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Intcatinfo A Masterpiece!

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

ofpsmith Before anybody goes nuts I do understand that this is just a B-movie made in 1931 for the Saturday matinée. But I've seen much better B-movies than this and I'm judging it purely as a movie. The story itself is okay. It's formulaic but it's nothing terrible. What really makes this film suffer is the acting. It's terrible. I don't know who's fault this is but it's pretty distracting that it seems like the actors are trying to remember what their lines are. It also seems like they're trying to decide what emotion to be. Apart from that, there's really not much to say. Like I said before the story is pretty basic and the movie's less than an hour long. Probably the biggest problem besides the acting is the fact that the movie is pretty boring. This one you can probably pass.

bkoganbing Law Of The Rio Grande follows a tried and true tradition of B westerns and even lower class of having a title that has absolutely nothing to do with the film. No mention of any river is made in this film let alone our border with Mexico.Bob Custer is our cowboy hero in this one and I read he actually was a real rodeo cowboy who went into films because the work was easier than getting on the back of a bucking bull and holding on for 8 seconds. Just watching the PBR will attest to that. He plays an outlaw who was cut loose with a bit of a con game pulled by 'dying' outlaw leader Nelson McDowell and Harry Cobb.Custer and Cobb try to go straight, but run into another old outlaw pal Edmund Cobb has his eye on a herd of cattle that Betty Cobb and her father own and on Cobb as does Custer. Going straight won't be easy because some folks won't let him, but Custer gives it his best shot.Law Of The Rio Grande was apparently butchered for early television with about 20% cut out of the print I saw. There will probably be no director's cut of this horse opera ever unearthed, but what I did see was not Red River or High Noon, but wasn't too bad and could be enjoyed by other than Saturday matinée kids.

Spuzzlightyear Strictly by the books western here. And by By The Books, I mean this has generally no surprises and no originality with this western format. A Man On The Run tries to Escape to Start A New Life, when he gets to the next county, he is at first accepted, but then His Former Life Catches Up With Him. This is discovered by A Man Who Is Not To Be Trusted. But the people who have kindly put him up Go On His Side, and luckily, Their Daughter Is Quite Cute… etc etc etc. Absolutely no surprises here. The best part of the movie actually is the opening credits, when it says it's a 'Syndicate Picture' and the female star's name is Betty Mack. I mean, make some crime pictures with her!

Hans J. Wollstein If nothing else, "Law of the Rio Grande" demonstrates what you could buy for a couple of bucks and a box lunch back in 1931. There is certainly no lack of saloon extras or henchmen in this low budget affair from Syndicate Pictures, a forerunner of sorts of Monogram, niceties that would become prohibitive later in the decade. The cast is familiar and mostly made up of silent screen actors now down on their luck. It is not that Bob Custer and the others were necessarily terrible performers, but they were audibly unfamiliar with dialog and obviously received no help from a direction steeped in silent era film-making. The surviving print of "Law of the Rio Grande" is rather grim in places, a fact that adds to the overall ennui of the too-familiar story. Mark this down as an interesting piece of independent film-making in an era of transition.