BootDigest Such a frustrating disappointment

Stometer Save your money for something good and enjoyable

VeteranLight I don't have all the words right now but this film is a work of art.

Smartorhypo Highly Overrated But Still Good

dead47548 Kings & Queen is the first film I've seen from writer/director Arnaud Desplechin, but I can already tell that he is a master director and, perhaps even moreso, a master storyteller. This is a film filled with an ensemble of highly complex, emotional, tragic, comedic, realistic, compelling and human characters. As an outsider into the universe that Desplechin creates these people seem normal in most ways, but what makes them so real is that in each character's head they are the focal point of their universe. Which is an obvious thing to say since that's true about every human being, but it's rarely demonstrated in films. Most films feel like they are their own universe and the characters are just people in that universe, moving along as characters and not necessarily their own personal worlds. That isn't the case here, though, as all of these people maneuver as their own individual universes inside of the overall scope that Desplechin as masterfully created. They aren't just one-note characters; they are their own kings and queens of their world, if you will.This film focuses on two very different characters going through two very different stories. Nora (Emmanuelle Devos) is a woman who is faced with many grueling dilemmas. She is living with a history of loss and pain, and only gets more of this as she learns that her father has bowel cancer and only a few more days to live. Along with this she has to try and manage her son from her first marriage and her upcoming third marriage to a new man who her son doesn't like. There is so much on her plate, yet she always tries to keep her emotions in check and tries to keep a joy in her life. This bleak, emotional melodrama is split with the character of Ismaël (Mathieu Amalric) who is her polar opposite. Ismaël, Nora's second husband, is someone with no harshness in his life. He has a sort of magic around him at all times, no matter what state his life is in. He too is facing hard times. The IRS is attacking him and we are introduced to the character as two men from a psychiatric hospital show up at his doorstep and drag him away to their hospital. This story is filled with immense life and highly absurd comedy, which is a perfect mix for the painful melodrama of Nora's journey.One of the many geniuses of Kings & Queen is how Desplechin weaves these two different stories together so seamlessly. Not only do the characters feel remarkably real, but they feel as if they belong to the same universe. It's so rare these days to find an ensemble film where everything fits into the same world, instead of these big chunks of different characters that feel as if they are just mashed together from completely separate films but the writer/director tries to put them all together. Films like that always feel bloated and awkward as they transition from one entirely different universe to another. Kings & Queen features two highly unique types of journeys, but the transitions are never awkward and the film is never bloated. Whenever we are watching Nora, in the back of our minds we are still thinking about where Ismaël is on his journey through the film. And likewise, whenever we are watching Ismaël, we are thinking about Nora as well. This is a huge compliment to Desplechin as it is the perfect example for how he puts these people in the same universe, instead of entirely different films.Devos and Amalric lead a highly impressive ensemble cast through this epic journey of tragedy and comedy. Everyone helps Desplechin in making their characters so rich and alive. You can tell that each actor has put a long history inside of their roles that we only get to see a portion of throughout the course of the film. Mathieu Amalric is an absolute revelation a, and easily the most remarkable of the cast. I wouldn't hesitate to go so far as to say that it's one of the best performances I've ever seen. He is filled with charisma and life, but also with a hint of insanity just below the surface. His Ismaël is an extremely bipolar narcissist who greatly impacts everyone that comes across. I can safely say that I've never seen a performance like it and that he dazzled me for every moment he was on screen. Emmanuelle Devos is almost as impressive, bringing so much emotion to a point just below the surface where you can tell how much everything is affecting the character but she holds it down for most of the film, so that the scenes where she lets that emotion pour out are much more compelling and say a lot more about her character at that time in the story.

Roland E. Zwick "Kings and Queen" is a bloated French drama that rambles on for an interminable two hours and thirty-two minutes to no discernible point or purpose.The film features two stories that seem unrelated at first but which eventually connect with one another about halfway through the movie. The first centers around Nora and her struggles with various men in her life, including an elderly father who discovers he has only a few days left to live. The other story involves a young man named Ismael, a violinist who finds himself placed - unfairly, he believes - in a mental institution through the machinations of an unknown third party. After traveling along on separate tracks for awhile, these two narrative strands eventually come together when we learn that Ismael is a former lover of Nora's and the man she has chosen to adopt her son from an earlier, tragic relationship.With a bit more focus and a considerable amount of streamlining, "Kings and Queen" might have been a potent, engrossing drama about modern day relationships. It certainly has moments of tremendous insight and emotional power, and the performances are, for the most part, complex and touching. But, taken as a whole, the film meanders and maunders to such an extent that, quite frankly, it begins to wreak havoc on our patience and to wear out its welcome early on. Even more distressing is the fact that, even though we spend what seems like a mild eternity in the company of these people, we really don't know quite what to make of any of them when the show is finally over. For instance, Nora's father, on his deathbed, writes a withering diatribe against his daughter's character that simply doesn't gibe with the woman we've been looking at for well over two hours. Nora is admittedly no Mother Theresa (then, again, who is?), but she certainly doesn't deserve the invective thrown at her by her very own father. Nora could be accused of being confused, indecisive, a bit self-absorbed at times, but evil enough to have her father wishing he could give her his cancer and make her die in his place? I don't think so.Perhaps this film is simply operating at a level of depth that I was unable to fathom. But my suspicion is that even writer Roger Bohbot and co-writer/director Arnaud Desplechin would have trouble fully explaining their purpose here. This is a well acted, pretentious bore of a film that takes the viewer on a long, rambling voyage through a sea of personal crises, a journey that leaves him no wiser or more enlightened at the end than he was at the beginning.

jotix100 Armand Deplechin's "Rois et Reine" offers a lot of different ideas, plots and subplots. Unfortunately, most of them aren't as fully realized as in his other, better made films. Then, the copy that is showing at New York's Lincoln Plaza complex, has a washed out look to it, and the subtitles aren't visible at times. The viewer has to strain the eyes in order to get all what's going on in this complex tale. This is a big problem for foreign films with subtitles that seem to fade in the picture itself. Also, at the session we went there was an annoying group of ladies who, evidently, must have been watching another film, as they kept laughing at times when they should have remained silent.At any rate, this is a complex film that seems to have a lot of influences, mainly mythological and even it has shades of Shakespeare's King Lear. At two hours and forty minutes in length, the film could have used some badly needed trimming. It appears M. Desplechin don't know when to cut some of the things one sees in different sequences that could have been helped with the principle that "less is more".One thing the director can't be blamed for is the wonderful performances he gets from all his actors, especially, the luminous Emmanuelle Devos, who does an amazing work portraying Nora, the woman at the center of the story. Also good, Mathieu Amalric, who is Ismael, the man that connects a lot of different points to the story. Maurice Garrel, as Nora's dying father is compelling. Valentin Legong as little Elias is also a great asset.Let's hope M. Desplechin new venture will be a bit tighter in his future work.

fabibi How do you create a follow up to the two masterpieces that were "Comment je me suis disputé" and "Ester Kahn" (we won't talk about the dull "Léo... en jouant Dans la compagnie des hommes") ? You just listen to what your heart has to say, however hard and difficult it might be, and make no compromises. You don't fear to be misunderstood. You care about the audience but do not let them influence your work. You're a genius but you still have doubts, and these doubts make your art even better. "Rois et Reine" ("Kings and Queen"), Arnaud Desplechin's latest film, lasts 2h40mn and, in spite of its length and its harsh contents, is utterly entertaining, fascinating, moving and even funny. It does not fear to be (often) irritating and boring : the burlesque moments, for instance, are quite annoying, but then again, that's a personal point of view. The thing is, the storyline about Nora's relationship with her father and her ex boyfriend and her son, and then again Ismael's relationship with Nora's son and with his family are so powerful, they don't need more. Unfortunately, Desplechin is often reluctant to cut deep in his movie and as a result, "Rois et Reine" sometimes looks like a long, long ride. Add to that some unfortunate flash backs burdened by bad acting (the character of Pierre) and boy does the movie sound dull at times. Emmanuelle Devos and Mathieu Amalric, finding here the roles of a lifetime, are absolutely fascinating. When in the end, Nora discovers the secret pages of her father's diary, or when Ismael spends an afternoon with Nora's son, it's devastating. I've rarely seen a movie that translates human emotions so beautifully. Just for that, "Rois et reine" is a must see.