Look Out Haskell, It’s Real!: The Making of Medium Cool

2001
7.2| 0h55m| NA| en| More Info
Released: 19 August 2001 Released
Producted By: Sticking Place Films
Country:
Budget: 0
Revenue: 0
Official Website: http://www.thestickingplace.com/projects/projects/mediumcool/
Info

“Look out Haskell, it’s real!” details the production of Haskell Wexler‘s 1969 feature Medium Cool. It features interviews with members of the film’s cast and crew alongside critics, commentators and historical figures, and includes outtakes of Medium Cool. A 55-minute version premiered at the 2001 Edinburgh Film Festival alongside a new theatrical print of Medium Cool and with Wexler in attendance, and was broadcast on the BBC, PBS and the Sundance Channel. A version of the film appears on the 2013 Criterion Collection DVD release of Medium Cool. The documentary, which has become more an educational project than anything else and remains a work-in-progress, was expanded in 2015 and now runs approximately six and half hours (in six parts).

Genre

Documentary

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Director

Paul Cronin

Production Companies

Sticking Place Films

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Look Out Haskell, It’s Real!: The Making of Medium Cool Videos and Images

Look Out Haskell, It’s Real!: The Making of Medium Cool Audience Reviews

Scanialara You won't be disappointed!
Diagonaldi Very well executed
Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
bob the moo In the mid-late 1960's, Haskell Wexler is given the green light to make a dramatic film. However he decides to make something more interesting and slowly twists it into a film that is of greater interest to him. As he makes his personal film about the conscience of a cameraman faced with things he cannot be neutral about he finds himself drawn into a difficult shoot and eventually into the middle of real riot outside the 1968 National Democratic Conference in Chicago.Having just watched the film Medium Cool, I got the video tape where I had recorded this 'making of' film and felt I could now watch it without risk of spoiling the film (of course I didn't realize that it wouldn't have a narrative to spoil!). The film's main focus is obviously the very well known riots that Wexler and his colleagues found themselves caught up in the middle of a real riot. This event takes up the majority of the film but is not the only interesting aspect of the making of the film – although it is funny to hear Wexler say that he was worried he was going to have to hire actors to stage some minor trouble and edit it into the protest scene, a concern that wasn't in his mind as he got hit by teargas! The events around the riot are very interesting and it throws up the odd interesting story but to be honest the film itself was a record of this real event and the documentary doesn't add a great deal to that. But personal memories and extra stories all make it more interesting – including the fact that it was Warren Beatty that got the Wexler crew into the Democratic Conference.What it does do very well is add to the viewing of the film by putting a lot of flesh on other things. For example I considered the narrative of the film to be weak but here they actually manage to make the film make more sense by opening up the things such as the poor boy, the campaigning factory worker and also putting the period of the film in a great deal more context for someone like me who was not born at the time of the film's production. The contributions are very interesting and from a range of actors, crew, historians and of course Wexler himself.Overall this is a good documentary but only if you have seen the film already – without seeing it this won't work as well even if some other 'making of' films can work as general interest features. The film obviously focuses on the real riot that the crew found itself caught up in but, for me, it's greater value was to open up the actual film a lot more and help me not only understand the context of the period in terms of national mood and atmosphere but also in explaining a lot about some of the 'real' characters that the film used as part of it's imperfect narrative.