Macabre

1983 "Prepare yourself for the Shock of a Lifetime! Once she kept a lover on the side. But that's nothing compared to what she's keeping in the freezer."
5.8| 1h29m| R| en| More Info
Released: 28 October 1983 Released
Producted By: Medusa Distribuzione
Country: Italy
Budget: 0
Revenue: 0
Official Website:
Info

A middle-aged woman, traumatized from the death of her adulterous lover, moves into a room at a New Orleans boarding house where the blind landlord becomes suspicious to her activities of continuing her affair with her dead lover.

Genre

Horror

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Director

Lamberto Bava

Production Companies

Medusa Distribuzione

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Macabre Audience Reviews

Cathardincu Surprisingly incoherent and boring
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
Curt Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.
Rainey Dawn Well, I guessed wrong! I thought the daughter was maybe into voodoo / black magic but nothing was ever mentioned of it and that is what surprised me! I already guess right about the severed head in the freezer so when that was revealed it was no shock - just the tail end of the film gave me the surprise and it wasn't what I expected at all. It's always fun to guess the outcome and to get a surprise ending instead of a "yep, I knew it".The movie make you wonder if something supernatural is happening or if there is an unsuspected, unseen killer lurking during some of the scenes. They make it obvious that the mother and the daughter both are off their rockers but it's also obvious there is something more going on that will not be revealed until the very tail end of the film.It's a strange film - not great, not awful but fun to watch.7/10
Polaris_DiB Mario Bava's son Lamberto Bava takes the reins of directing to mostly successful effect. In this tension-building horror, a woman leaves her children behind to meet with her lover, only to end the day with her son and lover dead. A year of institutionalism later, she returns to the set of her affair in the house of the blind man Robert, and creepy things begin happening... to Robert, it seems like a visitor is coming and having a sexual affair with the woman in the night, but nobody's entering the house. Is she possessed? Is it a ghost? Or is she herself pulling her old forays right out of the grave to continue them as if nothing ever happened? Macabre is interesting because it actually lives up to expectations in unexpected ways. Basically, Bava the Younger shows off strength in the way he paces his reveals. He gives the viewer just enough time to guess what is behind the door, in the freezer, or up the stairs, and then actually shows it as if it's already revealed. By the time you actually see what's going on, you no longer want it to be the case; it's terrible to be so right all the time. In the meantime, the relationships developed among Robert, the woman, and the woman's daughter provide more than enough dramatic tension to earn the sensationalistic thrills.So overall the movie is a decent, dark little idiosyncratic horror movie. There are some massive plot holes ("We visit his grave every year" -- interesting habit to have when he hasn't even been dead an entire year yet), some less-well-paced scenes ("This room needs a woman's touch"), and a dishearteningly dumb twist for its final shot ("Robert Duval's death remains a mystery"). But a horror movie seen from the perspective of a blind man, a crazy woman, and her proto-psychopathic daughter is well worth at least a first viewing for horror buffs.--PolarisDiB
Leonard Smalls: The Lone Biker of the Apocalypse For a debut film, "Macabre" is really impressive! After so much work with his father and with Dario Argento, Lamberto Bava really nailed down the horror genre with his first effort. The ending is so wicked. I'll never forget it! I also like the setting. In my opinion, it's hard to beat New Orleans for a horror movie setting. The city somehow just gives off the scary vibes. The acting is above par for Italian horror films of the early 80's, but it's still a little cheesy.That having been said, "Macabre" moves excruciatingly slow in parts. I'm talking three minutes for one of the characters to open a door. It's tough to stay focused. But, if you can, the ending is pretty rad.I've seen this for sale with another Lamberto Bava film, "A Blade in the Dark." I'd recommend getting it that way. I think it's actually cheaper than buying it solo like I did.7 out of 10, kids.
Jonny_Numb You gotta admit, the idea is ingeniously twisted in its simplicity...Jane (Bernice Stegers), an adulterous New Orleans housewife, is involved in a car crash that decapitates her lover. One year later, she is discharged from a mental hospital and returns to her lover's former residence, where she is lusted after by blind caretaker Robert (Stanko Molnar) and plagued by visits from her Greyhound-faced daughter Lucy (Veronica Zinny).Questions arise: What is the explanation for those lustful, lovemaking noises coming from the upstairs apartment? Why is Jane so protective of her freezer? Will Robert ever get a chance to tap that action? Will Lucy ever shut the f*ck up? With strong location shooting in New Orleans and an accompanying jazzy score, you can practically feel the sweltering menace in the air.True to its title, "Macabre" is generally restrained in tone, instead opting to create a very effective mood of overall bizarro. At its best, it has the feel of a polished anthology entry (such material would be right at home on "The Twilight Zone" or even "Masters of Horror"); at its worst, it feels overlong and silly. The third-act twist, while pretty predictable, works because the cast is so ravenously committed to the material. As a result, "Macabre" is a finely polished debut from Lamberto Bava (son of Mario), suspenseful and mysterious (in a supernatural kind of way), but just too overdrawn.