Protraph Lack of good storyline.

VeteranLight I don't have all the words right now but this film is a work of art.

Mandeep Tyson The acting in this movie is really good.

Freeman This film is so real. It treats its characters with so much care and sensitivity.

HotToastyRag Claudette Colbert is so adorable! I know Clara Bow was called the "It Girl," but Claudette Colbert was easily the prettiest, cutest, classiest, most charming actress of the 1930s. And she always wore such beautiful clothes!In Manslaughter, Claudette plays a spoiled, callous rich girl who enjoys getting her way as often as she does. At a party, she meets and falls in love with Fredric March, the district attorney. Although they are very attracted to each other, their moral outlooks are quite different. Freddie chastises her for bribing a police officer, and she encourages him to skip work in order to party all night long. Then, when Claudette's reckless behavior lands her in court, their love is tested.It's always so fun to watch pre-code films, and flirtations run off Claudette's tongue effortlessly. The very end is a little silly, but the rest of the movie is a very entertaining drama. If you like early talkies that still carry the feel of silent films, like using title cards and no background music, check this out and get ready to fall in love with Claudette Colbert!

kidboots Paramount had high hopes for Claudette when she was signed in 1928. She had, by bad luck, been in a string of unsuccessful Broadway plays (except for "The Barker") and was now eager to try her hand at the movies. Before "Manslaughter" it hadn't looked promising - she had supported Edward G. Robinson in a very creaky stage bound crime movie, then played "the girl" as Maurice Chevalier went through his bag of tricks in "The Big Pond" and was also in the French language version of "Slightly Scarlet". But when Clara Bow's personal problems forced Paramount to replace her with Claudette in the upcoming "Manslaughter", Colbert grabbed the meaty role with both hands. It may have been an out-dated melodrama but with credentials that included being a remake of a Cecil B. DeMille silent blockbuster, it was a chance for her to tackle an A class production.Lydia Thorne (Colbert) is a spoiled rich girl who is heedless of the sober advice of her beloved aunt "Bennie" (Emma Dunn) as she sets out for a wild week-end in her roadster!! And what a ride it is, weaving in between traffic, racing a train, bribing an officer who tries to give her a ticket - she is riding for a fall!! She meets up and coming D.A. Dan O'Bannon (Frederic March) who around the dinner table espouses his views of justice for rich and poor alike - it doesn't go down too well with the country club set. Reality starts to filter into Lydia's privileged life - the young officer goes to O'Bannon with Lydia's bracelet claiming she tried to use it as a bribe, then her maid is found to have robbed the safe which contains Lydia's jewels, Lydia says the jewels don't mean a thing to her and she will go to the trial to testify in Louisa's defense but she forgets and the maid is sentenced to years imprisonment. Then there is another episode of "race the policeman", Lydia jack-knifes her car hoping to send the same young constable sprawling!! He does but unfortunately is pronounced dead at the hospital and suddenly Lydia finds herself facing a manslaughter charge and years in prison!!Claudette really rose to the occasion once Lydia dropped her flippancy and put on her "martyred" mantel and also showed why she was a bit different from other Paramount stars of the time (Bow, Carroll, Chatterton) - she was believable in what ever she was given and didn't seem to make bad career choices as far as parts went. In prison Lydia comes face to face with her maid who after becoming involved in a prison brawl, extends a helping hand.Lydia leaves prison (after 3 years) chastened but believing that Dan had promotional motives for sending her "up the river" - not realising he put his job on the line to secure her a pardon and she is now striving to get Louise released. An excellent film and as usual Claudette is just terrific in a demanding role.Highly Recommended.

bkoganbing Fredric March and Claudette Colbert were two new and upcoming players that Paramount studios signed with the coming of sound. Both would do much better work individually and collectively in the future. But for now they were doing films like Manslaughter.Which is what Claudette committed when she was speeding and a young motorcycle cop was chasing her and plowed into her vehicle. Colbert is a spoiled young heiress who likes to party like there's no tomorrow and loves that snappy roadster of her's. Not helping her case is the fact that she's got a history of speeding.March is a promising young prosecutor with a bright future. He's falling in love with Colbert, but when she kills that traffic cop who is a friend of his, March's duty is clear. He has a slam dunk case for vehicular homicide and he prosecutes with vigor and then resigns in remorse.Now in real life no way do people like these get together, but believe it or not in Manslaughter they do. It's clear what stars March and Colbert would become and they do their best to make this somewhat palatable. But there best isn't good enough, no one's best would be.

Alex da Silva Lydia (Claudette Colbert) is wealthy and selfish. She has no time for others as is illustrated when her maid Evans (Hilda Vaughn) is sent to prison for theft. Lydia's evidence could prevent Evans from going to jail but she forgets to turn up. She meets with O'Bannon (Fredric March), a lawyer who is committed to equal rights for rich and poor and although they fall in love, his principles do not sit comfortably with her behaviour. After a car accident in which a policeman dies, he takes the case for prosecution against her and she is sent to prison. How does she cope and what will O'Bannon do next?....The film is OK to begin with but every scene is just a little too long and so the film starts to drag. The cast are good but the story could have been told at a better pace and with a little more excitement. The way the film resolves itself is rather sudden and convenient for all involved.