Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Console best movie i've ever seen.

Beanbioca As Good As It Gets

Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Woodyanders Made in the wake of the crummy "Snow Creature" and the insipid "Half Human," this fright flick rates as a substantial step up in quality in the 50's yeti movie cycle. What makes the sound quality of this one so remarkable is the fact that Jerry Warren, the notorious Grade Z schlockmeister responsible for such dreck as "Teenage Zombies," "The Incredible Petrified World," and "Frankenstein's Island," both produced and directed it, showing a most atypical adroitness and sense of consistent focus that's not evident in his other pictures.The story once again centers on an ill-advised expedition that encounters a tribe of vicious yetis while poking around the treacherous Himilayan mountains. But this time the admittedly trite premise is compensated for by a tight execution. B. Arthur Kennedy's efficiently compact and straightforward script adds a few tasty twisted twists to the proceedings; having one of the expedition members turn out to be the mutant spawn of the Abominable Snowman and having the yetis abduct young ladies for vile breeding purposes are terrifically perverse touches. Moreover, the reasonable complicated characters are realistically drawn and believable. The performances are solid and spirited, with especially commendable turns by Rock Madison as the duplicitous half-man, half-yeti hybrid dude and Virginia Maynor as the endearingly spunky heroine. Victor Fisher's able, moody, starkly lit nighttime photography imbues the rocky landscape with a splendidly creepy gloom-doom atmosphere. The yeti monsters are fantastic: they're mean, skull-faced, broad-shouldered beastmen who possess a genuinely fearsome and intimidating presence. The attack scenes are presented with real snap and vigor. Much like its high altitude setting, "Man Beast" transcends the cruddy yeti movie norm and stands tall as a superior 50's creature feature.

rixrex Got the video of this in a lot of horror films that we bought, and was surprised at how well done this little low-budget film was. It definitely stands as one of the better Yeti films of the period, most of them are fairly sluggish and without any real terror. This one is just over an hour, and has a nice pace with a concise story. Good acting by all except the female lead, good locations that are mostly realistic (except for some shrubs sticking out of the snow in an area where no shrubs would exist), fairly scary Yeti creatures. Some may not like the idea presented here that the Yeti are dangerous to humans, and perhaps prefer to think of them as kind and peaceful, how some other films portray Yeti, but let's remember that Yeti have not been proved to exist and are most likely imaginary creatures. Sorry to pop the politically-correct balloon regarding Yeti.

ubik-11 This was the unequaled Jerry Warren's first production. He didn't write it so it's not as goofy as, say, "The Wild World of Batwoman" or "Frankenstein Island". For a low-budget B-movie it does alright for itself. There are probably too many shots of people hiking in the mountains, but the dialogue seems realistic in most scenes and the story does build nicely to an unexpected climax. In fact, Varga's revelation is kind of creepy. I probably wouldn't go out of my way to find it, but if it came across my path I'd check it out.

connerg-2 This wasn't that bad, you only have to sit through this film for only 67 minutes, its sort of a quick story about the growing popularity of Yetis, Abdominale Snowmen, the Sasquatch, etc... in the 1950s, which grew its highest in the 70s. "Man Beast" is a fun movie too watch if you're not feeling critical about movies at the time. ... Plus, there's not as much talk in this as there is in other bad 50s b-sci fi films.