Josephina
Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
Leofwine_draca
Review of Part One: KUNG FU KILLER is a TV movie that seeks to win viewers by re-teaming two stars of Tarantino's KILL BILL films, David Carradine and Daryl Hannah. The result is a mostly unsuccessful little feature that lacks excitement or intrigue, happy instead to follow well-worn plot routes instead of carving out new territory.The biggest flaw with this film is the pacing. The film's frankly boring, a little action here and there not doing anything to change that. The film is book-ended by a couple of half-decent, large scale battles – owing much to the graphic climax of Stallone's RAMBO in terms of editing and choreography – but throughout the middle section, little occurs. David Carradine is playing pretty much the same character as he did in his television series KUNG FU, but he's a lot older here. Watching a guy in his 70s fight is not exactly something I enjoy doing, but Carradine acquits himself well and shows he's still got it. Sure, he's doubled on occasion, but I found his fight scenes more convincing than those in a recent Steven Seagal movie, for instance. The supporting cast don't make much of an impact, and Daryl Hannah, doing her own singing in the role of a, well, singer, is frankly terrible.KUNG FU KILLER's biggest strength is that it was actually filmed in China, so a lot of the scenery and locations are authentic. Sadly, these do little to distract from the ho-hum storyline. This was originally conceived of as a two-part miniseries, and a sequel, KUNG FU KILLER 2, follows the same characters in a new story. To add insult to injury, the version I saw was the heavily-edited children's version, which omits ALL of the graphic violence and bloodshed. This is another good reason for me not to like it.Review of Part Two: KUNG FU KILLER 2 is the second part of a miniseries that was broken down into two separate feature films for television release. The first in the series was a middling period martial arts would-be epic that had plenty of wasted potential; much the same can be said of the sequel. As the story kicked in I realised I was enjoying this a lot more than the first movie. There's a stronger storyline, even if it does follow the basic 'journey' template meted out by countless kung fu flicks of old, but it has incident, character, and extremely attractive surroundings. Added to that, the fight choreography seems slightly better and less choppy, too.Sadly, things fall apart in a big way at around the halfway mark, so much so that the film grinds to a halt and only lifts slightly for a lacklustre climax. There are heroes, villains, and some characters mid-way between the two, but by this time we can't really care about what's going on as the director has long before lost us. All of the first film's lead actors reprise their roles to middling effect, and of the new cast members, only Anya makes an impression as a layered villainess; she's great in the part.There isn't much of note here. Carradine hangs around and is surprisingly decent in the acting stakes, but he does little. Daryl Hannah is a complete waste of space, again. There are one or two genuinely decent fights, one or two bizarre interludes (such as the bits where the party fall foul of some killer courtesans and angry lepers), some lesbian undertones, and a muddled, gloomy ending. It's not absolutely awful, and the money's up on screen, but as with the first film, this could have been so much more.
aren_
"White Crane" (Kung Fu Killer) is to me classic David Carradine doing his legendary "Kung Fu" only he's older. If any of you remember his TV shows "Kung Fu" in the 70's and "Kung Fu: The Legend Continues" of the 90's in which Carradine fights in a majestic and powerful way and shares with you his words of wisdom then you should love this, if you have been brought up on the films of Jackie Chan and Jet Li where they jump around like they are on something hitting their opponents a dozen times without defeating them but some how winning in the end then you may not appreciate this style of Kung Fu movie. Daryl Hannah does a good job as a 1930s singer and looks the part and Osric Chau is excellent as a young Kung Fu student.
Hugh Boy
Were do I start? How bout DO NOT see this movie! I watch almost every Kung Fu/Martial Arts movie that comes out. I love anything with Jackie Chan, Jet Li and any Shaw Bros films. This movie is trash from beginning to end. With an M 15 + rating, there is little to no kill scenes and the fight scene with that decrepit old man hurt to watch. This movies script could have been written by a three year old. The most corny thing I think I have ever seen. I created an IMDb account so I could warn people like myself from wasting their time and money on this abomination of a Kung Fu Film. Apparently there was some acting... I missed it. Do your self a favour (correct spelling in Australia) even with its enticing name, DO NOT do it to yourself, you will only regret it !
gridoon2018
"Kung Fu Killer"'s main drawing card is that it reunites two big names from "Kill Bill" - David Carradine and Daryl Hannah - but let's face it, this is not the shining moment in either of their careers: Carradine is getting too old and static to participate in continuous action scenes, and Hannah has a rather thankless "object of desire" role. The real reason for which I would recommend seeing this film is the presence of Anya as a henchwoman. Apparently she had a near-fatal car accident in 2003, but she returned to her career, and despite a couple of remaining scars, she still looks stunningly beautiful. She also seems to have worked on both her martial arts skills (impressive) and her acting (arguably the best in the film - though her character suffers at points from poor writing, and it seems as if the writers wanted to suggest that she is lesbian but not go "all the way"). The story is kind of slow and plain, but the production values are passable, and there is some good fighting at certain points; I liked how the choreographers incorporated choking / grappling techniques in the fights - particularly when Lin Tong Hsu (the Head Siren) used them! (**)
