SpuffyWeb Sadly Over-hyped

TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Married Baby Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Michael Ledo This one had me scratching my head. It is an Asylum film, but didn't have the usual screw ups. It seemed like a Lifetime film then I found out this was a made for TV movie called "Layover." However using a picture of a pretty girl in a cage and calling it "Abduction" appeals to my perv factor, and that is what makes money.Suzanne Hollingsworth (Lauren Holly) is a rich luxury hotel owner is forced to stay in Detroit, a city she loathes. She happens to be in a room next to the proverbial Russian sex traders who abduct her. Rebecca (Kaylee DeFer), Suzanne's thrice fired kickboxing assistant springs into action. Add a few more girls to the mix, water down the story for TV, apply the abduction formula and presto you have a mediocre film where Lauren Holly visibly struggles with the poorly written role.Could we add a gay gut to this too? They are so in vogue. Maybe we could trash Detroit some more too. In a good way, it is better than most of Asylum films, but then that is not why we watch them.Parental Guide: No f-bombs, sex, or nudity. Rated TV-14 for topical material. They could have at least had one of the girls in a cheerleader outfit. What did I do with my D.E.B.S. DVD

suite92 Set in Detroit, Michigan, USA, though filmed in Los Angeles.Suzanne and Rebecca are driving to a charter flight for Suzanne. That falls through. Rebecca arranges a commercial flight, and gets fired for it. Sigh. Foul weather lands Suzanne in Detroit. Suzanne's reputation keeps her out of the better hotels.Suzanne ends up in a fleabag motel. She pounds on the wall when the neighbors are noisy, and ends up seeing something she should not have seen, namely Russians who kidnap American women as meat in the (involuntary) sex trade.Although fired, Rebecca stays on the case. Really?Rebecca gets Elliot on the case, and Elliot goes to Detroit with her to investigate. They find enough evidence to stay interested.The Russians finally look at Suzanne's ID, then make a ransom call. Elliot calls the FBI, who jump on the case.Elliot and Rebecca work on the clues Suzanne sent during the proof of life telephone call. The money drop is made. The FBI trails the mobster who picked up the money. Suzanne manages to escape the handcuffs. One mobster is full time after her.After the FBI's plan to use a transmitter on the money fails, will Elliot and Rebecca get there in time? -----Scores-------Cinematography: 9/10 There was a little camera wobble, but otherwise fine.Sound: 9/10 Sound quality could have been better on the incidental music.Acting: 7/10 Lauren Holly was fine, as were Joe Lando and Gerald Webb. Kaylee DeFer was much better than she was in the wretched Darkroom, 2013. Still, that is treading water compared to being at the bottom of the ocean.Screenplay: 7/10 Rebecca stays on the case after she's fired? I find that very difficult to believe. It was too bad that the chip-in-the-dog was not remembered until late in the game. Also, the FBI was written as being pretty lame.

Jared Clinton This should be the type of movie you can get drunk and laugh at, but the acting is even too poor for that--so poor it's actually embarrassing and uncomfortable to watch. Wasted a full bottle of wine on this. The plot is thin and really absurd. It goes beyond the realm of suspending disbelief. Even for a made for TV movie it was just awful. It starts out quite boringly, and the "climax"--if you can call it that with a straight face--was just preposterous. I don't want to delve for those of you who might prefer to watch it, don't want to be a plot spoiler. But if you do watch it prepare to be disappointed and perhaps uncomfortable. It's kind of like watching a drunk, recently dumped chic make a complete fool of themselves at a party begging everyone for attention--you just feel embarrassed on their behalf.

camink_inc This movie shouldn't be discounted because of its source — Lifetime. The screenplay was well crafted and the character arcs were excellent… direction and photography well done, and the resolution was quite rewarding and clever. We are in an age were vice is a virtue, where you can almost always be assured there is not much difference between the protagonist and antagonist. In this film there was truly a difference. Virtue is oft considered a weak trait. But that is not true, it takes guts. In this film we have a nasty boss and a young assistant who is treated badly, but in spite of that her conscience, heart, wits and courage to go beyond her hurt feelings and proves to be the difference when most people would have walked away. The acting was good, and the characters believable, and the subject one that should not be ignored. If this were a major studio movie with a big budget it would be notable hit. I give it an 8 considering it's a low-budget made for TV movie. Bravo! (Viewed on NetFlix)