Freaktana A Major Disappointment

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Kamila Bell This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

skillysantos With all the talent and the script that thing film acquired was destined to be great. But no. It was terrible. I don't dare explain why it went so wrong. Apparently the director hasn't even made a good film in over 2 decades, so why would they choose him to make a big budget film?The biggest problem in this film were the 'mothers' and 'grandmothers'. Seriously they all look the same age, they are all young and most likely late 20s to early 30s but no, this film makes them out to seem a generation apart. Just no. In all my viewings of Asian films, this one takes the joke out of that. Continuity seems to be a major problem in this film, one second the lady warriors are taking off 2 chain mail suits and suddenly 10 seconds later they got two thick chain mail rope of about 50 metres, how is that possible? The one thing i hate about Asian films is the over dramatic fight scenes where the fighters seem to fly 10 metres because screw logic and the physics law, there is no reason that it should be added.I'm not sure if the actors reputation went in decline after but if it didn't then thats good, they put a real performance but the director - terrible. Just quit. Seriously I don't know how i managed to go through that film especially after trying to make myself quit.Warn you, don't watch it especially if you have OCD.

ehmagawditsannie Not going to spoil it much, but the beginning, was EPIC. Its about sisters (well at least by their names they are sisters) training. There's awesome music in the background and all these fancy kind of filming. (One of them, I can't remember, is pro at archery. The film exaggerates at the beginning her skill, with her shooting bullseye while fighting, and doing a back flip before letting go the arrow and it hits like RIGHT in the middle.) The first 9 minutes is a summary basically and an overview of their lives until now. Then it goes into the 'fancy high speed camera sort of scenes' for 3 minutes. (BEST 3 minutes, in my opinion) It's kind of like Fast and furious 5 where they introduce the members in the 'team'. Anyways, I loved it, especially the beginning (like i've been saying for this whole review)the plot was interesting, and (SPOILER: some of the 'sisters' do die despite their awesome kung-fu skills) but i didn't feel sad, maybe because with so many of the 'main characters' (there are 9 or 10 sisters/main characters) the film can't focus exactly too deeply on one character. I'd recommend you to check this out, (at least from 8 minutes in the movie to around 11 minutes to see that epic shoot- which is quite cheesy) but it is one of those action/fighting movies so if your interested you should watch it :)

DICK STEEL If there's a question I can ask director Frankie Chan, it will be whether he's genuinely proud of this effort. He's a veteran, and there's no denying that he's done a handful of entertaining films I've grown up with. There's no lack of funding in making this film, from the numerous costumes, weaponry, and sheer logistics in staging large scaled battles, coupled with special effects that looked really slipshod, but this one really took the cake in the disrespect shown toward production values on the whole, and with that insulted the technical craftsmanship of those who work hard in the industry, having their craft sullied by quick hacks who couldn't care less about quality so long as they get a semblance of something done. It's as if the producers had paid Cecilia Cheung millions from their budget, then realized their folly as they ran out of funds to ensure quality in their delivery such that corners had to be cut, and cut in the most disgraceful manner.Battle scenes were so obviously switched from outdoor shoots to interior sound stages with badly done green screen effects, and the action choreography itself was lacking in ideas that it started to be unintentionally funny, from obvious speeding up of frames to compensate for the actresses lack of martial arts background, to horses definitely on a slow trot rather than being ridden at top speed to escape pursuing enemies. I could have sworn the cast were just going through the motion during production, with little care being taken to ensure some form of proper stance adopted to make them credible warriors. Believability is something never considered at all by anyone in the film, and the wire work utilized here is nothing short of embarrassing the craftsman who had perfected the art of executing such moves seamlessly and without much fanfare. At best, it looked like Chinese Opera (no offense intended), with many twirls and gentle combat passing off as intense life or death battles Boasting a cast of veterans such as Ritchie Jen, Kathy Chow, Cheng Peipei and Cecilia Cheung herself amongst other relative unknowns to make up the numbers of 10 or more of the widowers from the Yang family who had to step up and be counted when the sole male bloodline is called upon to lead grossly outnumbered troops against the enemy. We learn who they all are, right down to their maiden names and weapons of choice, but frankly you would only remember the many poor wirework and effects trying to pass the characters off as formidable warriors. What you would get is the sorry feeling for any self-respecting performer having to put up with sub-standard support that calls for the actresses to be at their best to avoid laughing at themselves, keeping a straight face to deliver cringeworthy lines and juvenile action pieces.Which is a pity, because there was so much potential hidden in the film that went unrealized, if only they had paid a lot more attention to what story they want to tell rather than to take on every caricature, and added depth to the romantic story contained within, which came complete with some lesbian undertones as well. But I digress. In summary it's summer blockbuster material with a very simple plot of good versus evil, with the former being outnumbered and hampered from victory no thanks to corrupt officials, and the reliance of their strategies and wits to defeat both the enemy from within and the larger invasion forces. If done right that is. Big action pieces were assembled haphazardly, with the ones that took the cake involving Raiders of the Lost Ark type giant rolling balls on fire, and the constructing of human bridges so ridiculous it has to be seen to be believed. Characters came and went according to their conveniences when doing battle, that the initial strategy of flanking and outflanking the enemy, and the employment of military deceit, turned out to be nothing but one complete, incoherent mess.The filmmakers could have just gotten away with it if not for the very amateurish martial arts on display, since in my opinion good kungfu trounces the need of a proper plot, though not always. What's legendary in this film, was clearly the blatant slip shoddiness of its filmmaking, grossly insulting all paying audiences by conning their hard earned dollar to deliver something even if made in the 1970s, will be frowned upon for its lack of artistic merit and integrity. The subtitle in Mandarin refers to how military orders are like mountains, unmovable and expected to be followed to the letter, and would have served as a pretty awesome crux to the entire movie, but in reality these scenes became jokes, and the only unmovable experience was the innate need to see just how bad this film will go and stoop to.Films such as Legendary Amazons can be made with Mainland funding, but please either have a little quality control or stop meddling with a veteran filmmaker's vision (I have an inkling Frankie Chan could have suffered interference from those who hold the purse strings), and restrict its distribution to a home market that is perhaps a lot more forgiving than markets abroad, where competition in quality is keener, and any average films put side by side will make them look like masterpieces. Avoid at all cost, unless you have plenty of time to burn, in which I would recommend you'd get more kick out of watching paint dry. The Yang Family Warriors this is not, but more like The Yang Family Circus Clown Troupe.

moviexclusive Finally! After the glut of big-budget historical war epics that have seen tears and bloodshed, at last we get one that injects some levity into the heavy-handed genre. Yes, there is humour aplenty in director Frankie Chan's latest take on the classic 'Lady Warriors of the Yang Family', apparently titled 'Legendary Amazons' as a nod to the Shaw Brothers 1972 movie 'The 14 Amazons'- and if you're thinking how such a story would lend itself to comedy, wait till you've seen this adaptation. A prologue establishes the war between the Song Dynasty and the Western Xia Dynasty, the former led by General Yang Zongbao (Ritchie Jen) outnumbered against the latter's troops launching a fiercely fought border incursion. Facing imminent death, General Yang ties a bundle of hair to a pigeon and sends it off to his wife Mu Guiying (Cecilia Cheung). How ingeniously amusing! What are the odds that a bundle of Mu's hair carried on the pigeon would be a message of defeat? And what are the odds that the Xia enemies would have on hand a pair of eagles that is, we may add, too quickly shot down as soon as they are released to catch the said pigeon? It gets even better- as news of Zongbao's apparent death spreads around the Yang family clan, with nary a man except for Zongbao and Guiying's son Yang Wenguang (Xiao Mingyu), the whole gathering of women gathered for his 18th birthday celebration start weeping uncontrollably as if on cue. Then, just as quickly, it is decided that the wilful Wenguang- whose earlier childish act of blowing up a wall in the house compound just to get out- will be appointed to lead the Yangs, and with that, fireworks start exploding into the night sky. What a brilliant show of over-the-top humour! But nothing can quite prepare you for the hilarity as the Yang clan set off to war in obedience of the imperial edict. The first confrontation finds the Yangs outnumbered against their enemies, splitting into five separate divisions to divide up their enemy and hopefully defeat them guerrilla-style. Their tactic is ultimately undone when the reckless Wenguang gets duped by the Xia's into saving his father- but even before you chuckle at his foolishness, you'll find yourself tickled silly as his mother Muiying challenges him right on the sideline and usurps his status as marshal. Somehow, we never recalled the family fighting amongst themselves as a centrepiece of their heroism, but hey it makes for good amusement. Just as comical is the Yang women's defiance of gravity, leaping into the air and performing some quite marvellous stunts that they can very well parlay into lucrative public entertainment after the war. We have Frankie and old-school villain actor Fung Hak-On to thank for that, with some generous help no doubt from Jet Li's master Wu Bin credited as 'kungfu consultant'. No kidding! We were however unable to identify who was responsible for the numerous heroic deaths we witnessed throughout the film, because we'd like to thank that person for the hilariously fake blood spurting out and the exaggerated dying. Inspired too is the casting of the film. Lead actress Cecilia Cheung, who was reportedly paid a cool NTD$30 million to star, has a heretofore unknown gift of acting shocked that will make you burst out laughing. You have to also hand it to the filmmakers for assembling such a professional cast of actors- including veterans Ritchie, Ge Chunyan, Yukari Oshima and Kathy Chow- who are able to keep such straight serious faces in spite of the hilarious mayhem unfolding before them. When you're having so much fun, you probably won't be bothered by the messy and quite incoherent script (written by Frankie, Liu Heng and Ma Honglu) that can't quite make up its mind if certain characters- wounded or killed- should stay that way. And here we would like to ask for your pardon for our insolence thus far- it's probably clear to you that we were being sarcastic all the way, but we thought comedy must have been the sole intention of the filmmakers going by how atrocious the film really is. If you have to know, it's histrionic, over-the-top and melodramatic every step of the way. The acting is equally ridiculous, with Cecilia taking the cake for being quite possibly in line for the worst actress of the year. And what of the plentiful action scenes? They are, like the script, chaotic and illogical- worse still when you can so evidently tell the green screen behind which their landscapes were filled in. We'll leave you with quite possibly one of the most ridiculous scenes we've seen this year- a makeshift bridge assembled with two chains of metal shot from one end of a cliff to another with human steps made up of soldiers on their backs clinging onto both chains, all for the sake of their Empress Dowager-like commander Taijun (Cheng Peipei) to get across. Need a good laugh? Then we'd recommend 'Legendary Amazons', one of the most unintentionally laugh-out-loud movies you'll find this year. At least it makes a genre breakthrough by showing how you can do comedy in the midst of a big-budget historical war epic.