AniInterview Sorry, this movie sucks

Stevecorp Don't listen to the negative reviews

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

moonspinner55 Wistfully sad (and sadly insufficient) documentary from amateur filmmaker Jeremy Workman regarding the eccentric art and reclusive life of Maine resident, veteran and widower Al Carbee. Workman's 'movie' is really just a project, one with little visual flair, no filmmaking vitality and, surprisingly, not even a sentimental overture at the finale. Expanding a four-minute short he had previously done on Carbee in 2001--photographing Carbee's photos, collages and Barbie doll dioramas--Workman doesn't even ask his subject any probing questions (with the exception of "Are you lonely?", which seems redundant). Carbee's rambling old farmhouse (in foreclosure) is revealed to harbor decades of pictures and diaries and personal artwork, mostly semi-provocative collages he's taken of his treasured Barbies. Carbee's late wife was embarrassed by her husband "playing with dolls," yet he always told her he was working with them as an artist works with his models (and we're to assume this did little to nullify her objections). The best section of the film, when the curious come with trepidation to see Carbee's showing at a local museum--and leave with smiles on their faces--is wonderful, but there's no follow up to Carbee's triumph on Workman's part; everything is allowed to be frittered away. So, where's the magic? ** from ****

matchka-43956 I enjoyed this film so much; my attention never wavered. Delving into Al Carbee's world is like escaping into a storybook that feels like childhood but is very much grown-up. The film evoked compassion in me for this gentle, happy, strange old man with a vivid imagination and lovely spirit. Every time I watched him on the screen, I couldn't help but feel tender towards him. I wanted to hug him! The film shows how his art is so much more than "photos of Barbies" and the essence of his work is captured beautifully. I found myself coveting some of his photos. Jeremy Workman has created a splendid narrative about an obscure artist and his wonderful little world. What a touching tribute to Al Carbee.

loveitallmatt Truthfully, the documentary is odd but highly intriguing. We get to peek inside the wondrous world of an artist enamoured with creating something new everyday with the love and passion of human expression. If you are interested in watching something odd, quirky but at the same time captures your interest... this is a film worth watching. The artist in this film has rooms filled with his masterpieces that are on display for his own enjoyment. With the help of a younger couple this 80 something year old man was share his art with a broad audience. Through this film we are able to see a man close to the end of his life realize a dream of his art entering the real world for many to enjoy. This film is a reminder that doing what makes us happy keeps our imagination on it's toes and can lead to a true appreciation for the gift of life.Truly different but interesting

beckina Jeremy Workman tells a lovely story in this film. Al Carbee was an "outsider artist", an old Maine hermit, who created oddly beautiful and elaborate dioramas with Barbie dolls, then photographing them and creating collages. His work was visually interesting and really quite compelling. This is a strangely moving and compassionate film about an interesting artist and man, and the relationships he forges in his later years, and is a meditation on making and the development of an artist through stages of life. The soundtrack is beautiful. Photography by John Monroe captures some of the sense of the mystery and amazement of meeting Al for the first time.