Acensbart Excellent but underrated film

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Kinley This movie feels like it was made purely to piss off people who want good shows

sweetie_pie2238 When the disasters start happening, the movie turns out to be very explosive, and it kept me on the edge of my seat. The only issue I had was the ending. A little bit more of an explanation as to why the aliens wanted certain people would have been great! Overall it was a very good movie!

Suntootoo I tried watching this movie but got so frustrated because I couldn't hear Cage and Byrne when hey spoke! Sound effects were plenty loud but the conversation was so low that even turning up the volume on my TV strained my hearing!

Jenni I liked the idea of those prophecies and that someone could have foreseen all the disasters years ago. So, the basic setting in this film was interesting but that's about it. It didn't make me laugh nor cry. Boring and mediocre for most of the time and then the ending... It just ruined the film for me. I'm not really into any alien stuff, so I didn't like the ending. The references to bible and God "helped" a little, because you could also think that those aliens were angels and the whole thing was God's will and stuff like that. It didn't save the movie, because that kind of ending isn't my cup of tea either, but I liked that they gave an opportunity to think the ending also differently than just bunch of aliens saving some random kids.I hoped for some National treasure -kind of adventure with some code breaking and mystery solving but this wasn't anything like that. I can't recommend this film, sorry.

Screen_Blitz This science-fiction thrill piece starring Nicolas Cage in the protagonist role is a film blooming with brainy concepts on science and religion, while hanging over apocalyptic themes that pay reminiscence of other end-of-the-world flicks like 'Left Behind'. After all, the key figure in the story is revolves around what appears be a biblical prophecy, although the spiritial theme only serves as a small undertone here rather than driving the storyline. Director Alex Proyas, the father of projects such as 'Dark City' and 'I, Robot', exhibits his grandeur of visual stimulating style that manages to triumph over its compelling, if somewhat flawed plot. Proyas is successful at making the thought-provoking ideas work, even if they are occasionally little rocky. The only major flaw is lies in the final act that borders on the line of preposterous. It is not a groundbreaking piece of work for the genre, but it is just enough to warrant for a sweet recommendation. This film opens up in 1959, at an elementary school where children are given the assignment to draw pictures of what society will like fifty years from that time. One girl, Lucinda Embrey (played by Lara Robinson), draws a long series of seemingly random numbers and places the paper in the school's time capsule. Flash forward to fifty years later, a nine-year old Caleb Koestler (played by Chandler Canterbury) and his class open up the time capsule, and Lucinda's paper is found in his hands. When he shows the paper to his widowed father John (played by Nicolas Cage), an astrophysics professor at Massachutes Institute of Technology, John believes the numbers are enigmatic codes to disasters occurring around the globe. Enlisting the help of Lucinda's daughter Diana (played by Rose Byrne) and granddaughter Abby (also played by Lara Robinson), John must encrypt the message of what seems to be a sign of a global catastrophic event. Some may question whether Alex Proyas is trying to deliver a cautionary tale about an apocalyptic prophecy or is pinning viewers with complex ideas of science and religious theology. Both are more than likely doubtful, especially when the plot shows little respect for the laws of science to begin with. Nonetheless, it keeps things deeply eerie and grim in terms of storytelling and tone, almost bordering the line of a psychological horror thriller. Caleb and Abby are children who are haunted by mysterious entities, resembling the alien creatures from 'Dark City', who introduce them to terrifying visions of the world facing mass destruction, an eerie, yet shocking concept that is placed with sweet visual spark in one scene where the former looks out his window and sees the forest engulfed in flames. The main protagonist in the story however, is John Koestler who is infused with a performance by Nicolas Cage that can only be described as acceptable, but not bad. When Koestler learns of the terrifying secrets behind Lucinda's prophetic message, that is when the story kicks into gear, allowing Proyas to experiment with his engaging concepts. His attempts at breathing life into his ideas are mostly successful and set room for some visually electrifying sequences such as devastating plane crash that leaves several victims flailing in flames and a subway crash that racks up an enormous death toll. However, the third act, which is predictable and sets up with heavy emotional sigma, is a little absurd; especially if how unrealistic the characters behave to such an unnerving situation that is on the horizon. Shouldn't they be more terrified? On the bright side, the audience is blessed with a riveting score by Marco Beltrami to settle the tone.Knowing is a compelling doomsday-themed piece with a chock of interesting ideas of science and religion put into play, and a surprisingly enthralling execution by Alex Proyas who brings his powerful visual grandeur to the game. It is a flawed picture with an execution may have a few scars, but not enough to make it a sore to sit through. Don't expect it to be anything revolutionary.