Cathardincu Surprisingly incoherent and boring

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

deiscire Review for "Kiss the Bride" (2007 movie) Come into "Kiss the Bride" expecting a big gay romance or even a gay version of "My Best Friend's Wedding" and you're going to be disappointed. Watch it with an eye for some great one-liners (the car rental agent!), a surprisingly insightful look at relationships, and an appreciation for deep, platonic relationships and you might have a chance of liking it.The premise: Matt (Phillip Karner) receives a wedding invitation from his long-lost, high school best friend (and first love), Ryan (James O'Shea). Imagine his shock when it turns out that Ryan's fiancé is a woman! Just how did the guy who taught Matt how to, er, orally pleasure a man (by example) end up with a woman? So of course Matt must return to his rural hometown to save Ryan from his marriage and their mutual hometown.Already sounds like a carbon copy, right? Don't pass on this film just yet. Central to this story is the question of what 'I love you' really means and why we can't ever divorce ourselves from our history (and, really, why we shouldn't).Over the course of the movie, we see groom-to-be Ryan and his fiancée, bride-to-be Alex (Tori Spelling) have a great, playful chemistry. Tori Spelling and James O'Shea did a good job of portraying a comfortably warm, affectionate couple that are together for the long-haul (only anxious about the wedding itself). The answer to why marriage makes them so anxious is neatly answered in a speech towards the end of the movie, which some viewers might not like (personally, I like the dramatic realization/speech delivery in this movie. Tori Spelling did a great job there and voiced a thought that I think many people have when it comes to marriage).It is, however, the relationship between our two lead men that really drew me in. The two actors do a great job portraying the deep, deep affection (dare I say love?) that's still between the two men. I can't say too much without revealing too much, but I am proud of Ryan's character for being proud to call Matt his "first love...first everything." That their connection is transcended the normal boundaries of friendship spoke true to me.I'll admit I'm a sucker for friendships that just go above and beyond, but I think the actors did a great job here. If that type of relationship appeals to you, then I think you'll enjoy this film quite a bit.

arizona-philm-phan I'll admit that on first watching I was mightily disappointed, particularly in view of what I consider C. Jay Cox's much better, gay-related work, "Latter Days." However, repeat viewings of "Bride" have resulted in my initial impression taking on a somewhat more positive spin, as you may gather from other of my comments, below. In this work it seems the director and writer are trying to tell.....no, make that show.....us that sexual preference (if not also orientation), is not just a black or white, a yes or no thing; rather it's a continuum and can change over time. Still, even if you consider that theme to be well handled, in no way does this production come close to achieving/maintaining the high interest levels being attained by that other recent gay film, "Shelter" directed by newcomer Jonah Markowitz.}If by now you're wondering, this movie......if it's anything......is a "seriocomedy." It is NOT a gay romance (although at an earlier, teenage time in our two male leads' lives, there might have been the beginning spark of romance----no, come to think of it, even then it was more likely to have been just youthful lust). So, with that out of the way, you might ask how this production works as a semi-serious comedy. On this, all I can say is that in such a genre, comic timing is everything, and I suspect that comedy performance has not been the background of either of our male leads (but older, supporting cast members Tess Harper and Robert Foxworth keep the chuckles coming fairly reliably). Karner / O'Shea almost get it on the button at times.......but a successful comedy needs more than "almost" when it comes to timing. Still, what Philipp Karner (Matt) does do well is deliver sincerity---and you're going to like him for that. And then there's James O'Shea (Ryan), who effectively gives us a "confused sweetness"---you'll fall for that as well. Oh, yes, and he also "puts out" for us in the form of a good looking face and an excellent body (and er, ahem, that includes a great ass and a nice package---more than enough there to have shared with a Karner, who could stand a "boost" in those departments). As for Spelling, I'm not a "Tori-fan," but she does come across as miles better here than she was in another gay film, "Trick." Along with secondary character actress Amber Benson, we also have Steve Sandvoss, and both are "carryovers" from "Latter Days." Sandvoss' character and a "buddy," played by Michael Medico, are given fairly frightful parts in the opinion of this viewer. Even so, it's too bad that whoever put together/approved the Cast List for the film's Closing Credits didn't know enough to realize they'd gotten these two player's character names reversed (that must make one feel good as an actor).One last point, for those of you who might keep up with such things: Karner does get from O'Shea a lot better lip-locks (both in quality and number) than does Spelling. How about them apples?PS--This DVD won't get tossed out in the trash (as some have been)----but it's hardly likely to make it onto this viewer's "Addictive" list*** either.***Other films which are habit formers: "Just a Question of Love" / "Brokeback Mountain" / "Boy Culture" / "All Over the Guy" / "Second Skin (Unrated Version)" / "The Man I Love" / "The Man of My Life" (maybe for older viewers) / "Oh Happy Day" (you just gotta take in this one) / "Fashion Victims" (only if you've got a Region 2 DVD player)****

suavejock2 What can I say? This was one awful movie to watch. I am normally not very critical of gay cinema in general, due to the fact that most are usually low-budget, but this really pushed me up the wall. I mean, is this was has happened to gay cinema? Haven't gay producers and directors learned anything from Gus Van Saints and Ang Lee's films?. Just having to sit through the entire movie was like being in a dentist's chair and having my wisdom teeth extracted. I kept on praying for moments where I would feel any sort of connection with any of the characters, but that never happened. Most of the characters performances were just not very convincing. It was like watching one of those badly produced made-for-TV movie specials on a local access TV stations. I cannot tell u how greatly disappointed It was seeing this film after being a big fan of Tori Spellings other works and the directors last work on "Latter day saints." It was definitely not worth the wait. Definitely, a few hours of my life I will never get back and will certainly not be purchasing it on DVD.

pebsdad This is an oft-used line, but it really sums up this movie..."If this is the current state of gay cinema, then we're in real trouble". I saw this film at SIFF because of the high IMDb rating (7.6) and if there was ever a case of vote stacking on IMDb, then this is it. Just watch the number fall over the release weeks of the film.Easy plot...Boy finds out his high school ex (boyfriend) is getting married to a female friend of theirs so he goes back to his old hometown (still carrying a 10 year old torch) to see what happened.First off, I liked "Latter Days", the director's last feature, despite its cookie cutter characters and plot contrivances, but you're supposed to become a better director with each subsequent release. I don't know how you get horrible supporting performances out of so many TV veterans (Robert Foxworth, Joanna Cassidy, Tori Spelling), but somehow he managed to. The writing was Lifetime Network quality (way back when they were REALLY bad) and the situations were unbelievable AND uncomfortably hard to watch. I kept reaching for a non-existent remote control to fast forward, but ultimately made myself stay to the end, hoping for a decent ending. Ugh...no. Even the gratuitous male nudity that popped up during the movie was so blatantly gratuitous that it seemed to be there to keep people in their seats. To be fair...the 2 leads, especially in the gratuitous nude scenes, were gorgeous. There was also a real sweetness between them during their rekindling friendship as they uncovered how they went separate ways. And the film looked great...good quality and color saturation for an independent film.How is it that network TV can give week after week of great, entertaining weekly episodes (Like "Ugly Betty", "Desp. Housewives", etc.), but so many feature releases in similar genres can be as bad as this?