Diagonaldi Very well executed

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Rexanne It’s sentimental, ridiculously long and only occasionally funny

SimonJack The main reason to watch this film is to see the 17-year old Loretta Young in an early female lead. She is hardly recognizable from the face that movie buffs would soon see and remember for decades. Yet, she's every bit as beautiful a woman. For such a young actress she displays a mature talent. Young had been in silent films as a child, and by 1930 already had leading parts in several movies, including a couple of talkies before this one. This isn't much of a story - a wealthy family whose members look to get even richer from a relative dowager's will. But there mustn't be a scandal among any of them, or the whole lot loses their inheritances. One can guess who the person might be who wants to raise a little cain.Douglas Fairbanks Jr. co-stars in this film, but he seems quite wooden. He was a big star of his day - a romantic idol for women, but he isn't more than a mediocre actor in his several films that I've seen. He seems wooden in all of his roles. Many films were made since the talkies debuted in 1928 until the enforcement by Hollywood of it's Hays Code in 1934. Some people make a big deal out of that, but in truth the vast majority of films made in that period didn't have naughty content that should be censored. This is one such film. One does wonder, though, how this and similar films went over with audiences of the day. After the stock market crash of 1929, the U.S. and world were plunged into the Great Depression for nearly a decade. How many people enjoyed watching films about the wealthy gallivanting around the world or living the high life? Indeed, with unemployment that peaked at 25% in the U.S. and up to 35% elsewhere in the world, how many people could even afford to go to the movies?

marcslope Based on a successful play and moderately pre-Code, this look at 1930 Flaming Youth has Loretta Young as a not-that-interesting heiress and Douglas Fairbanks Jr., looking younger than I've ever seen him, as the nice boy forced to pose as a gigolo by his roistering buddies. There's some amusing pre-Code clucking about overnight guests of the opposite gender, and a lot of footage given over to Louise Fazenda, as a too-prim aunt unwittingly given some liquor and turning into a loose woman; this was the era when alcohol was still automatically hilarious. Warners peddles its own contemporary hit songs in the background ("Am I Blue?", "Painting the Clouds With Sunshine") and there's some clunky choreography in the nightclub sequence, but the focus is mostly on Loretta and Doug, who are quite charming together. His lack of experience shows, but he's convincingly a young man in love, and what young man could wish for a lovelier conquest than Loretta. An undemanding time capsule, with sufficient spirit.

JohnHowardReid I was really looking forward to this one. Ted Wilde directed my all-time favorite Harold Lloyd picture, Speedy (1928), and another of my top five Lloyd bests, namely The Kid Brother (1927). So I've always been curious about the other three features he directed before his early death in late 1929, namely Babe Comes Home (1927) – Babe Ruth that is, of course – Clancy in Wall Street (1930) and Loose Ankles. Now Loose Ankles proved a little disappointing for me first time around, but, oddly, it improved a lot on a second viewing. I particularly enjoyed young Loretta Young's performance on both occasions, but I thought young Doug Fairbanks' more subtle playing improved no end on my second view. Interestingly, Loretta had acted with young Fairbanks in a Clayton's murder thriller – the murder you have when you don't have a murder – The Careless Age (1929) in which young Doug was the star and Loretta's role of little importance (even though she was billed fifth). Getting back to Loose Ankles, Otis Harlan's stagey over-acting seemed even more superficial on a second viewing. And the same goes for Louise Fazenda. Although obviously filmed on a tight "A" budget, nevertheless the movie's attractive costumes and bright photography were both impressive. Available on an excellent Warner Archive DVD.

wes-connors After receiving a "foot powder" (as director Ted Wilde has the camera caress her beautiful legs), pretty Loretta Young (as Ann Harper Berry) is ready to attend the reading of a wealthy grandmother's will. She inherits a fortune, but Ms. Young must marry a nice young man and avoid scandal in order to collect. Young decides to advertise. She finds good-looking and unscrupulous Douglas Fairbanks Jr. (as Gil Hayden) through an escort service. However, their business arrangement gets complicated by love and scandal...Young's sexy opening is followed by the beautiful actress appearing in slinky attire. Not to be outdone, Mr. Fairbanks is stripped of his clothing by zealous maid Daphne Pollard (as Agnes), in order to assume a "compromising" position. However, it is cute gigolo Eddie Nugent (as Andy Martin) who gets the naughtiest scenes. Introduced in a bathtub, Mr. Nugent later appears without his pants; apparently, for no other reason than to exchange more personal foot spankings with fellow escort Norman Selby (as Terry Todd)...The cast winds up in the wicked "Circus Cafe", with leggy dancers and plenty to drink. Straight-laced aunts Ethel Wales (as Katherine) and Louise Fazenda (as Sarah) don't know the punch is spiked. Also appearing are snorting Otis Harlan (as Rupert Harper), smoking Inez Courtney (as Betty), and studly Raymond Keane (Linton Harper). Young and Fairbanks become mechanical as the supporting players take over the screen. "Loose Ankles" is stolen from them, especially by Nugent and Ms. Wales.******* Loose Ankles (2/2/30) Ted Wilde ~ Loretta Young, Douglas Fairbanks Jr., Edward J. Nugent, Ethel Wales