Rijndri Load of rubbish!!

Reptileenbu Did you people see the same film I saw?

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

T R I really enjoyed Lagerfeld Confidential. I actually found it quite riveting. I enjoyed the stream of consciousness-like feel and I really enjoyed Lagerfeld's dry, insightful and light humour. The nameless people who drifted throughout added to the dream-like quality and you had to guess who they were or what relationship they had (or not) to Lagerfeld. I may be completely wrong, but reviews which panned this because they said it is not revealing at all, have missed the point. I get the feeling that Lagerfeld is exactly as he is portrayed here. I have met people similar to him in my life and that's how they are. Even though Lagerfeld had say over the final product, I still think this would be quite close to how he is in life. He is very self contained. I thought overall it was intriguing.I found Lagerfeld's childhood story and how he internalized his mother's reaction to be very sad. .Lagerfeld made some very profound comments about life towards the end which I found surprising and quite fascinating. I think the title says it all. Lagerfeld said he did not want to be a reality in anyone's lives. He wants to be like an apparition. He thinks solitude is a victory. I think that's the theme of this movie and it came through very clearly. The fact that it wasn't the typical doc is what makes even more interesting.

ihrtfilms Certain people become quite unknown despite their fame or work and Karl Lagerfeld is one of them. He is perhaps one of the greatest designers of modern times, adored utterly and is something of an enigma. I was interested in seeing this for those reasons and the fact that someone of his standing would provide an interesting insight.I was however, very disappointed and felt there was less insight more just following. Lagerfeld the 'designer/celebrity' is barely away from the screen concealed behind his dark glasses. When he does sit for an interview he is short and sweet with his answers barely enlightening anyone. As interesting as it is seeing him work and occasionally play there is little insight into what drives him or thrills him. Another vast problem the film has is the lack of explanation of what we are seeing or indeed who we are seeing. Events occur, fashion shows, meetings, photo shoots, all self explanatory, but it would be nice to know exact details. Likewise we meet many people and you are never informed who they are, which is very frustrating. Of course the film is about Lagerfeld, but if other characters in this world are to be seen, we should know who they are.Lagerfeld clearly loves what he does and works immensely hard and that is clear to see, but we never really see what I feel is the real Lagerfeld, only once, where he has no glasses on and sits at a desk drawing a dress, did I feel that I glimpsed Lagerfeld who isn't on display. I found it very differcult not to compare this to another recent film that looked at another adored desingers Valentino. In Valentino: The Last Emperor, we are treated to an amazing insight into someones life, one that is very similar to Lagerfeld, but we get to see the real Valentino, passion, stress, humour and love. With that we have a fascinating and vibrant film that makes us understand who this person is. In Lagerfeld Confidential there is none of that and we are left bored and uninterested with what we see, which is a huge shame as surely beneath those glasses there is an amazing life and a fascinating person.More of my reviews at my site iheartfilm.weebly.com

mark_decew Early in this film, Karl Lagerfeld hides from the camera behind a magazine as he informs us he does not want to be photographed without his sunglasses on. A later shot catches the legendary designer through a window 'sans specs' and it feels like the filmmaker has captured him in a rare vulnerable moment. This is but one indication of the kid gloves used by the director in this mildly interesting borderline puff piece of a portrait documentary. Much of the film features the back of Lagerfeld's head as the camera is lead about by his ubiquitous silver pony tail down catwalks, into town cars, up private jet ramps, and behind photo shoots. Often it feels like the POV of a typical fashion industry fawning lackey nipping at the master's heels. Do not expect deep insights from the minions in his sphere, as Lagerfeld's guarded commentary (in french) is the only real voice in the film beyond the soft-ball questions lobbed in by the off-screen director. It seems clear that access to the subject was at risk and any offense was to be avoided. One can easily imagine the editor considering how every cut would be received by Lagerfeld when the movie would first be screened by its' 'star.'Relatively little of the designer's work is featured here and we are left with more sense of the man's personal style than his contributions to the fashion world. The few photographs of his life included are presented without chronology or context and are concentrated in comparatively concise sequences. Too much screen time is spent lingering on the gorgeous male models consistently spinning in his orbit.Not a bad film by any means, but risk-free and superficial. The closest we get to real incite on the fashion icon is when he references his mother who it would seem was one interesting gal. I would really like to have heard from others who know the man (collaborators, rivals, critics, family, etc) though I'm certain many live in fear of him. Does the man have a temper? He seems the type but the viewer gets no indication of any personality flaws, quirks, fears, weaknesses and consequently, real depth of character.

Kenneth Svedlund I was very excited to see this documentary. As far as I know, not too many films has been made about Karl Lagerfeld. But I must say that I was disappointed upon seeing this film. Everything about Lagerfeld is interesting and he has a lot to say, but this documentary just won't give it to you. It's more like somebody has followed him around shooting bits and pieces. Presented in a Your-buddy-filming-a-party kind of style, very sad unfortunately. It is very poorly shot. I got seasick in the theater. Research is lacking too.So if you are a big Lagerfeld fan, of course you will want to see it anyway. But my guess is that you will be, like me, still waiting for someone to make a real documentary about him. //Kenneth,