units, however, and the Raider's enviable combat legacy -- Tulagi and Guadalcanal, Makin, New Georgia, Choiseul, Bougainville -- remains a proud chapter of USMC lore.

Michael O'Keefe Army Major Steve Lockhart(Pat O'Brien)and Marine Captain Dan Craig(Robert Ryan)are veterans of the fierce fighting at Guadalcanal...they join and train young soldiers in Australia. The fighting scenes are engaging; but otherwise this is a typical rally 'round the flag flick. Of course what would this war drama be without a rivalry over a woman...Ruth Hussey. MARINE RAIDERS is very watchable and co-stars: Frank McHugh, Martha Vickers, Barton MacLane and Russell Wade. O'Brien slides into his role with ease; on the other hand Ryan at times seems wooden. Kudos to Harold D. Schuster, who directs this RKO Radio Pictures WW2 warfare noir.

dexter-10 The jungle battle scenes in opening of this film incorporate an atmosphere one usually finds in film noir. The portrayal of Guadalcanal and the related background music tend in this direction, which was not found in many of the war movies of 1944. Special credit should be given to the director of lighting, especially relative to the deep three-dimensional effect created with the interplay of light and dark.