Evengyny Thanks for the memories!

Steineded How sad is this?

Stevecorp Don't listen to the negative reviews

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

jacobs-greenwood Directed by John Sturges, this unassuming thriller stars Ethel Barrymore, Maurice Evans, Angela Lansbury, Keenan Wynn, Betsy Blair, John Williams and Doris Lloyd. Edward Chodorov wrote the original play (from a Hugh Walpole story), and the screenplay with Charles Bennett and Jerry Davis.It's Christmas-time and Mary Herries (Barrymore) asks her live-in maid Rose (Lloyd) to give the carolers some money. Mr. Foster (Williams), the bank's new representative, has some business to attend to with Mrs. Herries. After it's concluded, she gives him a gift to pass along to the former representative and asks what he would like for Christmas. He declines but she insists that it will be a book. Another gentleman knocks on the door and asks Rose about the door knocker. She summons Mrs. Herries who confirms that the knocker was made by an Italian artist. She asks how he knew and he replies that he's an artist too.The next day, Mrs. Herries notices the artist in the park across the street. She walks to him and notices that he's painting her home's facade. She comments that his work is satisfactory and asks to see some of his paintings. After she returns home, the artist introduces himself as Henry Elcott (Evans); he has brought three of his paintings, which he to show her while noticing her wonderful furnishings and a fancy cigarette case. When she turns to ring for Rose, he pockets the case and then rushes out, leaving his paintings behind. Mrs. Herries notices the case's missing.Later at a bookstore, Elcott returns Mrs. Herries's cigarette case, apologizes for taken it saying that he pawned it but, after selling a painting, was able to return it. Being the forgiving woman that she is, Mrs. Herries then goes to Elcott's squalid apartment where she learns that he paints while another woman takes care of their infant and his wife works. Mrs. Herries thinks this is a despicable, tells him so and leaves. Later Elcott receives 25 pounds from Mrs. Herries; he shows it to his wife Ada (Blair) as proof of his painting's value.Elcott shows up at Mrs. Herries home again, toting a painting of his wife, whom he says is with their child across the street. When he points them out, Ada stands and faints. They all rush to Ada, then carry her and the baby inside. A doctor enters the home and diagnoses that Ada has pneumonia and shouldn't be moved. Mrs. Herries tells Elcott to take Ada to the bedroom upstairs. After another visit from the doctor, Mrs. Herries is told that Ada's recovery might take a couple of weeks; Elcott then escorts the doctor out.After a few days, the cook quits telling Rose that she should too. She can't stand Elcott, who's become a bossy resident with his wife. Mrs. Herries is visited by her niece Lucy, who notes that Elcott is painting her aunt's picture for her hospitality. After she leaves, Ada's 'family' the Edwards arrive - Mr. (Wynn) and Mrs. Edwards (Lansbury), and their ill-behaved daughter - with bags in hand! Rose reports this, and the cook's departure, to Mrs. Herries who has finally figured things out. She tells Rose to call a nursing home to send an ambulance to come get Ada, and not to be frightened. Elcott enters to introduce the Edwards family and finds that she's wise to the situation. However, it's too late: Mrs. Edwards secures Mrs. Herries in a sitting position on her bed while Edwards catches Rose calling the nursing home. Mrs. Edwards cancels the call, and the takeover is complete.Behind a cover story that Mrs. Herries is losing her mind, Elcott satisfies the local constables that she must be moved to the country. This makes the selling of her home's antiques acceptable and accounts for any screaming that might be heard. Rose has been locked in her quarters. Edwards becomes the butler while his wife replaces the cook. Eventually, Ada assists too. But Mrs. Herries refuses to sign a power of attorney for Elcott. In order to make Mrs. Herries realize the hopelessness of her predicament, Elcott invites an art dealer to visit her and price her paintings. She slips him a note but he returns it to Elcott on his way out (he'd been told she was crazy). When Rose's family shows up, Elcott is quick to invent a story that she'd left with a married man, and pays them Rose's back wages to seal the deal. Mr. Foster, asked to secure a buyer for the home, is the only one who has any doubts.To escape her predicament, Mrs. Herries begins to work on Ada. She then pays Mrs. Edwards 200 pounds for the key to Rose's room. Edwards is upset that his wife wants to leave the setup. Meanwhile, Mr. Foster communicates his doubts to his boss, but his superior is reluctant to accept them. Ada is convinced to unlock Rose's door, but she is caught escaping and is killed by Edwards. When Mr. Foster calls to request a meeting, Elcott realizes his gig is about up and instructs Edwards to eliminate the old lady. Edwards finds her positioned in her wheelchair in front of an open window, rushes into the room, and pushes her out the window. Mr. Foster and the constables rush to the scene while Edwards rushes downstairs to join his wife and Elcott. Suddenly, the living room doors are thrust open by Mrs. Herries, who has Ada behind her. It was Rose's dead body that was pushed out the window. Mrs. Herries opens the door to allow Mr. Foster and the constables to enter and arrest the guilty.

dougdoepke A kindly old dowager takes a penniless artist into her lavish household, only to find out he's got his own plans.For a filmed stage play, the movie surprisingly never drags. That's a tribute to a tight screenplay and excellent staging. For example, catch how director Sturges in the first confrontation scene positions the four intruders in the foreground so they appear now to loom over the exasperated old lady (Barrymore), symbolizing their gradual reversal of authority. Then too, Sturges has basically only a single set to dramatize with, a real staging challenge.However, the movie really belongs to the mild-looking Evans (Elcott) who manages an effortless study in civilized evil. His manipulations are so understated that his malignant nature sort of creeps up on you. It's one of the slyer incarnations in the history of bad guys. And get a load of the Edwards family, with the shrill Lansbury, the hulking Wynn, and the bratty Aggie. They're household help from heck, and we know Barrymore's in big trouble when this British version of The Beverly Hillbillies walk in the door. Anyway, the tension stays on high as we feel trapped along with the kind lady. All in all, the movie's a minor gem of claustrophobic suspense.

edwagreen Maurice Evans has a field day as a supposed artist who tricks his way into the home of dowager Ethel Barrymore and then with the aid of Keenan Wynn and Angela Lansbury, hold her hostage in her own home. They try to make others believe that Barrymore has gone insane and proceed to sell her belongings along with the house.George Sanders would have had great fun in the Evans part but the latter is convincing as the vicious con artist. Betsy Blair is appealing in the small role of his disturbed wife. Wynn and Lansbury have what it take as the evil co-conspirators.The trio almost pull it off but we know that they will not. Utterly engaging and exciting.

Marie-7 Understated acting makes this production a gem. In the present world movie making is so slipshod as far as plots are concerned; however, I highly recommend this movie - the 1951 version - to anyone who loves old movies. Isn't Ethel Barrymore wonderful? and Maurice Evans is scary. Did anyone pick up on the fact that Rose's sister, Mrs. Harkley, is actually Angela Lansbury's mother, Moyna MacGill? I heartily recommend this wonderful movie.