SimonJack
This movie is one of the wittiest and best sophisticated comedies every written – and ever acted. "Laughter in Paradise" ranks up there with a handful of great "quiet" comedies, such as "It Happened One Night." That 1934 film was the first and only comedy, and one of only three movies to win the big five Academy Awards – for best picture, director, screenplay, actor and actress. This movie probably didn't get much attention in 1951 Hollywood because it is a British film. But it's as good or better than the 1934 Oscar winner.These "quiet" films are not comedies of antics and hijinks that elicit rollicking laughter. Instead, they have clever and witty dialog with scenes in which the humor is as much in the situation and the performances of the actors. Unlike laugh fests, these films evoke chuckles, grins, knowing nods, smiles and other pleasant responses (even an occasional howl or burst of laughter). The screenplay for "Laughter in Paradise" is outstanding. The story is very clever and original. The plot is about four relatives – all Russells, inheriting an estate. But, hidden within are four separate stories of people changing, growing and finding new meaning in life – and new lives. It's all neatly wrapped in a mantle of ingenious comedy. The success of the comedy depends almost as much on the performances of the players. All of the cast excel in their roles. The nuances, insinuations and intimations are performed realistically and with whimsy. And, we viewers revel in the humor of each scene and situation. Top billing in the film goes to Alastair Sim as Deniston Russell. Without a doubt, Sim is one of the best British comedy actors of the 20th century. His character has some of the wittiest dialog exchanges, and some of the funniest situations. Aiding and abetting him in the comedy is Joyce Grenfell who plays Elizabeth Robson, aka "Muffy" to whom Deniston has been engaged for ten years. A.E. Matthews plays her father with aplomb – Sir Charles Robson. Very close to Sims in his role are George Cole as Herbert and Guy Middleton as Simon. Fay Compton is superb as Agnes. Her role is as much serious as comedic, but she shares some wonderful comedy situations with John Laurie who plays Gordon Webb. Other supporting actors are excellent in their roles. Ronald Adam plays the nasty and mean- mannered bank manager, Mr. Wagstaff. Or, as Herbert says, "Mr. Wag-stoff," who refers to Herbert as a bank "clark." There's more than a little exaggeration with some English accents. Eleanor Summerfield plays Sheila Wilcott, the very competent and admiring secretary to Deniston. Mackenzie Ward is Benson, the loyal and clever butler to Simon. Beatrice Campbell is Lucille Grayson, all too ready to be snared by Simon. Several small parts are very good – a couple of police sergeants and constables, Gordon Webb's daughter Joan, the private detective Roger Godfrey and others. One other notable mention is Audrey Hepburn as a cigarette girl. The beginning film credits even draw attention to her: "And introducing Audrey Hepburn." It was just her second film that came out just a month after her debut in a lesser movie, "One Wild Oat."This is a great film and one that should be in every serious movie collector's library. It should be on any list of the funniest movies of all time. The musical score is excellent. The direction and all quality aspects are superb. And there are some scenes with little or no dialog that will have one chuckling if not laughing out loud. Sims has great scenes trying to get caught shoplifting and later in court. Here are some sample lines from the film. The humor of these is magnified greatly by the visuals.Agnes, "It should not be necessary for people to die in order to have their photograph dusted."Herbert, "Oh, no sir. She's not a lady. She's my landlady."Dictating an opening scene of a new crime novel to Sheila, Deniston says, "I walked over and slugged her in the kisser… She certainly was a swell tomato." Sheila (Miss Wilcott), "Not many people can get a book published at all, and look at you. Scores of them and under 15 different names."Elizabeth, to Deniston, "You promised to take me out tonight, and I've had a bath especially."Herbert, "It's impossible. Not even a real gangster would dare to point a gun at Mr. Wag-stoff. Or point anything at Mr. Wag-stoff."Deniston, to Simon, "I couldn't possibly burgle somebody I didn't know."Simon, after stopping to help a stranded motorist (Lucille), "Do you know anything about cars?" Lucille, "Not a thing." Simon, "Fine!" He looks under the hood and turns to Lucille, "Well, if you ask me, circumventer on the ubiquitous praxtile…" Lucille, "What?" Simon, "… seems to be blown."Herbert, "Well, sometimes worms change their spots."Deniston, "Elizabeth, you have no idea what it cost me to be rude to your father. Or, for that matter, what it would have cost me if I hadn't been."
dougdoepke
Alastair Sim would make a perfect undertaker. With those Bassett-hound eyes and that mournful hand-wringing manner, he's made to preside over the Slumber Room and ease you into the priciest model. So, it never fails to surprise me that he's also a first-rate comedic actor, maybe even the last word in droll comedy. And he pulls off the humor so slyly, with just a minor change of expression. What a wonderfully artistic contrast he is to today's rub- your-nose-in-it brand of comedy. This is not his best vehicle, but the movie does have a clever premise and a couple of good set-ups—the shoplifting sequence, and any scene with Joyce Grenfell. The sketches, however, are more amusing than hilarious, and the humor never really peaks out in a climactic way. It's also perhaps one of the sweetest comedies on record, insisting that the key to happiness is pairing up with another, even in the case of those two cranky old people. That's the wisdom behind the will's requirement— old man Russell makes each beneficiary experience what is most missing from his or her life, and in the process, become a better and happier person.Note the shot taken early on at America's brand of hard-boiled detective fiction, probably then making inroads into popular British fiction. So, by combining America's street- tough style with traditional British prose, writer Russell (Sim) produces something amusingly ridiculous, like "Petal arched her alabaster arm above her patrician brow in a moment of precise exasperation before he smacked her in the kisser." Anyway, I thought those passages were both funny and cleverly offbeat. All in all, this little comedy may be no knee-slapper, but it is rather sweetly memorable.
moonspinner55
Occasionally likable bit of British whimsy has the four greedy, spineless relatives of a deceased practical joker having to humble or humiliate themselves to get their share of the inheritance; naturally, behaving in a manner they're not accustomed to, they become better individuals. Nicely-cast comedy-drama gives Fay Compton in particular a marvelous role as a shrike who is reduced to working as a maid; small bits by Sebastian Cabot (as a poker player with marvelous eyes) and Audrey Hepburn (as a cigarette girl with a tiny little voice) are also worth noting. Hepburn made brief appearances in several British films of the early-'50s before her breakthrough role in 1953's "Roman Holiday", and it's clear from her cameo here that she had star-charisma but was in need of direction and molding. The picture isn't very funny or fresh, but there are bits and pieces which are successful. ** from ****
siccy17
From the very beginning this is a classic. The characters are built up very nicely, each one of them having a particular character flaw. Their dead relative, henry russell (the practical joking man) has set them a task which they must achieve before they can gain their inheritance. seems pretty simple on the base level. but when you look close it is a fantastic piece of social commentary and spiritual guidance. each character changes for the better, having seen the light and the error of their ways doing something they would never have thought of on their own. it takes something like that to show people their own faults and force them to do something about it. this film does it with such class and grace that you can't helpt but find it a masterpiece. and i was a stoned 19 year od when i first watched it!! the money not being there is the coup de gras and the perfect end to this tale. no one is that bothered about it, as their reward has already been recieved - the change to their lives that they all needed and didn't even know they desired!brilliant
