Platicsco Good story, Not enough for a whole film

Executscan Expected more

Contentar Best movie of this year hands down!

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

Chico Azevedo Really, i am a Brazilian man and i'm proud of my country and i'm used to believe the potential of Brazil to strike on the movies ( city of god is proof of this ) But honestly i just thought that macunaima was enough to make me sick. Even if it's based on a surrealist book rited by Mario De andrade, the surrealism is not impressive, funny, or gorgeous, in other words it sounds more like a madhouse. Even with the talented cast and a good acting of Grande Otelo, the direction, the photography, the production and camera settings are terrible. I really thought for a moment that someone in the set was drugged with some weird chemical, and i have no doubts that could be director of this movie.

gustavo_ma92 I'm not sure if non-Brazilian people will completely get the message. The character of Macunaíma represents Brazilian natives. He is a critic made by Mário de Andrade through Brazilian Indian legends to Brazilian people. Of course it's all exaggerated in Macunaíma. It criticizes many aspects of the Brazilian way, for example all black people who want to be white(the episode of the magical fountain). The story of the book has been adapted to the 60's and set during the Brazilian military dictatorship. Macunaíma, "the hero without any character"(which also represents a break with the classical hero concept), hides food from his family, sleeps as much as he can, and cares only about himself. After they go to the big city, he meets a guerrilla-girl named Ci, which means 'mother' in the Tupi language, and marries her. They have a child, and then she dies and loses her Muiraquitã(a lucky charm), which is found by the villain Venceslau Pietro-Pietra(the cannibal bourgeois). Macunaíma then goes on a quest to recover it(because it would bring him good fortune), and goes to a Candomblé(an Afro-Brazilian religion) dance to set a kind of voodoo curse on Pietro-Pietra. This way, all Brazilian culture is mixed up in the film, in an "Antropophagical" way to symbolize every important aspect of Brazil. A beautiful way for Joaquim Pedro de Andrade to show his love for his country. He once said "I can only talk about Brazil".

NateManD Macunaima is Monty Python meets Jodorowsky and Robert Downey Sr. in a pool of piranhas. A full-grown black man, a " Brazillian hero", is birthed from a white woman in drag in the middle of the jungle. He discovers a magical water fountain that turns him white. He moves to the city, falls in love with a bomb bearing urban radical activist who wears a magic stone necklace that brings good luck. The magic necklace is stolen by a by an evil corporate cannibalistic millionaire. This causes a bomb to kill his wife and son (done in such a cartoonish way that it is all the more ridiculous). At this, Macunaima is plagued with bad luck through many of his misadventures and wants to get back the necklace from the evil corporate honcho. Part social satire, part serious political commentary set in a folklore steeped surreal Brazil. Based on the 1928 novel by Mario De Andrade that is considered on of the founding texts of Brazilian modernism; and the film itself is widely considered one of the most important films of the Brazilian Cinema Novo. But if you forget all the academics, it's a wild, weird, colorful, magical, surreal wonder-work with endless memorable moments, such as: a defecating goose, a pool of piranhas in which people swing above on a trapeze until they fall in, a water nymph and much more!! Who can forget such brilliant one liners such as "God gives nuts to those with no teeth". This film is a must see! One of the funniest films of any country! An underrated gem!

Claudio Carvalho Macunaíma (Grande Otelo / Paulo José) is a lazy anti-hero born black in Amazonas. After the death of his mother, he moves with his two brothers to Rio de Janeiro, but along his journey, he baths in a fountain and becomes Caucasian. Once in Rio, he incidentally meets the killer guerrilla woman Ci (Dina Sfat), who wears an amulet made of stone, and they fall in love for each other. They live together and a couple of months later, Ci delivers a black baby. While carrying a bomb for a terrorist attack in the stroller, the bomb explodes and Ci and the baby die, and the amulet vanishes. A very strong man finds the stone and Macunaíma tries to recover it. In the end, he returns to the jungle."Macunaíma" is a non-sense, anarchic, crazy and surrealistic Brazilian cult-movie and I am not sure whether a foreigner may like it or not. The story is funny, and belongs to a very specific moment of the history of Brazil, with the "Cinema Novo" ("New Cinema") and "Tropicalismo" movements and the military dictatorship. Further, it is absolutely original and unique, without any reference to another movie or use of clichés. Just as a curiosity, the rigid censorship in 1969 did not allow to expose two breasts at the same time. It was permitted to show one, but not both of them. The viewer can note that specially when Dina Sfat is in the kitchen wearing no shirt. When she turns, her left breast is covered by an object that she is holding. Today (04 April 2008) I have watched this film again, now in a magnificently restored (unfortunately very expensive) DVD. My vote is eight.Title (Brazil): 'Macunaíma'