Lady Beware

1987 "When fantasy leads to terror..."
5.8| 1h52m| R| en| More Info
Released: 14 August 1987 Released
Producted By: Scotti Brothers Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Young and good looking Katya, a window dresser for a big department store in Pittsburgh, begins a love story with a journalist, Mac Odell. She is however stalked by Jack, a married man who has a fixation with her.

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Director

Karen Arthur

Production Companies

Scotti Brothers Pictures

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Lady Beware Audience Reviews

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
Noirdame79 I found this film disturbing, but extremely watchable. I've always admired Diane Lane and it's great that her career is back on track. LADY BEWARE is a bit ahead of its time, just before the crime of stalking became, sadly, an all too common offense. What I really enjoyed about the movie is how Lane's character Katya turns the tables on her sicko stalker Jack (the very creepy Michael Woods) in the climax, letting him know how it feels to be trapped. And there are some funny moments with her department store coworker Lionel (who is obviously gay) and Froggie, the teeth happy Doberman. Katya's life and home becomes a prison of fear because her privacy and life has been so invaded by this psycho. Her boyfriend Mac (Cotter Smith) disappears from the scene as her life spins more and more out of control (what happened to him?). One of the attitudes prevalent in cases such as these is, "Did she invite this person into her life? Did she ask for it?" Because of Katya's window-dressing, provocative and unique, it seems that many of the viewers at the time and the other characters may have thought so, there was absolutely nothing that she did to make her a victim. It seems that the victims of this crime are the ones that are punished, and Katya is no exception. She has to bar her windows, change her telephone number, stay inside all the time for fear of something happening to her, give up family and friends, and most of all, her sense of security. This is the sad and harsh reality of what stalking victims face. But the turning of the tables is what makes this movie. I recommend this to people who want a different view of stalking and feminism. I love the feminist slant!!! Worthwhile viewing, but don't watch it at night or alone, and be glad there are now anti-stalking laws, because at the time the film was shot, there wasn't. Don't pass up "LADY BEWARE".
mcfly-31 It is hardly believable for most of its running time, but at least it keeps you watching. It begins when Lane sort of pushes her way into a job as a window dresser. This was the second film of '87 to feature one following the Andrew McCarthy comedy "Mannequin" (this one is even replete with a flamboyantly gay co-worker, too). But, ooh boy, is this a much different movie. Lane's gutsy and provocative displays get her noticed in good and bad ways, one of which is by a perverted x-ray technician, played by Woods. First we get the typical stalking; she's followed home; he steals her mail; harrassing phone calls. But at one point the perv scales the wall of her apartment/loft, takes a bath, and does something rather gross to one of her nighties. All the while talks to the police are mostly kept off-screen an d Lane keeps putting up with everything. Which, again, is one of the many implausible elements of the film. Only in movieland would the victim accept the challenge and begin playing cat and mouse games with the wacko. Plus the MANY unintentional laughs, like Woods dancing around her place in a bathtowel, him doing a Spiderman impression by climbing down the side of her building on a rope so he can break in, and Lane cursing her mirror while she repeatedly spits on it. The ending is a downer, too, kind of a letdown. Though different, it's mostly ineffective. And what the hell happened to Smith's character? All of a sudden he's dropped and never mentioned again (I'm sure he didn't care considering that love scene he got to do with Lane, hubba hubba). I must say the performances are there big time. Lane, aside from being absolutely gorgeous, which is saying nothing of her eye-popping (among other things, hehe) topless shot, really conveys her loss of freedom. At times the stuff she spouts is a little over the top, but is delivered nice enough. And if Woods is indeed James Woods brother, talent is definitely in the bloodline. His characters' only mis-step is not being more agressive with Lane. Early on she talks suggestive to Smith on the phone, appearing to be open sexually about herself (which is also indicated by her window displays). But Woods approach is more scary, which just makes her pissed. This was one of only a few good movies from the quickly defunct Scotti Bros. before they withered away and is too bad. Though pretty much unknown, it's a decent little thriller.
AnaBH A young woman trying to prove herself in the world of window dressing. Her very erotic imagination leads to great success and recognition in her career. Unfortunately, one of those observing her windows is an obsessed stalker. Through twists and turns this psychological thriller will keep one on the edge of his seat and possibly even aroused.
Tangor Diane Lane is a window dresser whose life is turned upside down by an obsessed stalker. The suspense in this dark tale rises to a fever pitch over a series of increasingly threatening incidents. The cinematography is stark and, though in color, has the feel of earlier film noir suspense.