Kirpianuscus
the basic sin of this film could be the well known story. the virtue - the nuances of this well known story. because, against the similarities with Brockeback Mountain, the comparison with many other films about the same theme, it is a film who has its individuality. the fragile success in Germany, the links with the past, the new life and the secret who becomes obvious, the reaction of community to a fundamental sin, the symbols - the old house as one of the most powerful -, the bitter poetry are small but significant pieces who transforms an ordinary story about homophobia in a special pledge for tolerance. and this is the important thing. the silence, the relations, the victim, the image of happiness and error. so, a film who can not be reduced at the basic theme. and this is the great thing - to present, using the right tone, a forbidden love story. the rest is silence.
Geoffrey
This film is about the young and handsome Hungarian lad Szabolcs who plays in a German football team. One day after a lost game and a fight with his friend Bernard he decides to go back to his home country. He inherited an old and dilapidated house and decides to renovate it. One evening a young lad, called Áron tries to steal his motorbike. He catches him but they end up being friends or some sort of "lovers" and renovate the house together. Áron is struggling heavily with his feelings…The people in the neighbourhood get to know about their relationship and start harassing both boys. I have a double feeling after seeing this movie. On the one hand it is nicely directed, the setting is lovely, the boys are quite handsome (they are even bare-chested half of the film) and the love scenes are touching, dialogues are sparse but sufficient… On the other hand this is one of the so many negative gay movies. We have seen the story over and over again. I know there are still a lot of prejudices against LGTB people in Eastern Europe and many other parts of the world, but this film has almost no positive image in it. It's mostly depressing and negative. Like the director wanted to give the message: if you are gay you will end up living or dying miserably and everyone else will hate you. Why are there so little positive LGTB films? Why is it always about homophobia, difficult coming out, one of the lovers not excepting his feelings… I would definitely not recommend this to gay people.
Tom Dooley
Two boys are talented football players in Germany Szabolcs is from Hungary and his best friend Bernard is German. Then after a particularly unfruitful game, Szabolc decides to return to Hungary and live in the broke down farm that he inherited from his grandfather.Whilst he had rejected his homosexual urges in Germany - once he gets home he meets Áron and for him it is a game changer. The thing is it is also a game changer for the whole community. To say any more may be veering in to plot spoiler territory. Needless to say there are depictions of homophobia here. Some may say that we have seen it all before, but films like this need to be made to address the still pervading attitudes in many countries and communities towards LGBT people.Filmed in Hungarian, German and a tad of English with good sub titles. This is done using an original story line, a group of talented actors and a lot of warmth. The decisions that some of the characters make may be questionable, but I am pretty safe in saying that we all have made mistakes in our lives. I found this to be engrossing, sensual - in parts - and ultimately moving; this is for lovers of gay cinema in all its parts.
Jason King
LAND OF STORMS is based on a true story and this flawed me. It is one of the most beautiful films I have seen all year, slightly "BROKEBACKISH" and one of the most evocative films of love and pure tenderness. It is sensual, powerful, filled with love and heart and it is also a Shakespearean-styled tragedy of the heart that embraces martyrdom. Shakespeare would have have given this film a standing ovation. Szabolcs (András Sütö) is an exceptional football player, he is in running to play for Germany, but he does not know what he wants from life, he plays football purely for his father and has little passion in it. He barely knows himself, being in the football team there is a lot of bonding and near nakedness from teammates, his roommate is pretty much in love with him and possibly vice versa. Szabolcs sabotages his position on the team and basically runs away back to his bequeathed home in Hungary. The place is falling down and it leaks like a sieve but he likes it. One night Szabolcs wakes to see some guys trying to ride away on his bike, he tackles one of them to the ground who hits his head and becomes unconscious. He does the right thing and nurses Bernard (Sebastian Urzendowsky) back to the sunlight. Bernard feels guilty and helps Szabolcs fix his house up and start patching the roof. They bond, they form a friendship, they get drunk and have a lot of fun and one thing leads to another and a sexual encounter occurs, an encounter that is all about Szabolcs pleasing Bernard, Bernard keeps himself removed but enjoying the sensation. At this stage that Szabolcs falls in love and sees his moment to get away from it all, he doesn't give a XXXX about his football life, he wants the picket fence and he could possibly have it here with Bernard. And this becomes a difficult love affair in a town that has never had a gay. Bernard is confused and also spends his life looking after his sick mother, he confesses in his confusion that his new employer Szabolcs felt him up but he didn't stop him. It gets to the town, poor Szabolcs gets beaten and outcast, but he really doesn't give a XXXX. In the meantime Bernard is struggling with his newfound sexuality that for the first time in his life involves tenderness and love and it goes beyond his dick, it reaches to his heart. And so begins an on again off again relationship set in a strange Hungarian country town that are naive to the ways of homosexuals and preferred they didn't taint the town with their dick on dick action :). To throw a spanner in the works, once Szabolcs is head over heals his old roommate Áron (Ádám Varga) turns up to see Szabolcs in the hope their love will start. And here we have a tense life choice, love or love, country bee-keeping with a new life, or possible love while playing for Germany in football. The direction, acting and cinematography of this film are superb. The film felt subdued and slightly sepia but this gave it a poetic and emotive hue. Hungarian director Adam Csaczi's assured debut feature delivers in every way, it never becomes melodramatic, it maintains heavy drama and sensual romance but still has moments of high comedy and moments that will make you cry and then his finale, a moment that will punch you in the stomach, with a car. I never saw it come, but it did and I questioned it the entire way home and then reminded myself it was based on a true story, this never helped. The thing that got me about this film was the heartfelt tenderness and chemistry, these aren't incredible sex scenes with a set of 50 people and Angelina rubbing ice down her boobies, these are two guys, scruffy, and I have never seen something so loving and tender, I would kill for that chemistry and tenderness, and the scene with the door, a glass door, it is really short, but honestly one of the most cutest and romantic scenes I have ever seen, these guys are incredible as an on screen couple. The film is also strong in its thoughts and values on homophobia, there are some brutal scenes that had an audience of Sydney gays gasping. It is basic in its approach, people can be cruel, narrow minded bigoted people who would rather beat something than learn about it. It never lingers and it never lectures but nearly every gay man would have experienced something like this in their life, it covers so much of the spectrum of homophobia. Finally the cinematography, it is subtle and it is stunning, it is painted canvas with vastness in colours and camera angles that light up the screen, the high angled shots of the farm house and using the centred shot as opposed to off-centred shot works well. The shot towards the start of Szabolcs walking through the field towards the dilapidated house is beautiful, it was these scenes and the use of sunlight and beautiful night lit scenes that made the film stand out. I clap the film cinematography from Marcell Rev. This is the closest movie to BROKEBACK MOUNTAIN since BROKEBACK MOUNTAIN, it is stunning, it is sensual and it is tragic but at the same time beautiful, romantic and filled with comedic and also deeply emotional moments. I LOVE THIS MOVIE, DEFINITELY ONE OF MY FAVOURITES FOR THE YEAR.
