Forumrxes Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

mark.waltz This isn't as blatantly sexist as 1933's "Female" in which Ruth Chatterton sexually harassed her male secretaries. This boss, Kay Francis, is much more subtle, hiring David Manners as her secretary after firing too busy to work overtime Elizabeth Patterson. It's not going to take her bookkeepers long to figure out what's going on, especially if they see him with his nagging gal pal Una Merkel, a dame whom Groucho Marx would describe as being vaccinated with a phonograph needle. Even though this was made before the production code came in, this is not as shocking or even as exciting as other pre-code films.Francis is an able comedian, Manners a handsome but dull (perhaps uninterested?) romantic lead. It's basically a ploy between Francis and her married in name only hubby Kenneth Thomason to find out after living their own lives how they truly feel about each other. In fact, it is set up that they are more friends, so when she romances Manners on the sly, it is the medication for her to find out how she really feels about her husband.Andy Devine offers lots of earthy comedy as Manner's pal, which gives Merkel a ploy at the end when it becomes clear that she and Manners have no future together. It is also extremely short, which gives it no real time to establish either character or a definitive plot. Without Francis and Devine, this would have been a total disappointment.

parkerr86302 The film shows up periodically, and without fanfare, on Turner Classic Movies every now and then when they run early a.m. fests of Kay Francis movies. Yes, it is old, and yes, some of it is outdated, but it also contains some very nice moments. Despite its antiquity, it does succeed in capturing the pain of a man who is deeply in love with a woman he knows he can never have nor even approach. That may sound silly to some readers today, since we now live in an age where men routinely proposition married women (both on and off screen), but frankly, it works. The film is clearly pre-Code---once the Code was installed, any man glancing at a married woman was depicted as a slimy villain. But real life isn't lived in such black and white absolutes, and that is why this undeservedly obscure little film holds up yet today.

Ron Oliver There's a MAN WANTED to become private secretary for a powerful female editor. Once found, will they be able to keep their minds strictly on business?Here is another example of a wonderful pre-Code comedy from Warner Brothers which has slipped under the radar and is undeservedly obsolete. The casting, acting, script & production values are all first rate. The humor is grownup & intelligent, and does not treat its viewers like insensitive Neanderthals.Scintillating & sly, Kay Francis is perfect in the role of a worldly woman with a wide-open marriage. Her frankness & grace in dealing with her husband's casual adulteries is most fetching - as well as making her character very human. As beautiful as she was talented, it is a shame that this lovely lady no longer receives the recognition she's due.Matching her every step of the way, David Manners exudes gentle masculinity as her new office employee. Slowly falling in love, he must carefully control himself & not overstep the bounds of propriety. Mr. Manners gives another in a series of excellent performances. Quiet & unassuming, he could always be counted on for a solid contribution to any film. He left Hollywood for a more private life in 1936, never to return to movies, which probably accounts for his near anonymity today. (He died in 1998, at the age of 97.)Giving very firm support are Una Merkel as Manners' fierce, funny little fiancée; and Andy Devine as his rough edged, good natured roommate.Elizabeth Patterson makes the most of her small role as Miss Francis' original, somewhat eccentric, secretary; Edward Van Sloan (DRACULA's Van Helsing) has only a few moments as a store manager who knows what it takes to sell rowing machines to the ladies.Although he's still listed in the credits, the scenes involving British character actor Robert Greig have been deleted. Pity...

sobaok This was the first of five outings together for director William Dieterle and Kay Francis. It's highly entertaining and contemporary in feel. Managing editor Kay hires David Manners as her male secretary. Her man-about-town husband, Kenneth Thomson, could care less as he has his eye on playgirl Claire Dodd. When Kay discovers that the emotional charge between her and hubby is lacking and for what reason, she's dissapointed, but holds no grudge. The way this is all written is quite human and provocative. Lovely photography by Gregg Toland(who later did CITIZEN KANE) is impressive. Supporting cast includes Una Merkle and Andy Devine. Kay gives a breezy, yet sensitive portrayal and the film is watchable many times over.